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# Indigenous Curatorial Collective

Activating Indigenous Creative Sovereignty

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## Posts

- [Stories Within Stories](https://icca.art/stories-within-stories/) - Stories Within Stories Requiems: Jim Logan Hiding From the Boogeyman (2018) Acrylic on canvas Jim Logan By Stefan St-Laurent In literary and visual criticism, mise en abyme describes a structure in which an image or narrative is embedded within another, sometimes repeating in a seemingly endless sequence. In Requiems: Jim Logan, this recursive structure becomes
- [Indigenous Curatorial Collective (ICCA) Launches Limited-Time Membership Offer for ARCA Members](https://icca.art/indigenous-curatorial-collective-icca-launches-limited-time-membership-offer-for-arca-members/) - FOR IMMEDIATE RELEASE Indigenous Curatorial Collective (ICCA) Launches Limited-Time Membership Offer for ARCA Members Ottawa, Ontario — June 21, 2025: The Indigenous Curatorial Collective / Collectif des commissaires autochtones (ICCA) is offering a limited-time special membership rate of $100 exclusively for members of the Artist-Run Centres and Collectives Conference (ARCA), RCAAQ, AGAVF, and ARCCO. This
- [Movement, Material, and Continuance: The Cereal Box Canoe](https://icca.art/movement-material-and-continuance-the-cereal-box-canoe/) - Movement, Material, and Continuance The Cereal Box Canoe By Jason Baerg Greg A. Hill's Cereal Box Canoe is an evolving vessel for thinking through Indigenous presence, material transformation, and movement. The work gathers domestic consumption, artistic adaptation, and cultural continuance in a form that is at once sculptural, performative, and relational. Figure 1. Greg A.
- [Proposed U.S. Tariffs Threaten Canadian Artists and the Circulation of Indigenous Art](https://icca.art/proposed-u-s-tariffs-threaten-canadian-artists-and-the-circulation-of-indigenous-art/) - FOR IMMEDIATE RELEASE Proposed U.S. Tariffs Threaten Canadian Artists and the Circulation of Indigenous Art ICCA and the Visual Arts Alliance calls for immediate federal action to protect artists, galleries, cultural organizations, and Canada’s visual arts marketplace Ottawa, Ontario — August 10th, 2026 ICCA and The Visual Arts Alliance (VAA) is calling on the Government
- [ICCA Launches 2026 Curatorial Fee Schedule to Support Fair and Sustainable Pay for Indigenous Curators](https://icca.art/icca-launches-2026-curatorial-fee-schedule-to-support-fair-and-sustainable-pay-for-indigenous-curators/) - FOR IMMEDIATE RELEASE The ICCA Launches 2026 Curatorial Fee Schedule to Support Fair and Sustainable Pay for Indigenous Curators Ottawa, Ontario — August 31st, 2026 The Indigenous Curatorial Collective / Collectif des commissaires autochtones (ICCA) is pleased to release its 2026 Curatorial Compensation Policy, a new national resource created to support fair, transparent and sustainable
- [Beyond the One-Liner: The Masks of Brian Jungen](https://icca.art/beyond-the-one-liner-the-masks-of-brian-jungen/) - Beyond the One-Liner: The Masks of Brian Jungen by David Garneau The Dunlop Art Gallery, Regina, April 29 – June 18, 2000 Border Crossings, Vol.19 #4, November 2000.[ 1,107 words ] Six masks rest inside two, large, oak-framed vitrines, of the sort favoured by anthropology museums in the first half of the last century. They
- [Kevin Mckenzie | Re-Animator](https://icca.art/kevin-mckenzie-re-animator/) - Kevin McKenzie, “Re-Animator,” 2005, giclee print, 40.6 x 50.8 cm. Photo courtesy of the artist. Kevin McKenzie | Re-Animator By David Garneau MacKenzie Art Gallery July 19, 2006 to September 24, 2006[Originally published online for Galleries West, 2006] Kevin McKenzie’s Re-Animator stirs up some interesting questions about how we read photographs. If you stumbled into
- [Frank Shebageget: Quantification](https://icca.art/frank-shebageget-quantification/) - Frank Shebageget: Quantification By David Garneau [First published as a catalogue essay for Tribe, 2003] Frank Shebageget’s exhibition, Quantification, uses dominant culture modes—repetition and Minimalism from Modernist art, and lists from Statistics—to demonstrate how people are made into colonized subjects. But his work is not dispassionate or burdened by black and white moralizing. Shebageget, an
- [Dana Claxton’s Sitting Bull and  the Moose Jaw Sioux](https://icca.art/dana-claxtons-sitting-bull-and-the-moose-jaw-sioux/) - Dana Claxton’s Sitting Bull and the Moose Jaw Sioux [Originally published: “Dana Claxton: Sitting Bull and the Moose Jaw Sioux.” Vie des Arts #197 2004: 93.] By David Garneau Since 1997 Moose Jaw, Saskatchewan, has attracted tourists to its prohibition-era Tunnels tour. Costumed actors lead visitors from basement to basement under the historic and well-preserved
- [Bob Boyer and Jeff Thomas](https://icca.art/bob-boyer-and-jeff-thomas/) - Bob Boyer and Jeff Thomas By David Garneau [Originally published: “Bob Boyer and Jeff Thomas. Border Crossings #94 2005: 108-9.] In one week this March you could see at least six Aboriginal visual art events in Regina: Mary Longman’s sculptures at the Mackenzie Art Gallery, a performance by Reona Brass at Art Projects and another
- [Norval Morrisseau: Artist as Shaman](https://icca.art/norval-morrisseau-artist-as-shaman/) - Norval Morrisseau: Artist as Shaman By Barry Ace Perhaps more than any other Aboriginal artist in Canada, there is a voluminous collection of published and unpublished manuscripts and writings on the art of Norval Morrisseau. Yet today, we are no closer to arriving at an understanding of this larger-than-life Ojibway painter who remains shrouded under
- [The Way Ahead: Surveying The Curatorial Landscape](https://icca.art/the-way-ahead-surveying-the-curatorial-landscape-2/) - The Way Ahead: Surveying the Curatorial Landscape By Barry Ace Urban Shaman Gallery March 17th – 19th, 2006 Winnipeg, Manitoba Final Report The ACC/CCA hosted its first two-day international colloquium to draw attention to pertinent issues within the contemporary Aboriginal arts and curatorial practices that exist across Canada and abroad. The gathering featured prominent Aboriginal
- [The Malady of the Jingle Dress?](https://icca.art/the-malady-of-the-jingle-dress/)
- [The Way Ahead: Surveying the Curatorial Landscape (Colloquium Panel and Presentation Overview)](https://icca.art/the-way-ahead-surveying-the-curatorial-landscape-colloquium-panel-and-presentation-overview/) - The Way Ahead: Surveying the Curatorial Landscape (Colloquium Panel and Presentation Overview) By Barry Ace Urban Shaman Gallery March 17th – 19th, 2006 Winnipeg, Manitoba March 17, 2006 On March 17th, the participants, members and invited guests arrived in Winnipeg for the Aboriginal Curatorial Collective (ACC/CCA) colloquium entitled, The Way Ahead – Survey the Curatorial
- [Inuit Art. By the Book?](https://icca.art/by-the-book-early-influences-on-inuit-art/)
- [The Way Ahead: Surveying The Curatorial Landscape Review](https://icca.art/the-way-ahead-surveying-the-curatorial-landscape-review/)
- [The Discourse Of Authenticity In Canadian Aboriginal Art Excerpt From William Kingfisher's Master Thesis](https://icca.art/the-discourse-of-authenticity-in-canadian-aboriginal-art-excerpt-from-william-kingfishers-master-thesis/) - The Discourse of Authenticity in Canadian Aboriginal Art (Chapter Two) Excerpt From William Kingfisher’s Master Thesis By William Kingfisher The discourse of authenticity is embedded in the colonial relationship between Aboriginal people and Euro-Canadian society. This colonial relationship can be read as an ongoing attempt by Euro-Canadians to assimilate Aboriginal people into Euro-Canadian society. The
- [Brian Jungen: More than a Curator’s Artist](https://icca.art/brian-jungen-more-than-a-curators-artist/)
- [Brian Jungen: Plus qu’un artiste pour commissaire](https://icca.art/brian-jungen-plus-quun-artiste-pour-commissaire/)
- [Copper Thunder](https://icca.art/copper-thunder/) - Copper Thunder By Robert Houle Norval Morrisseau died on December 4, 2007, at the Toronto General Hospital from complications of Parkinson's disease. Named after a powerful and fantastic celestial cultural hero in Anishnabe mythology, Norval was indeed Copper Thunderbird. Apart from the romantic and exotic resonance of this spiritual name, it also signified a cultural
- [Launch a Feast for Scavengers](https://icca.art/launch-a-feast-for-scavengers/)
- [Witness: A Symposium on the Woodland School](https://icca.art/witness-a-symposium-on-the-woodland-school/) - Witness: A Symposium on the Woodland School of Painters Edited by Bonnie Devine A joint publication by the Aboriginal Curatorial Collective and Witness Introduction The gathering in Sudbury called Witness brought together some of the most influential and renowned artists and scholars in the world of contemporary Canadian Aboriginal art. Hosted by the Art Gallery
- [Rebecca Belmore’s Performance of Photography](https://icca.art/rebecca-belmores-performance-of-photography/) - Rebecca Belmore’s Performance of Photography By Amber-Dawn Bear Robe “But I–already an object, I do not struggle. I foresee that I shall have to wake from this bad dream even more uncomfortably; for what society makes of my photograph, what it reads there, I do not know….but when I discover myself in the product of
- [Scouting Venice](https://icca.art/scouting-venice/)
- [Candice Hopkins’ Top Ten](https://icca.art/candice-hopkins-top-ten/) - Candice Hopkins’ Top Ten by Candice Hopkins This Top Ten list was initially compiled for the Banff International Curatorial Institute symposium: entitled Trade Secrets Education/Collection/History that took place between November 12 and November 14, 2008. Each of the participants presented their current research in the form of a “Top Ten list.” The list is associated with magazines like Art
- [Aboriginal Words and Arts Practices in Quebec Today](https://icca.art/aboriginal-words-and-arts-practices-in-quebec-today/) - En français Aboriginal Words and Arts Practices in Quebec Today By France Trepanier Lisez ici les pratiques artistiques et verbales autochtones au Québec aujourd'hui en anglais. An event organized by the First Nations Circle at L'Université du Québec à Montréal (UQAM) November 20-22, 2008 Translated from French by Chris Creighton-Kelly and France Trépanier. Wôlinak, Kitcisakik,
- [Paroles et Pratiques Artistiques Autochtones au Québec Aujourd’hui](https://icca.art/paroles-et-pratiques-artistiques-autochtones-au-quebec-aujourdhui/) - In English Paroles et Pratiques Artistiques Autochtones au Québec Aujourd’hui par France Trépanier Read Aboriginal Words and Arts Practices in Quebec Today in English here . Un événement organisé par le Cercle des Premières Nations de l’UQAM Du 20 au 22 novembre 2008 Wôlinak, Kitcisakik, Kitigan Zibi, Manawan, Wemotaci, Ouje-Bougoumou, Wendake, Mashteuiatsh, Listuguj, Kahnawake, Kawawachi
- [Cosmologies: Anything that Exists has a Beginning](https://icca.art/cosmologies-anything-that-exists-has-a-beginning/)
- [Interview with Wanda Nanibush](https://icca.art/interview-with-wanda-nanibush/) - Interview with Wanda Nanibush, curator of Sovereign Acts by Gloria Bell Interview with Wanda Nanibush, curator of Sovereign Acts, Justina M. Barnicke Gallery, Hart House, Toronto, On view from April 18th - May 27th, 2012. Brought to you by the Aboriginal Curatorial Collective (Gloria Bell). Music credit - Salted Caramel (Black Twig Pickers and Steve
- [Interview with Suzanne Morrissette](https://icca.art/interview-with-suzanne-morrissette/) - Interview with Suzanne Morrissette, curator of Setting: Land by Gloria Bell This is an interview with Suzanne Morrissette, curator of Setting: Land, an exhibition at the Thunder Bay Art Gallery, Thunder Bay, Ontario, on view from April 7th - May 27, 2012. Suzanne discusses the constructed nature of landscapes, geographies and histories, and the exhibition's
- [Interview with Jessie Short and Vanessa Dion Fletcher](https://icca.art/interview-with-jessie-short-and-vanessa-dion-fletcher/) - Interview with Jessie Short and Vanessa Dion Fletcher by Gloria Bell This is an interview with Vanessa Dion Fletcher and Jessie Short, curators of the exhibition EMNOWAANGOSJIG // COMING OUT: The Shifting and Multiple Self, held at the Toronto Free Gallery. Jessie and Vanessa talk about the development of the show, hearing the phrase coming
- [Podcast with Tatiana Lomahaftewa-Singer](https://icca.art/podcast-with-tatiana-lomahaftewa-singer/) - Podcast with Tatiana Lomahaftewa-Singer, curator of 50/50 Fifty Artists / Fifty Years by Gloria Bell 50/50 exhibition, MoCNA, Photo Credit: G Bell Michelle McGeough artwork, Photo Credit: G Bell 50/50 exhibition, MoCNA, Photo Credit: G Bell Tatiana Lomahaftewa-Singer is the curator of collections at the Museum of Contemporary Native Arts in Santa Fe, New
- [Buffalo Dudes perform at MoCNA, Santa Fe, August 2012](https://icca.art/buffalo-dudes-perform-at-mocna-santa-fe-august-2012/)
- [Re-Imagining Indigenous Portraiture:  Will Wilson’s Critical Indigenous Photographic Exchange](https://icca.art/re-imagining-indigenous-portraiture-will-wilsons-critical-indigenous-photographic-exchange/) - Re-Imagining Indigenous Portraiture: Will Wilson’s Critical Indigenous Photographic Exchange By Gloria Bell Through collaboration with my sitters, I want to indigenize the photographic exchange. We will generate new forms of authority and autonomy, not assimilation, as the basis for a re-imagined vision of who we are as Native people. – Will Wilson Diné (Navajo) artist Will
- [A New Day, A New Director](https://icca.art/a-new-day-a-new-director/) - A New Day, A New Director by Ryan Rice The appointment of a new Director of the Aboriginal Art Centre (formerly the Indian and Inuit Art Centres) at Aboriginal Affairs and Northern Development has finally been realized after numerous years of uncertainty. Kitigan Zibi Anishinabeg Linda Grussani enters the position with an exemplary record that
- [Interview with Curator Ellen Taubman](https://icca.art/interview-with-curator-ellen-taubman/) - Interview with Curator Ellen Taubman, Changing Hands: Art Without Reservation 3, Museum of Arts and Design, New York City Interview by Gloria Bell Ellen Taubman is the guest curator for the exhibition Changing Hands: Art Without Reservation 3: Contemporary Native North American Art from the Northeast and Southeast, at the Museum of Arts and Design, New
- [Interview with Christi Belcourt for Walking With Our Sisters](https://icca.art/interview-with-christi-belcourt-for-walking-with-our-sisters/) - Interview with Christi Belcourt, contributing artist and coordinator for Walking With Our Sisters More than 600 Indigenous women and girls in Canada have gone missing or have been murdered in the past 20 years. Many have vanished without a trace with little concern for their disappearance or murder paid by the media, the general public,
- [Echoes at Remai Modern, Saskatoon](https://icca.art/echoes-at-remai-modern-saskatoon/) - Echoes at Remai Modern, SaskatoonBy Michael Peterson It’s the presence that stayed with me in Echoes, the Remai Modern’s exhibition of recent acquisitions by Indigenous artists. The presence of Indigenous bodies, which a good friend once reminded me are always political. Because we are still present; we haven’t been erased. Duane Linklater, The place I
- [UNCEDED: Voices Of The Land](https://icca.art/unceded-voices-of-the-land/) - UNCEDED: Voices of the Land 2018 Venice Architecture Biennale May 26–November 25, 2018 Lead Architect: Douglas Cardinal Curators: David Fortin and Gerald McMaster by Jason Baerg Indigenous architecture is not object orientated. 2018 is a historical year for Canada in Venice. The renovations to the Canadian Pavilion in the Giardini della Biennale are completed, and
- [UNCEDED: Terres en récit](https://icca.art/unceded-terres-en-recit/)
- [The Clearing After A Storm](https://icca.art/the-clearing-after-a-storm/) - The Clearing After A StormRebecca Belmore, Fringe, 2008, Cibachrome transparency in fluorescent lightbox, 815 x 2448 x 167 mm, National Gallery of Canada. In Rebecca Belmore: Facing the Monumental, Art Gallery of Ontario, 2018. © Rebecca Belmore By Brett Graham Rickard also asked whether Indigenous artists continue to have responsibilities to their communities. “Everyone has
- [Joi T. Arcand at the University of Saskatchewan College Art Gallery 2, Saskatoon](https://icca.art/joi-t-arcand-at-the-university-of-saskatchewan-college-art-gallery-2-saskatoon/) - Joi T. Arcand at the University of Saskatchewan College Art Gallery 2, SaskatoonBy Michael Peterson A tinny melody can be heard as you move through Joi T. Arcand’s exhibition she used to want to be a ballerina, on display at College Art Gallery 2 on the University of Saskatchewan campus. It is the chorus from
- [Validation + Matootasoon](https://icca.art/kay-fiddler-validation-matootasoon/) - Validation As a two spirited individual it seems sad to be invalid in another indigenous mind. The Colonial thought has shadowed our families’ mindset of a two spirited person. This piece is a self-Portrait of celebration of self through preservation and resiliency. With my ancestors looking over me, I stand confidently and I feel my
- [Aki](https://icca.art/daanis-pelletier-aki/) - Aki My piece focuses on me and expresses my relationships, values, my form of self care. With the intent to build a better and stronger relationship with myself as well as to create a connection with indigenous youth that struggle with any sort of identity. My piece represents who I am and how I perceive
- [Connections](https://icca.art/jesslynn-friday-connections/) - Connections This piece is representing how colonialism impacts our connection with our homelands and ancestors. The way I’ve chosen to represent colonialism is by a net that’s over a turtle. The turtle represents our homelands and the spirits holding the cultural items represent our ancestors that are alive today or have passed on. Most indigenous
- [Christyn Koostatchin Tundra Depiction, Blossom, and Turning Point](https://icca.art/christyn-koostatchin-tundra-depiction-blossom-and-turning-point/) - Tundra Depiction, Blossom, and Turning Point Since the fall of 2015, at the age of 15, I have been leaving and visiting my home community for an education. The journey for each and every one of us is different, but what is unknown is what kind of people you’re going to meet, where your choices
- [Sapi (Roots, Raíces) - Knowledge Within Us](https://icca.art/sapi-roots-raices-knowledge-within-us/) - Sapi (Roots, Raíces) Adina Farinango, Sapi (Roots, Raíces) 2020 Commissioned for the ACC/CCA’s Knowledge Within Us digital publication. Adina Farinango is a Kichwa artist based in Lenape-Hoking. Her work is centered on showing the resilience and strength of matriarchs in her community. Using art and digital illustrations as a form of resistance she hopes to
- [Bodies of Floating Knowledge - Knowledge Within Us](https://icca.art/bodies-of-floating-knowledge-knowledge-within-us/) - Bodies of Floating Knowledge Enacting a kaupapa Maaori research methodology for survival. Part of the ACC/CCA’s Knowledge Within Us digital publication. As a Maaori I hold a worldview that is intricately connected to the landscape I inhabit. The Maaori term for indigenous people is ‘tangata whenua’, tangata meaning people and whenua meaning both
- [Poetry Collection - Knowledge Within Us](https://icca.art/poetry-collection-knowledge-within-us/) - Poetry CollectionPart of the ACC/CCA’s Knowledge Within Us digital publication. Bloodlines https://icca.art/wp-content/uploads/2025/01/Bloodlines_complete.mp3 I inherit from my bloodlines Filled with the hopes and dreams of my Mother my Grandmother Overflowing with memories of pain of love of a thousand names for each caveat carved out of and into my flesh Twisting and tracing into bodies
- [Yawm al-Qiyamah [the Day of Resurrection] - Knowledge Within Us](https://icca.art/yawm-al-qiyamah-the-day-of-resurrection-knowledge-within-us/) - Yawm al-Qiyamah [the Day of Resurrection] Part of the ACC/CCA’s Knowledge Within Us digital publication. I present an experiment. it is said in space there is no true ceiling or floor. it is said in death there is no true ceiling or floor. it is said in life there is no true
- [Knowledge - Knowledge Within Us](https://icca.art/knowledge-knowledge-within-us/) - Knowledge Part of the ACC/CCA’s Knowledge Within Us digital publication. Tweet is a Black trans artist dwelling on Lenape territory (Brooklyn, NY). They’re a dancer by trade however, going into quarantine led them to explore other art forms. Typically their work is performance based; they’ve done work in musical theatre, on a cruise ship and
- [hatsa'al - Knowledge Within Us](https://icca.art/hatsaal-knowledge-within-us/) - hatsa’al Part of the ACC/CCA’s Knowledge Within Us digital publication. Sera Phim is a multidisciplinary artist and educator of Cree-Metis and Danish-American descent, adopted into Tsyms’an culture and currently residing and practicing on Tiohtia:ke land. They are working towards a BA in Art Education and are currently training for a doula certification. As a two-spirit
- [Why Are All These Roads Named Victoria - Knowledge Within Us](https://icca.art/why-are-all-these-roads-named-victoria-knowledge-within-us/)
- [Knowledge in Story Telling - Knowledge Within Us](https://icca.art/knowledge-in-story-telling-knowledge-within-us/) - Knowledge in Story TellingPart of the ACC/CCA’s Knowledge Within Us digital publication. In some ways oral transference of knowledge can be better than written. There is a carrying of emotion and tone in the voice that even the greatest of writers will struggle to find. Tone, intention, and pitch, all intrinsic parts of the individual,
- [All That I Know - Knowledge Within Us](https://icca.art/all-that-i-know-knowledge-within-us/) - All That I Know Commissioned for the ACC/CCA’s Knowledge Within Us digital publication. Knowledge is the possession of informational wealth. Knowledge is a gateway for growth and betterment. Knowledge is expansive. Knowledge is invaluable. Knowledge is the birth of consciousness. Knowledge is liberation. Knowledge is ancestral. Knowledge is Divine. When discussing the embodiment of
- [dust. to: dust. - Knowledge Within Us](https://icca.art/dust-to-dust-knowledge-within-us/) - dust. to: dust. Part of the ACC/CCA’s Knowledge Within Us digital publication. The knowledge within us. I’m not sure at this point how many times I have restarted and tried to articulate my story and knowledge in a “pretty” way. I am done with that, that is not true to who I am. So
- [In Search of Yvy Marane'y - Knowledge Within Us](https://icca.art/in-search-of-yvy-maraney-knowledge-within-us/) - In Search of Yvy Marane’y An Extradimensional Adventure From Asunción, Paraguay, Bettina Escauriza Commissioned for the ACC/CCA’s Knowledge Within Us digital publication. From Asunción, Paraguay, Bettina Escauriza Commissioned for the ACC/CCA’s Knowledge Within Us digital publication. Bettina Escauriza is a filmmaker, writer, artist, and actor living in Philadelphia. She is a natural storyteller from a
- [to be storytellers - Knowledge Within Us](https://icca.art/to-be-storytellers-knowledge-within-us/) - to be storytellersPart of the ACC/CCA’s Knowledge Within Us digital publication. the intention of this project is to create a living artifact of knowledge transmission between myself and my Até (father), Travis. because I did not grow up on my ancestral homelands, storytelling is how my Até ensured that my younger brother and I were
- [D’horizons et d’estuaires](https://icca.art/dhorizons-et-destuaires/) - D’horizons et d’estuaires. Entre mémoires et créations autochtones. est maintenant en librairie ! D’horizons et d’estuaires : entre mémoires et créations autochtones est une collection d’essais réunissant les voix de 16 artistes, commissaires, historien·ne·s de l’art et travailleur·se·s culturel·le·s autochtones, tant francophones qu’anglophones, oeuvrant dans les territoires que l’on nomme Québec. Faisant suite à des
- [Reconciliation as a Massive Failure](https://icca.art/reconciliation-as-a-massive-failure/) - Reconciliation as a Massive Failure Bruce McIvor challenges Canada’s big lie By Bruce McIvor Standoff: Why Reconciliation Fails Indigenous People and How to Fix It Bruce McIvor Nightwood Editions, 2021. Anishinaabe comedian Ryan McMahon is one of Canada’s most perceptive social commentators. Season five of McMahon’s Red Man Laughing podcast is devoted to reconciliation. In his view,
- [Representing "The Indigenous Experience"](https://icca.art/representing-the-indigenous-experience/)
- [The Red Shift: Forming a Contemporary Indigenous Art Space](https://icca.art/the-red-shift-forming-a-contemporary-indigenous-art-space/) - The Red Shift: Forming a Contemporary Indigenous Art SpaceBy Michael Peterson It’s been over a decade since The Red Shift Gallery closed its doors, but the warmth with which it’s spoken about makes it feel much more recent. There is a longing for what Red Shift was that I can’t say I’ve heard expressed about
- [Archives, Bones, and Polaroids](https://icca.art/archives-bones-and-polaroids/) - Archives, Bones, and PolaroidsKimowan Metchewais, installation view from “Without Ground,” 2002, The Institute of Contemporary Art at the University of Pennsylvania, Philadelphia by Lois Taylor Biggs The late Cree artist Kimowan Metchewais understood stories through the body. Former Institute of Contemporary Art (ICA) curator Liz Park relayed his worldview in a 2014 blog post on
- [Radical Stitch Review](https://icca.art/radical-stitch-review/) - Radical Stitch MacKenzie Art Gallery, Regina 30 April – 28 August, 2022 By Janine Windolph On June 2, 2022, my children, Dawlari and Corwyn, and I were fortunate to take in the exhibition Radical Stitch, organized by Indigenous curators Sherry Farrell Racette, Michelle Lavallee, and Cathy Mattes, at the MacKenzie Art Gallery in Regina, Saskatchewan,
- [2023 ICCA Annual General Meeting](https://icca.art/2023-icca-annual-general-meeting/) - Press Release January 3, 2023 Happy New Year! May 2023 bring you and your family peace, joy, and all the good stuff. It is with great pleasure that Indigenous Curatorial Collective / Collectif des commissaires autochtones (ICCA) Annual General Meeting (AGM) will be held this year on January 9, 2023 at 5:30 pm CST. All
- [ICCA Annual General Meeting 2023](https://icca.art/icca-annual-general-meeting-2023/) - Press Release January 3, 2023 Happy New Year! May 2023 bring you and your family peace, joy, and all the good stuff. It is with great pleasure that Indigenous Curatorial Collective / Collectif des commissaires autochtones (ICCA) Annual General Meeting (AGM) will be held this year on January 9, 2023 at 5:30 pm CST. All
- [Film Eco-Processes As A Land-Based Pedagogy](https://icca.art/film-eco-processes-as-a-land-based-pedagogy/) - Film Eco-Processes As A Land-Based PedagogyEn français Em português By Antonio Catrileo The filmmakers and artists Azucena Losana and Elena Pardo generously offered an Eco-Processes workshop for film development at Artscape Gibraltar Point, Toronto. Surrounded by vegetation and beaches, the city could be seen from a different point of view, one which made possible a much
- [Whispering To My Soul: When Ancestors Call Us To Resurgence](https://icca.art/whispering-to-my-soul-when-ancestors-call-us-to-resurgence/) - Whispering To My Soul: When Ancestors Call Us To ResurgenceEn français Em português By Antonio Catrileo Whispering to my soul (2021) by Esperanza Sánchez Espitia is a sensitive invitation that explores the connection to our ancestors through dreams. Dreaming here is a way of reclaiming non-Western ancestral knowledge that breaks down the linearity of time.
- [The Andean Visions Of Abundance In Luciana Decker Orozco’s Film Practice](https://icca.art/the-andean-visions-of-abundance-in-luciana-decker-orozcos-film-practice/) - The Andean Visions Of Abundance In Luciana Decker Orozco’s Film PracticeBy Manuel Carrión Lira When witnessing the work of Luciana Decker Orozco I was able to recognize a way of seeing, a particular gaze that structures life in many territories across South America. Her short film Spoils (2023) was screened on the first evening of
- [Ecologies Of Dissent And Consent At LIFT’s Gathering In 2023](https://icca.art/ecologies-of-dissent-and-consent/) - Ecologies Of Dissent And Consent At LIFT’s Gathering In 2023En français Em português By Antonio Catrileo During the first Community Discussion session dedicated to introductions, it was clear that the transnational aspect of the gathering was a result of real relationships built on affect between the many collaborators across the world. The way in which
- [Audiovisual Cartographies For Decolonial Imagination In Elena Pardo’s Pulsos Subterráneos / Underground Pulses](https://icca.art/audiovisual-cartographies-for-decolonial-imagination-in-elena-pardos-pulsos-subterraneos-underground-pulses/) - Audiovisual Cartographies For Decolonial Imagination In Elena Pardo’s Pulsos Subterráneos / Underground PulsesBy Manuel Carrión Lira Pulsos Subterráneos / Underground Pulses (2019-2023) is a multidisciplinary project led by Elena Pardo, whose communities and collaborators are part of a long story of good relationships and allyship with the author. Pardo started collaborating with Campamento Audiovisual Itinerante
- [The Poetics Of Perforation In Azucena Losana’s Expanded Cinema](https://icca.art/the-poetics-of-perforation-in-azucena-losanas-expanded-cinema/) - The Poetics Of Perforation In Azucena Losana’s Expanded CinemaTroco (2019-2023) by Azucena Losana, is an expanded cinema performance piece that took place at PIX FILM gallery on Saturday May 27, 2023, as part of the concurrent events of the Liaison of Independent Filmmakers of Toronto (LIFT) Analogue Resilience: Film Labs Gathering. This piece was created
- [Carol Geddes: Haat kanadaayí géide kei nañúý (She Is Going Against The Current)](https://icca.art/carol-geddes-haat-kanadaayi-geide-kei-nanuy-she-is-going-against-the-current/)
- [Carol Geddes : Haat kanadaayí géide kei nañúý (Elle va à contre-courant)](https://icca.art/carol-geddes-haat-kanadaayi-geide-kei-nanuy-elle-va-a-contre-courant/)
- [I’ll Share My Medicines If You Don't Have Enough Room For Yours](https://icca.art/ill-share-my-medicines-if-you-dont-have-enough-room-for-yours/)
- [Je partagerai ma médecine si tu manques de place pour la tienne](https://icca.art/je-partagerai-ma-medecine-si-tu-manques-de-place-pour-la-tienne/)
- [Art on the Rez Program Review](https://icca.art/art-on-the-rez-program-review/) - "Art on the Rez" Program Review "Art on the Rez" is an engaging online talk show series that offers a platform for Indigenous artists from the Kehewin First Nation to share their art and personal journeys. Created, filmed, and produced by Kehewin Native Dance Theater (KNDT), with interviewers Violet Duncan and Rosa John, the series
- [Love Languages: Ktahwaalul | I love you](https://icca.art/love-languages-ktahwaalul-i-love-you/) - Love Languages: Ktahwaalul | I love you Photography Credit to Frank Piccolo by Julie Rae Tucker I don’t know you, but I love you. Lacey George, Every Child Matters walk, Windsor, Ontario, 2021 (1) The word “love” is most often defined as a noun, yet…we would all love better if we used it as a
- [Headdress Review](https://icca.art/headdress-review/) - Production Still from Headdress by Tai Leclaire Headdress Review By Teyohá:te Brant When we buy tickets to a music festival, we’re sold the picturesque ideal of free-spiritedness. Festivals are a a space where we can listen to our favourite artists and escape the mundane of the everyday. Contrasting the freedom that we are promised by
- [Aanikoobijiganag: Thunder Bay Beading Symposium Review](https://icca.art/aanikoobijiganag-thunder-bay-beading-symposium-review/) - Christi Belcourt's beaded jacket accompanied by Claire Johnston Aanikoobijiganag: Thunder Bay Beading Symposium Review By Claire Johnston Viewer discretion is advised: Please be advised that there is an image of the moose hide included in the article that may be interpreted as graphic by some viewers. In February of this year (2024), the Thunder Bay
- [Blushing Bodies](https://icca.art/blushing-bodies/) - Blushing Bodies  By Jesse King Throughout this showcase, the viewer will experience the use of images and objects reminiscent of the human body to depict queer identity and the concepts of camp through space, shape and form. Queering an object is when we reexamine and reimagine an object through a queer lens and open
- [Call for Nominations: Join the ICCA Board of Directors](https://icca.art/call-for-nominations-join-the-icca-board-of-directors/) - Call for Nominations: Join the ICCA Board of Directors The Indigenous Curatorial Collective (ICCA) is seeking passionate and dedicated individuals to join our Board of Directors. We are looking to fill four board positions with members who bring expertise in financial management, legal affairs, fundraising, or experience in artist-run centres. Why Join the ICCA Board?
- [Chi-kishkayhitamihk si te li neu Biizon (Education is the New Bison) Books & Films List](https://icca.art/chi-kishkayhitamihk-si-te-li-neu-biizon-education-is-the-new-bison-books-films-list/) - 'Chi-kishkayhitamihk Si Te Li Neu Biizon' (Education is the New Bison) sculpture, photo provided by Val Vint The 12-foot sculpture in the shape of a bison is constructed out of 200 steel replicas of books and films by Indigenous authors and allies. In Indigenous cultures, bison once provided everything. Now, we look to education to
- [A Response to 'Chi-kishkayhitamihk Si Te Li Neu Biizon' (Education is the New Bison)](https://icca.art/a-response-to-chi-kishkayhitamihk-si-te-li-neu-biizon-education-is-the-new-bison/) - 'Chi-kishkayhitamihk Si Te Li Neu Biizon' (Education is the New Bison) sculpture, photo provided by Val Vint A Response to 'Chi-kishkayhitamihk Si Te Li Neu Biizon' (Education is the New Bison) by KC Adams Tansi! Capipaminat Mikisew Iskwew nitisinakason. (1) I have a meandering story to tell that eventually leads to why Val Vint’s
- [Congratulations/ Félicitations Léuli Eshrāghi](https://icca.art/congratulations-felicitations-leuli-eshraghi/) - Congratulations! Léuli Eshrāghi is presented by Dr. Michelle SA McGeough, PhD & Nadia Myre The Indigenous Curatorial Collective (ICCA) extends our deepest gratitude to our board members for their unwavering commitment and tireless support. In recognition of those who have completed their full terms, we honour them with the gift of a blanket, a symbol
- [Decolonizing Territory: The Rite of Memorializing Space](https://icca.art/decolonizing-territory-the-rite-of-memorializing-space/) - Decolonizing Territory: The Rite of Memorializing Space by Cesar Alejandro Romero The Story The land where a city is built holds the memory of many stories. With an intentional look at the surroundings, those tales slowly start to fill the landscape. To some they were always apparent. A city will tell stories about the people, the
- [Creative Conciliations: #DevirtuousMends](https://icca.art/creative-conciliations-devirtuous-mends/) - [Fig. 1: Unplanned opening in the fabric of a knitted sock.] #DevirtuousMends By Keavy Martin Holes: they are in fact essential to clothing. Without holes for legs, arms, heads, and torsos, our garments would be unusable, inaccessible, closed systems with which we could not interact (Hákonardóttir 25). Our bodies, likewise, require holes to function and
- [Creative Conciliations: Painting the Ivory Tower Red](https://icca.art/creative-conciliations-painting-the-ivory-tower-red/) - Painting the Ivory Tower Red By Tarene Thomas A POEM FOR WHITE LIBERALS you want me to say I have reconciled you want me to absorb your shame but I am not a vessel for all of the dirty things you feel inside this is not reconciliation this is you trying to pass your
- [Creative Conciliations: the intension(s)](https://icca.art/creative-conciliations-the-intensions/) - The intention(s) By Peter Morin The intention(s) to see the lived live(s) of Indigenous Artist Tools during: This is what happens when you perform the memory of the land, part 1 & 2 (McGill University) Hair (Thompson Rivers University) This is not a Simple Movement part 1 & 2 (Morris and Helen Belkin Gallery) *each
- [Creative Conciliations: Remembering Moving Forward, Never Forgetting](https://icca.art/creative-conciliations-remembering-moving-forward-never-forgetting/) - Adrian Stimson, Sick and Tired (2004). Image: Mackenzie Art Gallery. Remembering Moving Forward, Never Forgetting by David Garneau A small room in a large gallery houses a rusty bed frame, three decrepit windows, and ghosts. As a young man, Adrian Stimson salvaged these relics from the Old Sun Indian Residential School during its renovation and
- [Creative Conciliations: Vision Control](https://icca.art/creative-conciliations-vision-control/) - Vision Control by Charlotte Townsend-Gault Art objects have long been the acceptable interface of colonialism, and shaped transcultural relationships. The “Northwest Coast”, isomorphically associated with the idea that ‘art’ represents a ‘culture’, has filled museums, been good for the market, and branded Vancouver’s International Airport with spectacular Northwest Coast Indigenous art: accurate if opportunistic. Yet
- [Creative Conciliations: Métis Impact Statements on Four Generations of Trauma as a Result of Indian Residential and Day Schools](https://icca.art/creative-conciliations-metis-impact-statements-on-four-generations-of-trauma-as-a-result-of-indian-residential-and-day-schools/) - Appendix II: Métis Impact Statements on Four Generations of Trauma as a Result of Indian Residential and Day Schools by Jason Baerg and Doris Lanigan Indigenous communities have always known. Children offered first-hand accounts. Survivors led us right to the graves. The work of Truth before Reconciliation is crucial as it necessitates accountability and responsibility.
- [Creative Conciliations: We Call](https://icca.art/creative-conciliations-we-call/) - WE CALL by Cathy Busby Beginnings: Public Apologies In the early 2000’s I began following the emerging media spectacle of public apologies coming from the mouths of CEOs, politicians, sports stars and others. Some of these apologies were of major historical significance while many were salacious in nature and of little public consequence. My work
- [Creative Conciliations: Its Roots and its Innovative Departures: Considering Curatorial Hospitality](https://icca.art/creative-conciliations-its-roots-and-its-innovative-departures-considering-curatorial-hospitality/) - Figure 1. Its Roots and Its Innovative Departures, Research Mapping, April 2019. Photo: Toby Lawrence. Its Roots and its Innovative Departures: Considering Curatorial Hospitality by Toby Katrine Lawrence “How can thinking of the curatorial in terms of hospitality be used to critically analyze the parameters of curatorial practice, and thus lend insight into its socio-political
- [Creative Conciliations: tāpwēwin (the actions of speaking truth)](https://icca.art/creative-conciliations-tapwewin-the-actions-of-speaking-truth/) - tāpwēwin (the actions of speaking truth) by Cheryl L’Hirondelle and Leah Decter Cheryl and Leah: This chapter is a reflective interchange that explores what inspired the performance video Founder and what flows from the conversation it embodies. We contend that our collaborative work in Founder demonstrates the generative relationalities that can result from critical practices of
- [after aabaakwad](https://icca.art/after-aabaakwad/) - after aabaakwad By Melissa Johns From December 5-7, I had the privilege of attending aabaakwad (it clears after a storm), an annual event led by Indigenous artists, curators, and academics. Positioning itself as a conversation rather than a conference, this gathering typically alternates between my home city of Tkaronto and other international venues, with a
- [Les écologies de la dissension et du consentement au rassemblement LIFT 2023](https://icca.art/les-ecologies-de-la-dissension-et-du-consentement-au-rassemblement-lift-2023/)
- [Eco-processos cinematográficos como uma pedagogia baseada na terra](https://icca.art/eco-processos-cinematograficos-como-uma-pedagogia-baseada-na-terra/) - Eco-processos cinematográficos como uma pedagogia baseada na terraIn English En français Por Antonio Catrileo As cineastas e artistas Azucena Losana e Elena Pardo ofereceram generosamente um workshop de Eco-Processos para o desenvolvimento de filmes no Artscape Gibraltar Point, em Toronto. Cercada por vegetação e praias, a cidade pôde ser vista de um ponto de vista
- [Viewfinding: Curatorial Essay for Through Their Lens: Indigenous Perspectives in Focus](https://icca.art/viewfinding-curatorial-essay-for-through-their-lens-indigenous-perspectives-in-focus/) - Viewfindingby Alberta Rose W. When examining Indigenous art, it is essential to recognize the significance of perspective. In the context of the prevailing cultural framework shaped by settler colonialism, many individuals may unconsciously interpret art through the values and beliefs associated with that paradigm. However, it is important to acknowledge that, for thousands of years,
- [Ecologias de dissidência e consentimento no encontro da LIFT em 2023](https://icca.art/ecologias-de-dissidencia-e-consentimento-no-encontro-da-lift-em-2023/) - Ecologias de dissidência e consentimento no encontro da LIFT em 2023In English En français Por Antonio Catrileo Durante a primeira sessão de discussão da comunidade dedicada às apresentações, ficou claro que o aspecto transnacional do encontro foi resultado de relacionamentos reais construídos com base no afeto entre os muitos colaboradores de todo o mundo. A
- [Lauren Crazybull: Wish you were here](https://icca.art/lauren-crazybull-wish-you-were-here/) - Lauren Crazybull Wish you were here Photography Credit: Lauren Crazybull. July 19, 2025. Courtesy of the artist. Lauren Crazybull. July 19 pt 2, 2025.Photography Courtesy of the artist.Lauren Crazybull. Medicine wheel, 2025. Photography Courtesy of the artist.Lauren Crazybull. are we made of this place?, 2025.Photography Courtesy of the artist.Curatorial text by Muriel N. Kahwagi, Associate
- [March Updates, Jobs and Opportunities Newsletter](https://icca.art/march-updates-jobs-and-opportunities-newsletter/) - February/March Newsletter ICCA Institutional Members and Community Partners Job and opportunity postings in this newsletter are a perk of Institutional Membership at the Star Ally membership level Infolettre de février et mars Membres institutionnels et partenaires communautaires de l’ICCA Les offres d’emploi et possibilités professionnelles contenues dans cette infolettre sont un avantage de l’adhésion institutionnelle au
- [Indigenous Curatorial Collective (ICCA) and Rungh Magazine Announce Strategic Partnership to Amplify Indigenous Voices](https://icca.art/indigenous-curatorial-collective-icca-and-rungh-magazine-announce-strategic-partnership-to-amplify-indigenous-voices/) - FOR IMMEDIATE RELEASE Indigenous Curatorial Collective (ICCA) and Rungh Magazine Announce Strategic Partnership to Amplify Indigenous Voices Toronto, Ontario — April 1, 2025: The Indigenous Curatorial Collective (ICCA) and Rungh Magazine are thrilled to announce a new partnership aimed at creating dynamic digital publishing opportunities while showcasing exhibitions and programming by Indigenous artists. This collaboration
- [Hawai’i Triennial 2025 (HT25) Delegation Report](https://icca.art/hawaii-triennial-2025-ht25-delegation-report-tiffany-shaw/) - Hawai’i Triennial 2025 (HT25) ALOHA NŌ Delegation Report by Tiffany Shaw Report: April 19, 2025 My time during the Triennial was invigorating and exploratory. Moving through Honolulu, meeting and seeing both local and global artists helped me to understand the importance of this location and connections to other islands, countries, and territories beyond. Witnessing how
- [May Updates, Jobs and Opportunities Newsletter](https://icca.art/may-updates-jobs-and-opportunities-newsletter/) - April/May Newsletter ICCA Institutional Members and Community Partners Job and opportunity postings in this newsletter are a perk of Institutional Membership at the Star Ally membership level Infolettre d'avril et de mai Membres institutionnels et partenaires communautaires de l’ICCA Les offres d’emploi et possibilités professionnelles contenues dans cette infolettre sont un avantage de l’adhésion institutionnelle au
- [The Land Wants You Back](https://icca.art/the-land-wants-you-back/) - Photography Credit to John-Finnegan Lin The Land Wants You Back By Eva Grant Ottawa International Animation Festival: September 25-27, 2024 Debaser Fall Pique Festival: September 28, 2024 Featured Artists: Djama Clappis, Fox Maxy, Soloman Chiniquay, Jo Daisy-Gowan, Juliana Sech, Rhayne Vermette, Quinne Larsen, Aghalingiak Ohokannoak, Eva Grant Additional artists: Silas Grenis, Yasmeen Grant, Lesley Marshall,
- [Echo Lines: Curatorial Mentorship Reflection](https://icca.art/echo-lines-curatorial-mentorship-reflection/) - Echo Lines: Curatorial Mentorship Reflection This spring, the Indigenous Curatorial Collective (ICCA) launched Echo Lines, a curatorial mentorship project rooted in collaboration, connection, and community. Designed to support early to mid-career Indigenous curators, the program paired mentees with experienced Indigenous curators to co-develop exhibitions that opened during the Against the Current Artist-Run Centres (ARCA) conference
- [Whispering To My Soul : Quand les ancêtres nous appellent à la résurgence](https://icca.art/whispering-to-my-soul-quand-les-ancetres-nous-appellent-a-la-resurgence-2/) - Whispering To My Soul : Quand les ancêtres nous appellent à la résurgenceIn English Em português Par Antonio Catrileo Whispering to my soul (2021) d’Esperanza Sánchez Espitia est une invitation sensible qui explore la connexion à nos ancêtres à travers les rêves. Rêver ici est une manière de se réapproprier des savoirs ancestraux non occidentaux
- [Whispering To My Soul: Quando os ancestrais nos chamam para o ressurgimento](https://icca.art/whispering-to-my-soul-quando-os-ancestrais-nos-chamam-para-o-ressurgimento/) - Whispering To My Soul: Quando os ancestrais nos chamam para o ressurgimentoIn English En français Por Antonio Catrileo Whispering to my soul (2021), de Esperanza Sánchez Espitia, é um convite sensível que explora a conexão com nossos ancestrais por meio dos sonhos. Sonhar aqui é uma forma de recuperar o conhecimento ancestral não ocidental que
- [Les éco-processus cinématographiques comme pédagogie de la terre](https://icca.art/les-eco-processus-cinematographiques-comme-pedagogie-de-la-terre/) - Les éco-processus cinématographiques comme pédagogie de la terreIn English Em português Par Antonio Catrileo Les cinéastes et artistes Azucena Losana et Elena Pardo ont généreusement offert un atelier sur les éco-procédés pour le développement de films à Artscape Gibraltar Point, à Toronto. Entourée de végétation et de plages, la ville a pu être vue d’un
- [Ethereal Forms](https://icca.art/ethereal-forms/) - Ethereal FormsBy Jesse King Through this showcase, titled Ethereal Forms, the chosen works evoke a sense of lightness and transcendence that suggests realms beyond the physical, bringing together artists whose practices navigate memory, identity, landscape, and the unseen. Through an Indigenous lens, King examines new worlds and life through different forms of energy of selected
- [Echo Lines: Kingunilialuk](https://icca.art/echo-lines-kingunilialuk/) - KingunilialukEcho Lines Installations Ottawa 2025, Photography Credit: Tracey Lynne Photography Echo Lines: Curatorial Mentorship Program Kingunilialuk: greatly missed, your absence creates a presence Curatorial Essay by Malaya Kisa-Knickelbein A weaving of past and present, of tradition and transformation, Kingunilialuk (Ki-ngu-ni-lia-lu-k) is a personal mapping of family through visual art. My contemporary practice is rooted in the
- [Echo Lines: Stayin’ Alive](https://icca.art/echo-lines-stayin-alive/) - Stayin’ AliveEcho Lines Installations Ottawa 2025, Photography Credit: Tracey Lynne Photography Echo Lines: Curatorial Mentorship Program Stayin’ Alive: Art as Ceremony, Art as Survival Curatorial Essay by Feather Miigwans In a world shaped by colonial rupture and ongoing structural violence, Indigenous artists have long understood that art is not a luxury or a product—it is
- [Echo Lines: Denewa](https://icca.art/echo-lines-denewa/) - Echo Lines: DenewaEcho Lines Installations Ottawa 2025, Photography Credit to Bella Adrian Photos Echo Lines: Curatorial Mentorship Program Denewa Curatorial Essay by Danielle Printup and Joi T. Arcand Denewa, Laura Grier’s (Sahtu Délı̨nę) first work on vinyl, extends their critical engagement with Dene aesthetics through the lens of digital materiality and experimental print processes. Installed
- [June/July Updates, Jobs and Opportunities Newsletter](https://icca.art/june-july-updates-jobs-and-opportunities-newsletter/) - June/July Newsletter ICCA Institutional Members and Community Partners Job and opportunity postings in this newsletter are a perk of Institutional Membership at the Star Ally membership level Infolettre de juin et de juillet Membres institutionnels et partenaires communautaires de l’ICCA Les offres d’emploi et possibilités professionnelles contenues dans cette infolettre sont un avantage de l’adhésion
- [Letter of Support for the CMA Indigenous Council’s Call Regarding the HBC Collection](https://icca.art/letter-of-support-for-the-cma-indigenous-councils-call-regarding-the-hbc-collection/) - Letter of Support for the CMA Indigenous Council’s Call Regarding the HBC Collection Lettre de soutien à l’appel du Conseil autochtone de l’AMC concernant la collection HBC Indigenous Protocols Collective (IPC), Indigenous Curatorial Collective (ICCA), Canadian Artists’ Representation (CARFAC), and Regroupement des artistes en arts visuels du Québec (RAAV) wish to express their unequivocal support
- [Cinema as the Beast Is the Demise of Contemporaneity](https://icca.art/cinema-as-the-beast-is-the-demise-of-contemporaneity/) - Cinema as the Beast Is the Demise of ContemporaneitySvetlana Romanova, Season of Dying Water, 2015/2022, video still. Courtesy of the artist and Chelsea Tuggle by Svetlana Romanova The Republic of Sakha (Yakutia) is situated in the Far Eastern region of Russia. It is home to several Indigenous groups, including the Sakha people. While “Yakut”
- [Aug/Sep Updates, Jobs and Opportunities Newsletter](https://icca.art/aug-sep-updates-jobs-and-opportunities-newsletter/) - August/ September Newsletter Infolettre d'août et de septembre ICCA Institutional Members and Community Partners Job and opportunity postings in this newsletter are a perk of Institutional Membership at the Star Ally membership level Membres institutionnels et partenaires communautaires de l’ICCA Les offres d’emploi et possibilités professionnelles contenues dans cette infolettre sont un avantage de l’adhésion
- [Sonny Assu – Confluence, A Survey of Memories](https://icca.art/sonny-assu-confluence-a-survey-of-memories/) - Sonny Assu – Confluence, A Survey of MemoriesBy Daina Warren This writing piece draws on my recollections of conversations over the years with Sonny about his work. Sonny and I have been art colleagues since our time as art students. We first met at Emily Carr University of Art and Design (ECU) in the late
- [An Accidental Forever](https://icca.art/an-accidental-forever/) - An Accidental ForeverTheo Pelmus & Kristin Snowbird August 15 – October 18, 2025 Art Gallery of Regina (AGR) Opening reception: Sunday, October 5 from 3-5 PM Culture Days Events: October 3 – 5 (see all events here) ​ Spouses and creative partners Theo Pelmus and Kristin Snowbird immerse viewers in wondrous explorations of intimacy, land, spirituality,
- [Contribute Your Voice!](https://icca.art/contribute-your-voice/) - Canada Council for the Arts (CCA) Portal Survey The Indigenous Curatorial Collective (ICCA) is seeking feedback from our members on their experiences with the new Canada Council for the Arts portal. The recent rollout was intended to improve accessibility, security, and applicant support; however, we understand that many Indigenous artists, curators, and collectives have encountered
- [The Future is Ancestral](https://icca.art/the-future-is-ancestral/) - The Future is AncestralCurated by Melanie Monique Rose Indigenous folks tend to agree that time is not linear. Perhaps it looks like a wave hitting the shoreline, leaving and returning…? Does time look like a sunflower, a fiddlehead or a pinecone – or the curls in your hair? Spiralling, whorling and looping like the fingerprints
- [Oct/Nov Updates, Jobs and Opportunities Newsletter](https://icca.art/oct-nov-updates-jobs-and-opportunities-newsletter/) - October/November Newsletter Infolettre d’octobre et de novembre ICCA Institutional Members and Community Partners Job and opportunity postings in this newsletter are a perk of Institutional Membership at the Star Ally membership level Membres institutionnels et partenaires communautaires de l’ICCA Les offres d’emploi et possibilités professionnelles contenues dans cette infolettre sont un avantage de l’adhésion institutionnelle
- [2025 ICCA Gathering - Welcome](https://icca.art/2025-icca-gathering-welcome/) - Welcome to Saskatchewan! We can’t wait to welcome you to the 2025 ICCA Kisik Gathering, happening November 12–15 in Regina and Saskatoon, Saskatchewan! This year marks a powerful milestone—20 years of Indigenous Curatorial Inclusion. Since 2005, ICCA has been building space, voice, and visibility for Indigenous curators and arts workers across Turtle Island. Let’s come
- [Creative Conciliations Introduction](https://icca.art/creative-conciliations-introduction/) - Introduction: Reflections, Responses, RefusalsCreative Conciliations ICCA Digital Publication Short Introduction By Jonathan Dewar, Tarah Hogue, and Jennifer Robinson As we write this introduction, we are mindful of how time often places things where they need to be. June 2025 marked ten years since the Truth and Reconciliation Commission (TRC) of Canada held its closing event
- [ICCA Launched a New Podcast](https://icca.art/icca-launched-a-new-podcast/) - Hello {{smartname}}, We are thrilled to invite you to listen to the inaugural episode of the Indigenous Narratives in Art podcast, a space where contemporary Indigenous arts are celebrated, examined, and amplified through the voices of artists, curators, and writers. Indigenous Narratives in Art Podcast is dedicated to creating meaningful conversations that highlight perspectives often underrepresented in mainstream
- [Notes on Paper: Spiritual Healing for Artists and Other Humans](https://icca.art/notes-on-paper-spiritual-healing-for-artists-and-other-humans/) - Notes on Paper: Spiritual Healing for Artists and Other HumansMichelle Peraza with Implictus and Incognitus Inter-Cosmologies in process, during the “i made it through the wilderness” residency on Mnisiing/Toronto Islands, 2025. Photo: Shawn Grey; Courtesy of Michelle Peraza by Magally Zelaya Auh ynjn amatl catca quaoamatl, amo texamatl: ynic tilaoac cenmapilli: auh ynjc patlaoac cenmatl:
- [Togetherness](https://icca.art/togetherness/) - TogethernessRed Dresses, Red FlagPhotography Credit to Tracey George Heese Togetherness is a collaborative, community-rooted artwork created in honour of Missing and Murdered Indigenous Women, Girls, Two-Spirit, and gender-diverse people (MMIWG2S+). Artists Tracey George Heese and Justine “Tini” Stilborn worked alongside school-aged children and youth to create a visual space of remembrance, love, and solidarity. The
- [Creative Conciliations: Why We Gather](https://icca.art/creative-conciliations-why-we-gather/) - Why We Gather: Healing, Creativity, and Care in Relation to Children’s Art from Indian Residential Schools by Jennifer Claire Robinson, Andrea Naomi Walsh, Lorilee Wastasecoot, Kii-kita-kashuaa Mark Atleo Introduction To Gather: To collect several things, often from different places or people: To put your arms around someone and hold or carry them in a careful
- [On the Edge of Presence](https://icca.art/on-the-edge-of-presence/) - On the Edge of PresenceBy Hooria Rajabzadeh The first time I saw Meryl McMaster’s work, I felt an interruption inside me. It was physical, as her photographs pulled me closer but refused to let me cross a threshold, I was trapped. That tension was unsettling, the images didn’t close themselves off, but they didn’t let
- [Dec/Jan Updates, Jobs and Opportunities Newsletter](https://icca.art/dec-jan-updates-jobs-and-opportunities-newsletter/) - December/ January Newsletter Infolettre de décembre/janvier ICCA Institutional Members and Community Partners Job and opportunity postings in this newsletter are a perk of Institutional Membership at the Star Ally membership level Membres institutionnels et partenaires communautaires de l’ICCA Les offres d’emploi et possibilités professionnelles contenues dans cette infolettre sont un avantage de l’adhésion institutionnelle au
- [The Spirit in the Art of Les Moberly](https://icca.art/caw-the-spirit-in-the-art-of-les-moberly/) - Les Moberly, Untitled, 2019. Acrylic on canvas. © Les Moberly (Les’s Trapline Art) The Spirit in the Art of Les MoberlyBy Harmony Johnson-Harder Molanosa, a name formed from the first two letters of each word in Montreal Lake, Northern Saskatchewan, is more than just a dot on the map. Nestled in the geographic centre of
- [Be Our Admirer | Make a Donation to ICCA Day](https://icca.art/be-our-admirer-make-a-donation-to-icca-day/) - Be Our Admirer | Make a Donation to ICCA Day This Valentine’s Day, show some love for ICCA — no chocolates or flowers needed (though who could resist a pair of beaded earrings, honestly?) 💌 Think of yourself as a secret admirer… but don’t keep it a secret! 💝 Mark your calendars for February 14
- [Are You Registered For our Grant Webinars?](https://icca.art/are-you-registered-for-our-grant-webinars/) - Grant Webinar Series // Subventions série webinaires Part 1 – Pathways to Funding: Navigating Programs & Portals 📅 March 12 | 1:00–3:00 PM EST Hosted by ICCA + Canada Council for the Arts Program Staff Learn how to navigate the new portal, understand funding programs through the Canada Council for the Arts. Participants will receive
- [ICCA Presents Its Curatorial History and International Partnerships in Marseille, France](https://icca.art/icca-presents-its-curatorial-history-and-international-partnerships-in-marseille-france/) - FOR IMMEDIATE RELEASE The Indigenous Curatorial Collective (ICCA) Presents Its Curatorial History and International Partnerships in Marseille, France Marseille, France — March 26, 2026 The Indigenous Curatorial Collective (ICCA) will present its curatorial history and ongoing international partnerships in Marseille, France, at Triangle-Astérides on Thursday, March 26, 2026. The presentation will be delivered by Liz Barron,
- [Starting in 1 Day: Part 1 - Pathways to Funding: Navigating Programs & Portals](https://icca.art/starting-in-1-day-part-1-pathways-to-funding-navigating-programs-portals/) - Ready for tomorrow? // Prêt pour demain? Part 1 – Pathways to Funding: Navigating Programs & Portals 📅 March 12 | 1:00–3:00 PM EST Hosted by ICCA + Canada Council for the Arts Program Staff Learn how to navigate the new portal, understand funding programs through the Canada Council for the Arts, and participants will
- [Starting in 1 Day: Part 2 - Journeys in Research: Curatorial Travel & Grants](https://icca.art/starting-in-1-day-part-2-journeys-in-research-curatorial-travel-grants/) - Ready for tomorrow? // Prêt pour demain? Part 2 – Journeys in Research: Curatorial Travel & Grants March 17 | 1–2:30 PM EST Hosted by ICCA + Guest Grant Consultant: C.E. “Chris” Gatchalian Learn how to fund cultural exchange trips to major exhibitions, network with peers, and plan travel across fiscal cycles. Perfect for curators
- [February / March Newsletter](https://icca.art/february-march-newsletter/) - February / March Newsletter Infolettre de février / mars ICCA Institutional Members and Community Partners Job and opportunity postings in this newsletter are a perk of Institutional Membership at the Star Ally membership level Membres institutionnels et partenaires communautaires de l’ICCA Les offres d’emploi et possibilités professionnelles contenues dans cette infolettre sont un avantage de
- [As If It Were Our Life Itself](https://icca.art/rungh-as-if-it-were-our-life-itself/) - As If It Were Our Life Itself Tania Willard’s Declaration of the Understory Declaration of the Understory – Tania Willard at The Bentway, 2025, Photo Credit: The Bentway By Dana Prieto “Night does not bring a vanishing of light, night turns to day; light is never vanishing, it is always giving us focus.” -Tania Willard
- [Ancestral Journey of the Glass Seed Bead](https://icca.art/rungh-ancestral-journey-of-the-glass-seed-bead/) - Ancestral Journey of the Glass Seed Exploring Métis and Venetian beading histories An historic image Marisa showed me of impiraresse stringing beads communally in the streets of Venice. Photography Credit: Claire Johnston By Claire Johnston Note: the term “ancestor” is often referred to in this article interchangeably as meaning both Métis ancestral artists and Métis
- [Transforming Intention into Visual Language](https://icca.art/rungh-transforming-intention-into-visual-language/) - Transforming Intention into Visual Language Reflecting on Lilian Bonin’s Cartographie de Mémoire 1,400,000. HBC Point Blanket, melton, beads, thread, antique upholstery tacks. 2025 Photo credit: Lilian Bonin Translation Acknowledgement – Lisez Transformer l’intention en langage visuel en français ici. A huge thank you to Camille-Zoé Valcourt-Synnott at Maison des Artistes for providing the translation of
- [Transformer l'intention en langage visuel](https://icca.art/rungh-transformer-lintention-en-langage-visuel/) - Transformer l’intention en langage visuel Réflexion sur la Cartographie de mémoire de Lilian Bonin 1 400 000. Couverture à points de la HBC, melton, perles, fil, clous de tapissier antiques. 2025. Crédit photo : Lilian Bonin. Remerciements pour la traduction : Read Transforming Intention into Visual Language in English here. Un grand merci à Camille-Zoé
- [Echoes of the Road Allowance](https://icca.art/rungh-echoes-of-the-road-allowance/) - Echoes of the Road Allowance Reflecting on Arnolda Dufor Bowes’ Apples and Train Tracks A door taken from Arnolda Dufour Bowes’s father’s childhood home, an old building where he used to live in the Punnichy area, which still stands today. By Bee Bird When visiting Back to Batoche Days, July 19, 2025, I stopped at
- [Beyond the Mohawk T-Shirt](https://icca.art/rungh-beyond-the-mohawk-t-shirt/) - Beyond the Mohawk T-Shirt Dana Claxton and the Juxtaposition of Identity “Rick and the Mohawks (flags),” 2025. LED firebox with transmounted lightjet duratrans. 72 x 48 inches. Interviewers: Zool Suleman, Rungh Magazine, and Justine “Tini” Stilborn, Indigenous Curatorial Collective (ICCA). Artist: Dana Claxton Zool Suleman (ZS): I want to start by thanking you for agreeing

## Pages

- [Home | The Indigenous Curatorial Collective / Collectif des commissaires autochtones (ICCA)](https://icca.art/) - Save the Date 2027 ICCA Gathering “Writing Our Place in History”Indigenous Curators & Critical Discourse From Living Archives to Future Legacies August 24, 25, & 26 2027 Whitehorse, YukonLearn More About Our Upcoming GatheringUpdates, Jobs and OpportunitiesIntroducing the Tea Time with Aunties—and an Uncle!ICCA is pleased to introduce Tea with Aunties, an informal conversation series
- [Call for Indigenous Curators / Appel à candidatures pour les conservateurs autochtones](https://icca.art/delegations/call-for-indigenous-curators/) - Call for Indigenous CuratorsApplications Now Closed The ICCA Delegations Program initiative supports Indigenous curators by fostering international collaboration, cultural exchange, and professional development. Delegates will have the opportunity to attend major global events, share perspectives, and strengthen connections with the international arts community. Applications for the 2026 Aotearoa Delegation Program are now closed; however, you
- [Past Delegations Initiative Delegates](https://icca.art/delegations/past-delegations-initiative-delegates/) - Past Delegations Initiative Delegates 2024-25 Delegations Initiative ProjectHonolulu, Hawai’i – Hawai’i Triennial (Feb. 14-18, 2025) DelegatesBecca Taylor Becca Taylor (Cree/Irish/Scottish) is an artist, curator and assistant professor at MacEwan University. She is a registered member of Fisher River Cree Nation, MB, and was born and raised in amiskwacîwâskahikan (Edmonton), AB. Her practice involves investigations of
- [2025 Gathering - Kîsik | Skywatching the Future](https://icca.art/gatherings/2025-gathering-kisik-skywatching-the-future/) - Register as Individual or Organization General Admission$150* There will not be a return bus to Saskatoon. Please make sure your travel plans include Saskatoon as your arrival destination and Regina as your departure. Includes:Printed Program, Lunch on Select days, Transportation from Saskatoon to Regina Registration ClosedKîsik | Skywatching the Future 2025 ICCA GatheringICCA Gathering –
- [Delegations Initiative](https://icca.art/delegations/) - Delegations Initiative ICCA Delegations Program The ICCA Delegations Program fosters international collaboration and cultural exchange by supporting participation in global events that align with ICCA’s values and vision. PurposeThe ICCA Delegation Program supports individual ICCA members to attend major exhibitions, festivals, and events that will strengthen their professional development, networks, and visibility in the arts.
- [2027 ICCA Gathering - Writing Our Place in History](https://icca.art/gatherings/2027-icca-gathering-writing-our-place-in-history/) - 2027 ICCA Gathering Writing Our Place in History Indigenous Curators & Critical Discourse: From Living Archives to Future Legacies What’s Included With Your Ticket Access to programming, including exclusive artist talks Intimate panels and international networking Discounts on accommodations Continental breakfast for 3 days & curated lunch service for two days A curated swag bag
- [Newsletter](https://icca.art/newsletter/) - The ICCA Newsletter – Rooted in Story, Moving Through TimeThe Indigenous Curatorial Collective brings together curators, artists, and knowledge keepers from across Turtle Island to tend to the living archive of Indigenous art and culture. Our newsletter is a gathering place — dispatches from the studio, ceremony and practice, reflections on land and belonging, and
- [2025 Curatorial Mentorship Program: Echo Lines](https://icca.art/curatorial-mentorship/echo-lines/) - 2026 Curatorial Mentorship Program: Echo LinesAbout the Program Through year-long mentorships, emerging Indigenous curators are paired with senior Indigenous curators to co-develop new exhibitions at partner galleries in Ottawa/Gatineau. The program supports ongoing research, writing, and dialogue, culminating in a series of exhibitions and public programs that reflect the unique vision and curatorial direction of
- [Tea Time with Aunties](https://icca.art/tea-time-with-aunties/) - Tea Time with Aunties & UnclesAbout Us2026 Curatorial Cohort (Must be an ICCA member to join) Tea TimeTea Time w Aunties (& Uncles)Real-life strategy to reach your goals.The Tea Time Knowledge Briefs Series is a citable professional infrastructure initiative developed by the Indigenous Curatorial Collective (ICCA). Built upon the foundation of the Art Doula Program
- [Partnerships](https://icca.art/about/partnerships/) - ICCA PartnershipsThe Power of Partnership Partnerships are at the core of the Indigenous Curatorial Collective / Collectif des commissaires autochtones (ICCA)’s mission to advocate, activate, and engage for Indigenous creative sovereignty. By fostering equitable collaboration and building reciprocal relationships, ICCA amplifies Indigenous voices, supports curators and artists, and advances cultural agency as an inherent right.
- [Gatherings](https://icca.art/gatherings/) - GatheringsThe Indigenous Curatorial Collective / Collectif des commissaires autochtones’ (ICCA) Gatherings provide a dedicated space for Indigenous artists, curators, critics, and cultural leaders to unite, celebrate achievements, and strengthen connections within the Indigenous arts community. These gatherings honor the visionaries who established the ICCA, acknowledging their role in creating essential platforms for Indigenous voices within
- [Gatherings - Past Gatherings](https://icca.art/gatherings/past-gatherings/) - Past GatheringsAnciens rassemblements 2025 – Saskatoon & Regina (November 2025) Kîsik | Skywatching the Future 2025 – Ottawa (June 2024) Against the Current – Artist-Run Centres and Collectives Conference (ARCA) 2024 – Toronto (October 2024) Expanding Kinships: A Gathering on International Connection 2022 – Hybrid (November 2022) Framing Responsibility: A Gathering on Accountability 2021 –
- [2020 Gathering Digital Beyond Space: A Gathering on Care in Strange Times](https://icca.art/gatherings/past-gatherings/2020-gathering-digital-beyond-space-a-gathering-on-care-in-strange-times/) - Crows and Sacred Tobacco, Flora May Beyond Space Gathering on Care in Strange Times 2020 Digital Gathering ScheduleAll events are free to attend! Don’t forget to click on Register to participate in some activities! October 3, 3:00 pm EST | ZoomCome play bingo with us at the ACC Annual General Meeting 2020 – Post-Meeting Reception!
- [2022 Gathering Framing Responsibility: A Gathering on Accountability](https://icca.art/gatherings/past-gatherings/2022-gathering-framing-responsibility-a-gathering-on-accountability/) - Framing Responsibility: A Gathering on Accountability ICCA Hybrid GatheringOctober 7 – 302022 The Indigenous Curatorial Collective / Collectif des commissaires autochtones (ICCA) is delighted to present its 2022 Annual Gathering Framing Responsibility: A Gathering on Accountability. For the last several years ICCA’s gathering has moved online because of the COVID-19 pandemic
- [2022 Gathering FR](https://icca.art/gatherings/past-gatherings/2022-gathering-framing-responsibility-a-gathering-on-accountability/2022-gathering-fr/) - Cadrer la responsabilité: Un rassemblement sur la redevabilité Rassemblement hybride 2022 de l’ICCA 7 au 30 octobre 2022 EN Inscription ICI Le Collectif des commissaires autochtones (ICCA) est ravi de présenter son Rassemblement Hybride 2022, Cadrer la responsabilité : Un rassemblement sur la redevabilité. Au cours des dernières années, le rassemblement de l’ICCA s’est déroulé en
- [2026 Curatorial Mentorship Program: ICCA x TQFF Indigenous Moving Image Mentorship Program (IMIMP)](https://icca.art/curatorial-mentorship/imimp/) - 2026 Curatorial Mentorship Program: ICCA x TQFF The Indigenous Moving Image Mentorship Program (IMIMP)About the Program The Indigenous Moving Image Mentorship Program (IMIMP), presented in partnership with the Indigenous Curatorial Collective (ICCA), creates a space for emerging 2SLGBTQ+ Indigenous curators to develop a touring short film program alongside experienced mentors. The program is rooted in
- [ICCA x TQFF Screening - Indigiqueer and Two-Spirit Cinema - Movies' Description](https://icca.art/icca-x-tqff-screening-indigiqueer-and-two-spirit-cinema-movies-description/)
- [Curatorial Mentorship](https://icca.art/curatorial-mentorship/) - Curatorial Mentorship ProgramThe Indigenous Curatorial Collective / Collectif des commissaires autochtones’ (ICCA) Curatorial Mentorships provide a national initiative of the ICCA designed to nurture the next generation of Indigenous curators through mentorship, collaborative exhibition-making, and critical discourse. Rooted in Indigenous knowledge, peer-led learning, and collective curatorial practice, this program fosters meaningful relationships between established Indigenous
- [About ICCA](https://icca.art/about/) - Indigenous Curatorial CollectiveActivating Indigenous Creative Sovereignty The Indigenous Curatorial Collective / Collectif des commissaires autochtones (ICCA) is an Indigenous run and led non-profit organization that aims to support and connect fellow Indigenous curators, artists, writers, academics, and professionals through various methods of gathering. The ICCA engages in critical discourses, increases professional opportunities for our members, develops
- [VRC](https://icca.art/virtual-resource-centre/) - Virtual Resource CentreBakwezhiganigiizhigan - FridayThe Virtual Resource Center is a database of searchable grants available to Indigenous artists, curators, and arts workers. Search More Filters Region Radius Search Miles Specific Provisions Yes No Charitable Status Required Yes No Category CategoryEducationFundingPlacePublications Apply Filters Reset Filters What are you looking for? Program Funder Funding Type Search Filters
- [Home](https://icca.art/homepage/) - ICCA Your Trusted Source for Cutting-Edge Curatorial TechnologyYour Trusted Source for All Things CuratorialICCA is currently updating its website.
- [2025 ARCA Gathering - Against The Current](https://icca.art/gatherings/past-gatherings/2025-arca-gathering-against-the-current/) - Against the Current À contre-courant Wàbi mikanàwàn Jiimaan zhaawendaabaningMalinngittuqYoterihwaién’ke Kontre li kouroon June 11-14 Juin 2025Against the CurrentReal-life strategy to reach your goals.The Artist-Run Centres and Collectives Conference (ARCA), along with the artist-run centres AXENÉO7 and SAW, in collaboration with the Indigenous Curatorial Collective, the Regroupement des centres d’artistes autogérés du Québec and the Association des groupes en arts visuels francophones, are excited
- [2025 Gathering Bios](https://icca.art/gatherings/2025-gathering-kisik-skywatching-the-future/bios/) - Kîsik | Skywatching the Future – BiosReturn to : Kisik Skywatching the Future Kîsik | Skywatching the Future celebrates ICCA’s 20th Anniversary as a moment of collective reflection, celebration, and future-making. It acknowledges two decades of Indigenous curatorial practice, leadership, and care, while embracing the expansive, multi-directional future of Indigenous arts. Remai Modern : November
- [2025 Gathering Program](https://icca.art/gatherings/2025-gathering-kisik-skywatching-the-future/2025-gathering-program/) - 2025 Gathering Program ScheduleReturn to : Kisik Skywatching the Future Kîsik | Skywatching the Future celebrates ICCA’s 20th Anniversary as a moment of collective reflection, celebration, and future-making. It acknowledges two decades of Indigenous curatorial practice, leadership, and care, while embracing the expansive, multi-directional future of Indigenous arts. subject to change. November 12 – Wednesday
- [Annual General Meeting (AGM)](https://icca.art/about/agm/) - Annual General Meeting (AGM) It is that time of the year again that we meet for the Indigenous Curatorial Collective / Collectif des commissaires autochtones (ICCA) 2025 Annual General Meeting. We invite all ICCA members and those interested in participating to join us to review our activities from April 2024 to March 2025, to provide
- [History](https://icca.art/about/history/) - Our HistoryGet to know the ICCA In the summer of 2005, a group of Indigenous curators came together to develop a long-term strategy in order to better support a community of current and future Indigenous curators. Barry Ace, Ahasiw Maskegon-Iskwew, Ron Noganosh, Ryan Rice, and Cathy Mattes were key members who brought forward the idea
- [All Locations](https://icca.art/virtual-resource-centre/all-locations/)
- [Author Profile](https://icca.art/virtual-resource-centre/author-profile/)
- [Terms and Conditions](https://icca.art/terms-and-conditions/)
- [All Authors](https://icca.art/virtual-resource-centre/all-authors/)
- [All Categories](https://icca.art/virtual-resource-centre/all-categories/)
- [Tiohtià:ke Project](https://icca.art/tiohtiake-project/) - The Tiohtià:ke ProjectTiohtiá:ke [joh-ja-ghay] “where nations divide” residencies – curatorial projects – biennale – exhibitions: a revolutionThe Tiohtià:ke Project The ​Tiohtià:ke Project activated the Indigenous art scene in Quebec region and offer amazing opportunities to many Indigenous curators, artists, writers, and cultural workers. This project was a two-year series of activations within Montréal to establish
- [Add Listing](https://icca.art/virtual-resource-centre/add-listing/)
- [Single Location](https://icca.art/single-location/)
- [Snag Bag](https://icca.art/snag-bag/) - Details What's in the Snag Bag We offered the Snag Bag to the first 50 participants who registered to our gathering! We don’t have more snag bags available but you can buy or get for free some of these gifts. Support Indigenous art creatives! Here is the list of gifts made by amazing Indigenous art
- [Support](https://icca.art/support/) - Support ICCADonations are most welcome and appreciated and will go directly towards the important work that we do. Supporting the ICCA helps us to become a stronger and more sustainable organization. Every dollar furthers our mission of Activating Indigenous Creative Sovereignty and our ongoing commitment to supporting and connecting Indigenous curators to the best of
- [Support ICCA - FR](https://icca.art/support-icca-fr/) - Soutenir l'ICCA Faites un don Les dons sont bienvenue et très appréciés et serviront directement à soutenir l'important travail que nous faisons. Soutenir l'ICCA nous aide à devenir une organisation plus forte et durable. Chaque dollar est redirigé vers notre mission d'activer la créativité souveraine Autochtone et notre engagement continu à soutenir et connecter les
- [Social Media](https://icca.art/social-media/) - Social MediaICCA operates a number of social media accounts.
- [Single Tag](https://icca.art/single-tag/)
- [Search Home](https://icca.art/search-home/)
- [Shop](https://icca.art/shop/)
- [Search Result](https://icca.art/search-result/)
- [Single Category](https://icca.art/single-category/)
- [Sign In](https://icca.art/sign-in/)
- [Se tourner vers l'intérieur : Une collection de réponses à la série de conversations Enjeux sur l'art, le commissariat et les soins communautaires - FR](https://icca.art/se-tourner-vers-linterieur-une-collection-de-reponses-a-la-serie-de-conversations-enjeux-sur-lart-le-commissariat-et-les-soins-communautaires-fr-2/) - Le mouvement me semble être un langage beaucoup plus accessible que la langue parlée ou écrite. Et donc souvent, quand je ne trouve pas les mots ou quand ils ne suffisent pas, je danse. Quand je veux m’assurer que le message passe, je danse. Quand j’ai besoin de me rappeler d’où je viens pour savoir
- [Publications](https://icca.art/publications/) - PublicationsAgindaasoowigamig na izhaa? - Is she at the Library?Toggle NavigationPublicationsBibliographyCall for SubmissionsDigital Publications FAQsWelcome to the Digital Publications: Decolonizing Arts Publishing program, a vibrant space dedicated to Indigenous arts professionals, academics, artists, and curators. Our goal is to create a dynamic platform where critical discourse thrives and Indigenous narratives are celebrated. Through our Digital Publications
- [Rassemblement 2022](https://icca.art/rassemblement-2022/) - Cadrer la responsabilité: Un rassemblement sur la redevabilité 7 au 30 octobre2022 EN Inscrivez-vous ICI Le Collectif des commissaires autochtones (ICCA) est ravi de présenter son Rassemblement Hybride 2022, Cadrer la responsabilité : Un rassemblement sur la redevabilité. Au cours des dernières années, le rassemblement de l’ICCA s’est déroulé en ligne dû à la pandémie
- [Call for Submissions](https://icca.art/publications/submit/) - Call for SubmissionsToggle NavigationPublicationsBibliographyCall for SubmissionsDigital Publications FAQsEmpower Creativity & Amplify Indigenous Voices: Contribute to Our Digital Publications Program The Indigenous Curatorial Collective (ICCA) is developing a space where Indigenous voices resonate loudly in the vibrant arts discourse. Our Digital Publications Program is more than a platform; it’s a catalyst for change, a space where
- [Registration](https://icca.art/registration/)
- [Projects-old](https://icca.art/projects-old/) - FR Projects ICCA Initiatives & Ideas The Indigenous Curatorial Collective / Collectif des commissaires autochtones (ICCA) presents projects that speak to ideas and themes we are investigating. Projects include: Publications, Roundtable Discussions, Artistic Interventions, Residencies, and other Creative Initiatives Roundtables Issues in Art, Curation and Community Cares Black & Indigenous Perspectives Francophone Perspectives
- [Privacy Policy](https://icca.art/privacy-policy-2/)
- [Reaching Inwards: A Collection of Responses to Issues in Art, Curation, and Community Care Roundtable Series](https://icca.art/projects/reaching-inwards-a-collection-of-responses-to-issues-in-art-curation-and-community-care-roundtable-series/) - Movement seems to me to be a much more accessible language than spoken or written language. And so often, when I can't find the words or when they aren't enough, I dance. When I want to make sure the message gets through, I dance. When I need to remember where I come from to know
- [Projects - FR](https://icca.art/projects-fr/) - Projets Initiatives & Idées de l'ICCA Le Collectif des commissaires autochtones (ICCA) présente des projets qui discutent d'idées et de thématiques que nous explorons. Les projets incluent : publications, tables rondes, interventions artistiques, résidences et autres initiatives créatives tables rondes Enjeux de l'art, commissariat et soins communautaires Perspectives Noires & Autochtones Perspectives Francophone Perspectives Nordiques
- [Projects](https://icca.art/projects/)
- [Opportunities](https://icca.art/opportunities/) - ICCA OpportunitiesAll our available positions are filled, keep an eye out on our newsletter and our social media accounts for more opportunities! Apply Now via Email : info@icca.art
- [King Charles III’s Coronation Medals](https://icca.art/king-charles-iii-coronation-medals/) - King Charles III’s Coronation MedalsIn recognition of exceptional contributions to the arts and Indigenous communities, the Indigenous Curatorial Collective / Collectif des commissaires autochtones (ICCA) is proud to celebrate our members who have been awarded the King Charles III Coronation Medal. This national honour commemorates the Coronation of His Majesty King Charles III, recognizing individuals
- [Kisik FAQ](https://icca.art/kisik-faq/) - ICCA Gathering – Frequently Asked QuestionsHow can I partner for the next Gathering?Administrator2026-09-10T16:53:57-04:00How can I partner for the next Gathering?ICCA welcomes partnerships with Indigenous organizations, artist-run centres, and funders. Please contact gatherings@icca.art to discuss collaboration opportunities for future Gatherings. What funding opportunities are available to help me travel to and participate in the Whitehorse gathering?Publications2026-09-10T17:29:06-04:00What funding
- [Let Wanda Speak](https://icca.art/let-wanda-speak/) - Let Wanda SpeakLet Wanda SpeakJune 4, 2024 Dear Stephen Jost and AGO Board of Trustees, After receiving your response to our initial letter requesting that Wanda Nanibush be permitted to speak about her leaving the AGO, a group of Indigenous-led organizations have continued to meet. We have been discussing our concerns about the AGO and
- [Membership](https://icca.art/membership/) - Community MembershipInstitutional MembershipCommunity Membership Community Memberships ICCA’s Community Membership connects Indigenous curators and cultural workers through mentorship, advocacy, and shared opportunities. It builds a strong, sovereign arts ecosystem across Turtle Island. With access to national gatherings, exclusive programs, and peer support spaces, membership is more than a benefit—it is a movement. Become a member and
- [Knowledge Within Us](https://icca.art/knowledge-within-us/) - Melisse Watson, Adassligi (Blessings), 2020 Knowledge Within UsThe Aboriginal Curatorial Collective/Collectif des commissaires autochtones (ACC-CCA) presents a digital publication titled The Knowledge Within Us, aiming to explore and present the diverse ways Indigenous peoples engage with and express knowledge. The Knowledge Within Us is an education initiative of the ACC and seeks to deepen the
- [Indigenous Funding Single Entry](https://icca.art/indigenous-funding-single-entry/) - [pdb_single]
- [ICCA 2022 Hybrid Gathering Participant's Bios](https://icca.art/icca-2022-hybrid-gathering-participants-bios/) - Elder Marsha’s name is Teyuhuhtakweku. She is from the Oneida Nation and a member of the Turtle clan. She is Deaf, a wife, a mother, a grandma and a great grandmother. Her husband, Max Ireland, is hearing and a member of the Bear clan. She has five Oneida children and fourteen grandchildren that includes one
- [Indigenous Narratives in Art Podcast](https://icca.art/podcast/) - Sarah Whalen Lunn, aka InkStitcher, 2024 Digital Illustration Indigenous Narratives in Art PodcastIndigenous Narratives in Art explores contemporary Indigenous arts through conversations with artists, curators, and writers. Each episode highlights Indigenous perspectives often underrepresented in mainstream art discussions, covering topics from critical writing and curatorial practices to digital archiving and intergenerational dialogue. These episodes provide
- [Indigenous Funding List](https://icca.art/indigenous-funding-list/) - [pdb_list]
- [Indigenous Identity](https://icca.art/indigenous-identity/)
- [2021 Gathering Digital Solidarity Across Space](https://icca.art/gatherings/past-gatherings/2021-gathering-solidarity-across-space/) - Solidarity Across Space // Solidarité à travers l’espace ICCA 2021 Digital Gathering // Rassemblement virtuel 2021 de l’ICCA The Indigenous Curatorial Collective / Collectif des commissaires autochtones (ICCA) is delighted to present its second digital gathering, Solidarity Across Space, which will focus on the 2021 ICCA programming theme of “Solidarity”. This gathering is
- [Donate to ICCA](https://icca.art/donate/) - FR Support ICCA Donate here Donations are most welcome and appreciated and will go directly towards the important work that we do. Supporting the ICCA helps us to become a stronger and more sustainable organization. Every dollar furthers our mission of Activating Indigenous Creative Sovereignty and our ongoing commitment to supporting and connecting Indigenous
- [D'horizons et d'estuaires - Tiohtià:ke Project Book](https://icca.art/dhorizons-et-destuaires-tiohtiake-project-book/) - D’horizons et d’estuaires Tiohtià:ke Project BookD’horizons et d’estuaires. Entre mémoires et créations autochtones. est maintenant en librairie ! D’horizons et d’estuaires : entre mémoires et créations autochtones est une collection d’essais réunissant les voix de 16 artistes, commissaires, historien·ne·s de l’art et travailleur·se·s culturel·le·s autochtones, tant francophones qu’anglophones, oeuvrant dans les territoires que l’on nomme
- [Curating Care - 2020-21](https://icca.art/curating-care/) - Curating CareThe ICCA builds relationships for Indigenous artists and curators by supporting equitable collaboration and exchange within larger arts communities. What role does ‘care’ play in your practice? How do our individual Indigenous identities inform how we take care and how we work? We view the Curator as having a critical role in caring for
- [Digital Publications FAQs](https://icca.art/digital-publications-faqs/) - Digital Publications FAQsToggle NavigationPublicationsBibliographyCall for SubmissionsDigital Publications FAQsWhat is the goal of the Digital Publications: Decolonizing Arts Publishing program? Answer: The goal of the Decolonizing Arts Publishing program is to build a living, interdisciplinary publishing platform for and by Indigenous arts professionals, challenging the systemic exclusion faced in traditional publishing spaces. What types of content
- [Dashboard](https://icca.art/dashboard/)
- [Creative Conciliations](https://icca.art/creative-conciliations/) - “Conciliation (Ninth Attempt),” 2021, acrylic on panel, 18” x 24” David Garneau Creative ConciliationsPresented in partnership with the Indigenous Curatorial Collective / Collectif des commissaires autochtones (ICCA) and Wilfrid Laurier University Press (WLU Press). The digital version precedes a print edition to be published at a later date as part of WLU Press’s Indigenous series.
- [Debaser Partnership Statement](https://icca.art/debaser-partnership-statement/) - Statement Regarding Cancellation of Exhibition May 29, 2024 Statement from Debaser: Thank you to the community members who have offered feedback and raised concerns about this exhibition. After discussing with the curator and the Indigenous Curatorial Collective (ICCA), we have collectively made the decision to cancel the exhibition ᐱᓯᑳᐧᑎᐢᑫᐧᐤ: Her Mouth is Medicine at Pique.
- [Community Cares Part 2 2023](https://icca.art/community-cares-part-2-2023/) - Community Cares Part 2 Purpose In 2022, a collective agreement between the Indigenous Curatorial Collective (ICCA), (formally known as ACC-CCA) and Canada Council for The Arts (CCA) was co-developed. ICCA and CAA partnered to provide a special micro-grant funding initiative entitled Community Cares Part 2, Recovery Response Fund. This Micro-grant was developed, advertised, circulated and
- [Community Cares Part 2 2023 FR](https://icca.art/community-cares-part-2-2023-fr/) - Le 2e volet de Community Cares Communiqué Le 24 janvier 2023 EN Inscription ICI Une seule application est requise. La date limite de dépôt des candidatures est le 20 février 2023 Le Collectif des commissaires autochtones / The Indigenous Curatorial Collective (ICCA) poursuite son appui de la communauté artistique autochtone avec son initiative de financement Community Cares.
- [Celebration of Self](https://icca.art/celebration-of-self/) - Celebration of SelfWhat is Celebration of Self? Celebration of Self features artwork created by Indigenous Youth involved with the Indigenous Youth Residency Program based in Thunder Bay, Ontario. The Indigenous Youth Residency Program is an artist residency for native youth ages 12-24. In this program, youth explored Anishinaabe art practices while learning about colonialism, culture
- [Community Cares Part 2 2023 INUKTITUT](https://icca.art/community-cares-part-2-2023-inuktituk/) - Nunaliknik Ikpigusukniq Ilanga 2 Nunaqaqqaasimayut Sanaguaqtuliriniqmi Kamayiit TusagaksaqFebruary 142023 EN Apply HERE Only 1 application is required. Closing date for applications is February 20, 2023 Nunaqaqqaasimayut Sanaguaqtuliriniqmut Kamayit kayusiyumik ikayuqtut Nunaqaqqaasimayut sanaguaqsuutnik tamauna Nunaliknik Ikpigusukniq kiianauyaksaq igirasititausimayuq. Nunaliknik Ikpigusukniq Ilanga 2: Una nunaliknut pisimayuq kiinauyaq saqitausimayuq piliriqatigilugit Kanata Katimayigit Sanaguaqtibut Pinguaqtinulu. Kiinauyaq igirasititausimayuq ilisaqsisimayuq taapkua
- [Contact](https://icca.art/contact-2/) - Contact UsHow Can We Help?Nec sed lectus ins rhoncus tellus nulla vestibulum suspendisse velit odio etds tristique lorem ipsum. 34577 Manique Street Queens New York 11435 United States contact@avadatech.com Phone: +1 555 5555 1234 EMAIL ADDRESS FIRST NAME LAST NAME MESSAGE Send messageThank you for your message. It has been sent.×There was an error trying
- [Community Cares](https://icca.art/community-cares/) - Community Cares“Bear Medicine”Image: Chief Lady Bird (2020), https://www.instagram.com/chiefladybird/Purpose In 2022, a collective agreement between the Indigenous Curatorial Collective (ICCA), (formally known as ACC-CCA) and Canada Council for The Arts (CCA) was co-developed. ICCA and CAA partnered to provide a special micro-grant funding initiative entitled Community Cares Part 2, Recovery Response Fund. This Micro-grant was developed,
- [Contact](https://icca.art/contact/) - Contact UsContact ICCA & Sign up to our Newsletter For general inquiries: info@icca.art For questions related to social media and or newsletter: communications@icca.art For questions about membership, membership fees and or receipts: membership@icca.art For directions to us: 280 Catherine Street Ottawa, ON K1R 5T3
- [Bios des participant.e.s du Rassemblement Hybride 2022 de l'ICCA](https://icca.art/bios-des-participant-e-s-du-rassemblement-hybride-2022-de-licca/) - Le nom d’aînée de Marsha est Teyuhuhtakweku. Elle est de la Nation Oneida et membre du Clan de la Tortue. Elle est sourde, épouse, mère, grand-mère et arrière-grand-mère. Son mari, Max Ireland, est entendant et membre du Clan de l’Ours. Elle a cinq enfants Oneida et quatorze petits-enfants, dont une arrière-petite-fille. Elle a développé le
- [Appel à candidatures :](https://icca.art/appel-a-candidatures/) - Appel à candidatures : Joignez-vous au conseil d’administration de l’ICCA < English Version > Cher·ère·s membres du Collectif des commissaires autochtones, Avez-vous la fibre pour les arts et la culture autochtones ainsi que l’autonomie collective? Souhaitez-vous promouvoir la visibilité et le rayonnement des voix autochtones dans le secteur des arts? Le Collectif des commissaires autochtones (ICCA)
- [Activations of Solidarity](https://icca.art/activations-of-solidarity/) - Co-resistance and CareVisiter le site français Activations of Solidarity: Co-resistance and Care is an online publication that centres the embodied knowledges and experiences of Black, Afro-Indigenous, Indigenous, and Indigiqueer artists and the ways they enact solidarity and accountability within their communities. The title of this collection of artworks is inspired by the conversation between Robyn
- [Book Inventory](https://icca.art/book-inventory/) - ICCA Book Inventory AllBook InventoryBeading As Medicine Volume 1Administrator2025-02-26T16:38:55-05:00 Beading As Medicine Volume 1 Gallery Beading As Medicine Volume 1 Book Inventory Two-Spirit Acts: Queer Indigenous PerformancesAdministrator2025-02-26T16:32:07-05:00 Two-Spirit Acts: Queer Indigenous Performances Gallery Two-Spirit Acts: Queer Indigenous Performances Book Inventory The Hours That RemainAdministrator2025-02-26T16:28:57-05:00 The Hours That Remain Gallery The Hours That Remain Book Inventory
- [Blog](https://icca.art/blog-2/) - Our Blog Search for: Movement, Material, and Continuance: The Cereal Box CanoeMovement, Material, and Continuance The Cereal Box Canoe By Jason [...] Continue reading ICCA Launches 2026 Curatorial Fee Schedule to Support Fair and Sustainable Pay for Indigenous CuratorsContinue reading News, News, Uncategorized Proposed U.S. Tariffs Threaten Canadian Artists and the Circulation of Indigenous ArtContinue
- [Bibliography](https://icca.art/bibliography/) - BibliographyToggle NavigationPublicationsBibliographyCall for SubmissionsDigital Publications FAQsThe following bibliography was carefully compiled between 2005 and 2007 by the founding Board members of the ICCA. It is presented below, in its original form with the original introduction, as a tool for those interested in researching about Indigenous art history. In 2011, Sherry Farrell Racette received a Social
- [Governance](https://icca.art/about/governance/) - Governance : Board of Directors Call for Nominations: Join the ICCA Board of Directors. Click here for more information. Reuben FriendCo-chair of the Indigenous Curatorial Collective / Collectif des commissaires autochtones (ICCA) Reuben Friend (Ngāti Maniapoto, Pākehā) is an Aotearoa New Zealand artist, curator and writer. He currently works as the General Manager Community and
- [Activations de la solidarité](https://icca.art/activations-de-la-solidarite/) - Co-résistance et pratiques de soins Visit English site Activations de la solidarité : Co-résistance et pratiques de soin est une publication en ligne qui met l’accent sur les connaissances et les expériences incarnées des artistes Noir.e.s, Afro-Autochtones, Autochtones et Indigiqueers, et sur la manière dont iels mettent en œuvre la solidarité et la responsabilité

## Listings

- [BIPOC Bursary Fund](https://icca.art/directory/bipoc-bursary-fund/)
- [Arts Fund](https://icca.art/directory/arts-fund/)

## Portfolio

- [Beading As Medicine Volume 1](https://icca.art/portfolio-items/beading-as-medicine-volume-1/) - Beading, beadwork, Non-binary, queer, medicine, poetry, community, reflections, collection, guest writers Title: Beading As Medicine Volume 1 Publisher: Self-Published Author/s: Catherine Blackburn (Dene), Jana Schmieding (Cheyenne River Lakota Sioux), Kelly (Tongva), Raven Freebird (White Earth), Chenoa Williams (Pyramid Lake Pauite), Pauline Alvarez (Akimel O'otham/Tohono O'odham), Shawna Davis (Gitksan & Nisga'a), Kat Yanex (Tongva/Gabrieleno), Tia Bennett
- [Two-Spirit Acts: Queer Indigenous Performances](https://icca.art/portfolio-items/two-spirit-acts-queer-indigenous-performances/) - Performance, queer, 2spirit, Publication of scripts, collection, Hot 'n' Soft, Taxonomy of the European, Male, Seance, Justice of the Piece, Agokwe, archival Title: Two-Spirit Acts: Queer Indigenous Performances Publisher: Playwrights Canada Press Author/s: Muriel Miguel, Kent Monkman, Waawaate Fobister Year: 2013 Editor/s: Publication Type: Play Quantity: 1 ISBN: 9781770911840
- [The Hours That Remain](https://icca.art/portfolio-items/the-hours-that-remain/) - Publication of script, Theater, play, performance, script, Michelle Winters, Denise Winters, visions, loss, grief Title: The Hours That Remain Publisher: Playwrights Canada Press Author/s: Keith Barker Year: 2013 Editor/s: Publication Type: Play Quantity: 1 ISBN: 9781770911352
- [Inspiration Point](https://icca.art/portfolio-items/inspiration-point/) - Publication of script, Theater, play, performance, script, stranded, rez/res/reservation, Title: Inspiration Point Publisher: Playwrights Canada Press Author/s: John Garfield Barlow Year: 2011 Editor/s: Publication Type: Play Quantity: 1 ISBN: 9780887549809
- [Darrell Dennis: Two Plays](https://icca.art/portfolio-items/darrell-dennis-two-plays/) - Tales of an Urban Indian, The Trickster of Third Avenue East, Lee Maracle, Publication of script, play, performance, theatre, humour, one-personal play, supernatural, comedy, dark comedy Title: Darrell Dennis: Two Plays Publisher: Playwrights Canada Press Author/s: Darrell Dennis Year: 2025 Editor/s: Publication Type: Play Quantity: 1 ISBN: 9780887547720
- [Dreary and Izzy](https://icca.art/portfolio-items/dreary-and-izzy/) - Publication of script, Theater, play, performance, script, Alberta, sisters, caregiver, fetal alcohol syndrome, independence Title: Dreary and Izzy Publisher: Playwrights Canada Press Author/s: Tara Beagan Year: 2006 Editor/s: Publication Type: Play Quantity: 1 ISBN: 9780887546129
- [Annie Mae's Movement](https://icca.art/portfolio-items/annie-maes-movement/) - Publication of script, Theater, play, performance, script, disappearance, Anna Mae Pictou Aquash, death, mysterious circumstances, longevity, justice Title: Annie Mae's Movement Publisher: Playwrights Canada Press Author/s: Yvette Nolan Year: 1999/2021 Editor/s: Publication Type: Play Quantity: 1 ISBN: 9780887549045
- [The Indigenous Art Collection: Selected Works 1967-2017](https://icca.art/portfolio-items/the-indigenous-art-collection-selected-works-1967-2017/) - Indigenous Art Centre, The Indigenous Art Collection, Archival, Documentation, Catalogue Title: The Indigenous Art Collection: Selected Works 1967-2017 | La collection d'art autochone: Oeuvres choisies 1967-2017 Publisher: Common Weal Community Arts and the Mann Art Gallery Author/s: Year: 2018 Editor/s: Lee-Ann Martin (curator) Publication Type: Catalogue Quantity: 1 ISBN: 978-0-660-24320-7
- [Why the Caged Bird Sings - Immersive Engagements: A Solo Exhibition by Cheryl L'Hirondelle](https://icca.art/portfolio-items/why-the-caged-bird-sings-immersive-engagements-a-solo-exhibition-by-cheryl-lhirondelle/) - Why the Caged Bird Sings - Immersive Engagements: A Solo Exhibition by Cheryl L'Hirondelle Common Weal Community Arts and the Mann Art Gallery 2020 Cheryl L'Hirondelle, Judy McNaughton, Dr Duke Redbird Catalogue 1 N/A Solo Show, Exhibition, Scultpure, Poetry, Installation, Essays Title: Why the Caged Bird Sings - Immersive Engagements: A Solo Exhibition by Cheryl
- [Almighty Voice and His Wife](https://icca.art/portfolio-items/almighty-voice-and-his-wife/) - Publication of script, play, theatre, Cree, Marriage, 1895, saskatchewan, riel rebellion Title: Almighty Voice and His Wife Publisher: Playwrights Canada Press Author/s: Daniel David Moses Year: 1991/2017 Editor/s: Publication Type: Play Quantity: 1 ISBN: 978-0-88754-897-0
- [Huff & Stitch](https://icca.art/portfolio-items/huff-stitch/) - Publication of Script, play, theatre, rural ontario, brothers, abuse, addiction, inhalants, Trickster, single mother, porn star, infection Title: Huff & Stitch Publisher: Playwrights Canada Press Author/s: Cliff Cardinal Year: 2019 Editor/s: Publication Type: Play Quantity: 1 ISBN: 978-1-77091-746-0
- [Th'owxiya: The Hungry Feast Dish](https://icca.art/portfolio-items/thowxiya-the-hungry-feast-dish/) - Publication of script, play, theatre, village, kwantlen, spirit, squa'lets, children, mouse, epic journey Title: Th'owxiya: The Hungry Feast Dish Publisher: Playwrights Canada Press Author/s: Joseph A. Dandurand Year: 2019 Editor/s: Publication Type: Play Quantity: 1 ISBN: 9780369100238
- [In Spirit](https://icca.art/portfolio-items/in-spirit/) - Publication of script, play, theatre, intimate, tragic, MMIWG, murder, spirit, bicycle Title: In Spirit Publisher: Playwrights Canada Press Author/s: Tara Beagan Year: 2017 Editor/s: Publication Type: Play Quantity: 1 ISBN: 978-1-77091-806-1
- [The Unplugging](https://icca.art/portfolio-items/the-unplugging/) - Publication of script, play, theatre, electricity, darkness, post-apocalypic, traditional wisdom, women, bern, elena Title: The Unplugging Publisher: Playwrights Canada Press Author/s: Yvette Nolan Year: 2014 Editor/s: Publication Type: Play Quantity: 1 ISBN: 978-1-77091-132-1
- [Women of the Fur Trade](https://icca.art/portfolio-items/women-of-the-fur-trade/) - Publication of script, play, theatre, 1800s, Treaty One Territory, Reddish River, women, slang, fort, Louis Riel Title: Women of the Fur Trade Publisher: Playwrights Canada Press Author/s: Frances Koncan Year: 2022 Editor/s: Publication Type: Play Quantity: 1 ISBN: 9780369103505
- [Bears](https://icca.art/portfolio-items/bears/) - Publication of script, play, theatre, workplace accident, RCMP, suspect, Rockies, Burnaby, British Columbia, man turns into bear Title: Bears Publisher: Playwrights Canada Press Author/s: Matthew MacKenzie Year: 2020 Editor/s: Publication Type: Play Quantity: 1 ISBN: 9780369101068
- [Sankofa](https://icca.art/portfolio-items/sankofa/) - Exhibition Catalogue, collage, mixed media installation, soft sculpture, Jamaican Canadian Title: Sankofa Publisher: Latitude53 Author/s: Elsa Robinson Year: 2021 Editor/s: Publication Type: Catalogue Quantity: 1 ISBN: 978-1-7776689-7-6
- [Curating Immateriality: The work of the Curator in the Age of Network Systems](https://icca.art/portfolio-items/curating-immateriality-the-work-of-the-curator-in-the-age-of-network-systems/) - DATA browser 03, collected essays, new media, internet age, critical considerations Title: Curating Immateriality: The work of the Curator in the Age of Network Systems Publisher: autonomedia Author/s: 0100101110101101.org & [epidemiC], Josephine Berry Slater, Geoff Cox, Alexander R. Galloway & Eugene Thacker, Olga Goriunova & Alexei Shulgin,Beryl Graham, Eva Grubinger, Piotr Kajewski, Jacob Lillemose, lo-fi,
- [The Art of Gathering: How we meet and why it matters](https://icca.art/portfolio-items/the-art-of-gathering-how-we-meet-and-why-it-matters/) - Gatherings, transform, collective, groups, communication, manifesto, human-centered Title: The Art of Gathering: How we meet and why it matters Publisher: Riverhead Books Author/s: Priya Parker Year: 2018 Editor/s: Publication Type: Book Quantity: 1 ISBN: 9781594634925
- [These Are the Things](https://icca.art/portfolio-items/these-are-the-things/) - Garage Series, experimental new work, early career, community, local, artist led, Edmonton, Alberta, painting, installation, mixed media, scupture Title: These Are the Things Publisher: Latitude53 Author/s: Kiona Ligvoet Year: 2021 Editor/s: Paxsi Publication Type: Catalogue Quantity: 1 ISBN: 978-1-7776689-5-2
- [Terremoto](https://icca.art/portfolio-items/terremoto/) - Garage Series, experimental new work, early career, community, local, artist led, Edmonton, Alberta, Salvador, sculpture, illustration Title: Terremoto Publisher: Latitude53 Author/s: Michelle Campos Castillo Year: 2021 Editor/s: Zachary Ayotte Publication Type: Catalogue Quantity: 1 ISBN: 978-7776689-3-8
- [Even The Birds Are Walking](https://icca.art/portfolio-items/even-the-birds-are-walking/) - Curatorial project, utopias, exhibitions, cross-cultural, Durrah Alsaif, Cristina Battle, Elizabeth Belliveau, Lauren Crazybull, Areez Katki, Emmaneual Osahor, Aiya Collective Title: Even The Birds Are Walking Publisher: Latitude53 Author/s: Noor Bhangu Year: 2020 Editor/s: Publication Type: Catalogue Quantity: 1 ISBN: 978-0-9685318-7-7
- [Indian Act: Residential School Plays](https://icca.art/portfolio-items/indian-act-residential-school-plays/) - Publication of script, play, theatre, Falen Johnson, Drew Hayden Taylor, Undrip, Minnie After the Mush Hole, Grow Up Already, Indian, Salt Baby, Nohkom, Bunk #7, They Know not what they do, God and the indian, A very polite genocide of the girl who fell to earth, kihew, Dear Mr. Buchwald, Indian Act, Undrip Title: Indian
- [Staging Coyote's Dream: An Anthology of First Nations Drama in English Volume II](https://icca.art/portfolio-items/staging-coyotes-dream-an-anthology-of-first-nations-drama-in-english-volume-ii/) - Publication of script, play, theatre, anthology, Path with no Moccasins, The Indian Medicine Shows, The Moon and Dead Indians, Angel of the Medicine show, More than Feathers and Beads, Annie Mae's Movement, Trail of the Otter, Governer of the Dew: A memorial to Nostalgia and Desire, Confessions of an Indian Cowboy, Burning Vision, Please do
- [Tolerance of Ambiguity](https://icca.art/portfolio-items/tolerance-of-ambiguity/) - Latitude53 2020 Catalogue 1 Exhibition Catalogue, installation, sculpture, illustration, projection Title: Tolerance of Ambiguity Publisher: Latitude 53 Author/s: Walter Scott Year: 2021 Editor/s: Publication Type: Catalogue Quantity: 1 ISBN: 978-0-9685318-9-1
- [Portal](https://icca.art/portfolio-items/portal/) - Exhibition Catalogue, textiles, Crystal Mowry, queer, Kevin Allen Title: Portal Publisher: Latitude 54 Author/s: Mark Clintberg Year: 2021 Editor/s: Publication Type: Catalogue Quantity: 1 ISBN: 978-1-7776689-1-4
- [Stories from the Bush: The Woodland Plays of De-ba-jeh-mu-jig Theatre Group](https://icca.art/portfolio-items/stories-from-the-bush-the-woodland-plays-of-de-ba-jeh-mu-jig-theatre-group/) - Publication of scripts, play, theatre, performance, Title: Stories from the Bush: The Woodland Plays of De-ba-jeh-mu-jig Theatre Group Publisher: Playwrights Canada Press Author/s: Larry E Lewis, Daphne Odjig-Beavon Year: 2009 Editor/s: Joe Osawabine, Shannon Hengen Publication Type: Play Quantity: 1 ISBN: 978-0-88754-815-4
- [Abadakone | Continuous Fire](https://icca.art/portfolio-items/abadakone-continuous-fire/) - Entering the Special Exhibitions Galleries, visitors will encounter works and installations made in a variety of media, including beadwork, photography, print, sculpture, textile, and video. Among the artists whose works are on view are Brian Adams (Iñupiac, from Kivalina, Alaska, U.S.A.), Shuvinai Ashoona (Inuit, from Kinngait, Nunavut), Rebecca Belmore (Anishinaabe from Upsala, Ontario), Manuel Chavajay
- [Shelley Niro: 500 Year Itch](https://icca.art/portfolio-items/shelley-niro-500-year-itch/) - A member of the Kanyen’kehaka (Mohawk) Nation, she uses a wide variety of media, including photography, installation, film, and painting to bring greater visibility to Indigenous women and girls. Shelley Niro: 500 Year Itch brings together 215 reproductions from Niro’s expansive oeuvre, including work published here for the first time. Also included in this career
- [Land of Endless Sky](https://icca.art/portfolio-items/land-of-endless-sky/) - In response to Sakewewak Artists' Collective's "I'm remembering how tracks are made" curated by Holly Aubichon with pieces by Kiona Callihoo-Ligtvoet and Megan Feheley. Based in treaty 4 territory, poetry. Title: Land of Endless Sky Publisher: OCADU Onsite Gallery Author/s: Dana Justine Belcourt Year: 2022 Editor/s: Publication Type: Catalogue Quantity: 1 ISBN: N/A
- [Jordan Bennett x2: Souvenir](https://icca.art/portfolio-items/jordan-bennett-x2-souvenir/) - Jordan Bennett’s solo exhibition Souvenir draws upon his inspired intentions to visit, activate and respond to the innovative heritage embedded, woven and veiled in the richness of Mi’kmaq material culture and design. His interdisciplinary and intuitive approach grants new vitality to overlooked cultural expressions that carry elaborate Mi’kmaq cosmologies interpreted through customary geometric motifs embellished
- [Borrowed Lady: Martine Syms](https://icca.art/portfolio-items/borrowed-lady-martine-syms/) - Borrowed Lady: Martine Syms_ is the third in SFU Galleries Critical Reader Series. Edited by Amy Kazymerchyk, the book expands from Syms’ exhibition, Borrowed Lady, held at the Audain Gallery from October 13 to December 10, 2016. This publication unfolds the formal and conceptual inheritances that are operative in Syms’ practice. A new text by
- [They are lost as soon as they are made](https://icca.art/portfolio-items/they-are-lost-as-soon-as-they-are-made/) - The artist book presents the full suite of 80 colour photographs from the series They are lost as soon as they are made, with essays by Katie Belcher and Sara Matthews. To produce the images, Karen Zalamea built a large-format 4 x 5 analogue film camera for which she created biconvex lenses by freezing local
- [Water, Kinship, Belief](https://icca.art/portfolio-items/water-kinship-belief/) - AA Bronson, Abbas Akhavan, Abel Rodríguez, Adrian Blackwell, Adrian Stimson, Aki Onda, Althea Thauberger, Kite, Amy Malbeuf, Andrea Carlson, Ange Loft, Arin Rungjang, Augustas Serapinas, Aycoobo, Bárbara Wagner, Benjamin de Burca, Brian Jungen, Caecilia Tripp, Camille Turner, Caroline Monnet, Curtis Talwst Santiago, Dana Claxton, Dana Prieto, Denyse Thomasos, Eduardo Navarro, Elder Duke Redbird, Embassy of
- [Once The Smudge is Lit](https://icca.art/portfolio-items/once-the-smudge-is-lit/) - Ceremony, community and connection – the poems of Once the Smudge is Lit carry the reader into deeply spiritual elements of Nishnaabe/Ojibwe culture. Co-written by Cole Forrest and Kelsey Bogford, the poetry of Once the Smudge is Lit highlights the Indigenous experience in post-colonial times through explorations of themes ranging from love to community. Bogford’s
- [unwilling (a companion)](https://icca.art/portfolio-items/unwilling-a-companion/) - Printed in conjunction with the exhibition Unwilling: Exercises in Melancholy March 23rd-April 27th 2018. Unwilling: Exercises in Melancholy proposes a re-consideration of melancholia defined through our contemporary condition. Resisting the historical definition of melancholy as an affliction that creates disorder or inactivity, this exhibition reimagines passive sadness as powerful refusal, a conscious (or unconscious) “standing
- [$5 Handshake](https://icca.art/portfolio-items/5-handshake/) - A corollary to the group exhibition Maps and Dreams (Audain Gallery, June 1-July 29, 2017), this publication takes up conceptions and implications of land use through cultural and industrial lenses, specifically in relationship to the territory of the Dane-zaa people of northeastern British Columbia, now in Treaty 8. New texts by artist Brenda Draney, researcher
- [Folio F: Service Working Group](https://icca.art/portfolio-items/folio-f-service-working-group/) - Folio F presents complete transcripts from the ground-breaking working group on labour relations and institutional governance in the arts organized in 1994 by Helmut Draxler and Andrea Fraser at the Kunstraum of the University of Lüneburg. Held on January 22 and 23, 1994, the candid discussions between the organizers, Kunstraum representatives, and invited practitioners were
- [Folio E: Institutions by Artists Volume Two](https://icca.art/portfolio-items/folio-e-institutions-by-artists-volume-two/) - Following Institutions by Artists: Volume One and the eponymous convention from which both volumes take their name, this second anthology of texts continues the work of unpacking artists’ relationships to—and creation of—a larger set of structures that increasingly regulate, demarcate, and codify contemporary artistic practice: centres of economic and cultural capital; state and private apparatus;
- [Carl Beam: The Poetics of Being](https://icca.art/portfolio-items/carl-beam-the-poetics-of-being/) - Carl Beam was a powerful voice in contemporary art in Canada. A key Anishnaabe artist, he drew upon all the cultural resources at the disposal of a contemporary artist. This catalogue, exhibition and tour of fifty magnificent and challenging works by Beam, is the first such opportunity to view a selection of his paintings, constructions,
- [Christi Belcourt](https://icca.art/portfolio-items/christi-belcourt/) - The 136-page softcover book features an artist's statement and essays by curator Nadia Kurd and guest writers Sherry Farrell Racette and Dylan Miner, in Anishinaabemowin and English. The beautiful, richly-illustrated book traces the artist's work over three decades, including recent paintings made with Isaac Murdoch, and documents Belcourt's and Murdoch's collaborative activism. Title: Christi Belcourt
- [BackFlash 38.3: Volume 38 Issue 3, December-March 2021](https://icca.art/portfolio-items/backflash-38-3-volume-38-issue-3-december-march-2021/) - Infinities (Fall/Winter 38.3) brings together a range of Canadian artists and writers to examine the influence of the traditions and conventions of Islamic visual cultures on contemporary art. From techniques and symbols to concepts and designs, artists such as Tazeen Qayyum, Abdi Osman, Shaheer Zazai, Azadeh Elmizadeh have employed various methods and materials to not
- [Vancouver Anthology: A project of the Or Gallery](https://icca.art/portfolio-items/vancouver-anthology-a-project-of-the-or-gallery/) - The essays collected in this book were first presented in the autumn of 1990 as part of a lecture series entitled Vancouver Anthology: Lectures on Art in British Columbia, a forum in which each contributing writer could test his or her research on the question of art and politics in public, before their papers were
- [Form Follows Fiction: Art and Artists in Toronto](https://icca.art/portfolio-items/form-follows-fiction-art-and-artists-in-toronto/) - How do artists in Toronto visualise their sense of place? Are there particular ‘made-in-Toronto’ ways of thinking about the city? With work selected by internationally renowned Toronto-based artist Luis Jacob, Form Follows Fiction: Art and Artists in Toronto considers the ways in which artists visualise Toronto, throughout a period of fifty years. Presenting a thematic
- [In the Wake: On Blackness and Being](https://icca.art/portfolio-items/in-the-wake-on-blackness-and-being/) - In this original and trenchant work, Christina Sharpe interrogates literary, visual, cinematic, and quotidian representations of Black life that comprise what she calls the "orthography of the wake." Activating multiple registers of "wake"—the path behind a ship, keeping watch with the dead, coming to consciousness—Sharpe illustrates how Black lives are swept up and animated by
- [Janvier: The Healing Language of Alex Janvier](https://icca.art/portfolio-items/janvier-the-healing-language-of-alex-janvier/) - Janvier: The Healing Language of Alex Janvier is a solo exhibition by renowned Indigenous artist, AUArts Honorary MFA and Alum Alex Janvier, Dip '60, Fine Arts. This special exhibition primarily features paintings from the Janvier family’s private collection, and this will be the first time that many of the artworks are on display to the
- [Beginning with the Seventies](https://icca.art/portfolio-items/beginning-with-the-seventies/) - Looking at the relationship between art, archives and activism, this publication begins with the 1970s, an era when social movements —the fight for LGBTQ+, Indigenous and women’s rights, environmentalism, anti‑racism, health care advocacy and calls for housing reform—started to coalesce into models of self-organization that overlapped with the production of art and culture. Noting the
- [Kent Monkman: Shame & Prejudice, A story of Resilience](https://icca.art/portfolio-items/kent-monkman-shame-prejudice-a-story-of-resilience/) - Artist Kent Monkman’s all-encompassing project, Shame and Prejudice: A Story of Resilience, takes viewers on a journey through Canada’s history, starting in the present and going back to before Canadian confederation. Throughout the book there are clever, albeit controversial, commentaries told by Monkman’s genderfluid, time-travelling, supernatural alter-ego Miss Chief Eagle Testickle. Her narratives take viewers
- [Galang 01](https://icca.art/portfolio-items/galang-01/) - The Galang Collective convenes regularly to discuss the role of museums and other cultural institutions in the past and present colonisation of First Nations people. This title brings together transcripts of the collective’s powerful and moving conversations with individual members’ contributions. Artists featured include Brook Garru Andrew, Léuli Eshrãghi, Liisa-Rávná Finbog, Lisa Hilli, Biung Ismahasan,
- [It doesn't have to be crazy at work](https://icca.art/portfolio-items/it-doesnt-have-to-be-crazy-at-work/) - Chaos shouldn’t be the natural state at work. Anxiety isn’t a prerequisite for progress. Sitting in meetings all day isn’t required for success. These are all perversions of work — side effects of broken models and “best” practices. This book treats the patient, calls out false cures, and pushes back against ritualistic time-sucks that have infected the
- [Action-Camera: Beijing Performance Photography](https://icca.art/portfolio-items/action-camera-beijing-performance-photography/) - This exhibition is curated by Keith Wallace and explores an aspect of performance art that is prominent in mainland China and in particular, Beijing. In mainland China, performance art is a relatively recent development with not much more than twenty years of activity. Action – Camera: Beijing Performance Photography examines the trajectory from the discreet
- [Certain Encounters: Daros-Latin America Collection](https://icca.art/portfolio-items/certain-encounters-daros-lantinamerica-collection/) - Certain Encounters: Daros-Latin America Collection presents the work of 21 artists who have made important contributions to visual art in Latin America. The Daros-Latin America Collection is based in Zürich, Switzerland and was initiated in 2000. It currently includes more than one hundred artists from all regions of Latin America and the works focus primarily
- [Whispering to my soul: when ancestors call us to resurgence](https://icca.art/portfolio-items/whispering-to-my-soul-when-ancestors-call-us-to-resurgence/) - Whispering to my soul: when ancestors call us to resurgence By Antonio Catrileo Whispering to my soul (2021) by Esperanza Sánchez Espitia is a sensitive invitation that explores the connection to our ancestors through dreams. Dreaming here is a way of reclaiming non-Western ancestral knowledge that breaks down the linearity of time. The dream dimension

## FAQs

- [What funding opportunities are available to help me travel to and participate in the Whitehorse gathering?](https://icca.art/faq-items/what-funding-opportunities-are-available-to-help-me-travel-to-and-participate-in-the-whitehorse-gathering/) - There are several grant options available depending on your identity, region, and project goals: For Indigenous Artists, Curators, and Organizations Travel Grant: Apply through Creating, Knowing and Sharing: The Arts and Cultures of First Nations, Inuit and Métis Peoples - Travel to support travel costs related to professional development, networking, and attending gatherings. For Northern
- [Is there a Hotel Code?](https://icca.art/faq-items/is-there-a-hotel-code/) - Yes. ICCA provides a special conference rate for Gathering attendees. The hotel booking code will be included in your registration confirmation email. Please contact gatherings@icca.art if you did not receive it.
- [Is there a Schedule?](https://icca.art/faq-items/is-there-a-schedule/) - Yes. A full event schedule will be posted on the ICCA website two weeks before the Gathering. Registered participants will also receive a downloadable PDF version with times for panels, meals, and evening events.
- [Is there an Agenda?](https://icca.art/faq-items/is-there-an-agenda/) - A detailed agenda—featuring speakers, panels, and discussion themes—is located on the ICCA website here. The agenda will be shared with all confirmed attendees in advance of the Gathering.
- [Where is the hotel in Saskatoon?](https://icca.art/faq-items/where-is-the-hotel-in-saskatoon/) - The Gathering hotel in Saskatoon is centrally located near downtown galleries and partner venues. Exact address and map will be provided in your confirmation email.
- [How do I access the Gathering Welcome Package?](https://icca.art/faq-items/how-do-i-access-the-gathering-welcome-package/) - The Gathering Welcome Package will be included in your registration email, along with your Hyatt Hotel discount code and Receipt/Invoice. Please email gatherings@icca.art if you did not receive it.
- [Who can attend the Gathering?](https://icca.art/faq-items/who-can-attend-the-gathering/) - The Gathering is open to Indigenous and non-Indigenous attendees; we welcome all curators, artists, arts administrators, and cultural workers to attend. While the Gathering is designed to be inclusive, any dedicated, closed, or Indigenous-only sessions will be clearly specified in the program and upcoming communications.
- [Who is the ICCA Staff?](https://icca.art/faq-items/who-is-the-icca-staff/) - A full list of the ICCA’s staff team pictures and biographies can be found on our website under About ICCA → Staff.
- [Where can I find my Receipt/Invoice for the Gathering?](https://icca.art/faq-items/where-can-i-find-my-receipt-or-invoice-for-the-gathering/) - The Receipt/Invoice will be included in your registration email, along with your Hyatt Hotel discount code and the Gathering Welcome Package. Please email gatherings@icca.art if you did not receive it.
- [What is the Hyatt Hotel discount code?](https://icca.art/faq-items/what-is-the-hotel-code/) - The Hyatt Hotel discount code will be included in your registration email, along with your receipt and the Gathering Welcome Package. Please email gatherings@icca.art if you did not receive it.
- [Will dietary restrictions or food accommodations be provided?](https://icca.art/faq-items/will-dietary-restrictions-or-food-accommodations-be-provided/) - Yes, if you have dietary restrictions or need food accommodations, please indicate your requirements during registration or reach out to gatherings@icca.art.
- [Will the Gathering be available virtually?](https://icca.art/faq-items/will-the-gathering-be-available-virtually/) - No, the 2027 Gathering is primarily designed as an in-person event at the Kwanlin Dün Cultural Centre. If any virtual streaming or recorded sessions become available, details will be announced closer to the event date.
- [Will ASL (American Sign Language) interpretation be provided?](https://icca.art/faq-items/will-asl-american-sign-language-interpretation-be-provided/) - We strive to make our Gathering as accessible as possible. If you require ASL interpretation or specific accessibility accommodations, please indicate your requirements during registration or reach out to gatherings@icca.art.
- [Will Live French Translation be provided?](https://icca.art/faq-items/will-live-translation-be-provided/) - We strive to make our Gathering as accessible as possible. If you require Translation Services or specific accessibility accommodations, please indicate your requirements during registration or reach out to gatherings@icca.art.
- [Where is the hotel in Whitehorse?](https://icca.art/faq-items/where-is-the-hotel-in-whitehorse/) - The Gathering hotel in Whitehorse is the Hyatt Place Whitehorse, centrally located at: Hyatt Place Whitehorse 511 Main Street, Whitehorse, Yukon, Canada Y1A 2B8 The Hyatt Hotel discount code will be included in your registration email, along with your receipt and the Gathering Welcome Package. Please email gatherings@icca.art if you did not receive it.
- [How can I partner for the next Gathering?](https://icca.art/faq-items/how-can-i-partner-for-the-next-gathering/) - ICCA welcomes partnerships with Indigenous organizations, artist-run centres, and funders. Please contact gatherings@icca.art to discuss collaboration opportunities for future Gatherings.
- [Do you need my dietary requirements?](https://icca.art/faq-items/do-you-need-my-dietary-requirements/) - Yes, please include any dietary restrictions or accessibility needs when you register. You can also email gatherings@icca.art to update your information before the event.
- [Where is the hotel in Regina?](https://icca.art/faq-items/where-is-the-hotel-in-regina/) - For those joining ICCA events in Regina, hotel information and booking details will be included in your registration confirmation or can be requested by email.
- [Who is the ICCA Board of Directors?](https://icca.art/faq-items/who-is-on-the-icca-board-of-directors/) - A full list of ICCA’s Board of Directors pictures and biographies can be found on our website under About ICCA → Governance.
- [How do I become a member of the ICCA?](https://icca.art/faq-items/how-do-i-become-a-member-of-the-icca/) - Begin your journey with ICCA Membership and help shape the future of Indigenous curatorial practice across Turtle Island. Community Membership Connects Indigenous curators, artists, and cultural workers through mentorship, advocacy, national gatherings, and shared resources to build a strong, sovereign arts ecosystem. Institutional Membership Supports galleries, museums, universities, and cultural organizations in building meaningful, reciprocal relationships
- [Can I register for one day only?](https://icca.art/faq-items/can-i-register-for-one-day-only/) - Yes. One-day passes are available through the registration portal here. Space is limited, so early registration is recommended.
- [Do I need cash for the Indigenous Craft Sale on Saturday?](https://icca.art/faq-items/do-i-need-cash-for-the-indigenous-craft-sale-on-saturday/) - Yes, please bring cash. Many vendors are community-based artists who may not have digital payment options.
- [Who is on the Panels?](https://icca.art/faq-items/who-is-on-the-panels/) - Our panels feature Indigenous curators, artists, and knowledge keepers from across Canada. A complete list of confirmed panelists will be available online and distributed at registration.

## Categories

- [Uncategorized](https://icca.art/category/uncategorized/)
- [Antonio Catrileo](https://icca.art/category/antonio-catrileo/)
- [Jason Baerg](https://icca.art/category/jason-baerg/)
- [Dr. Michelle S. A. McGeough](https://icca.art/category/dr-michelle-s-a-mcgeough/)
- [Jennifer Smith](https://icca.art/category/jennifer-smith/)
- [Daina Warren](https://icca.art/category/daina-warren/)
- [Ryan Rice](https://icca.art/category/ryan-rice/)
- [France Trepanier](https://icca.art/category/france-trepanier/)
- [Karen Pheasant](https://icca.art/category/karen-pheasant/)
- [Peter Morin](https://icca.art/category/peter-morin/)
- [Candice Hopkins](https://icca.art/category/candice-hopkins/)
- [Linda Grussani](https://icca.art/category/linda-grussani/)
- [David Garneau](https://icca.art/category/david-garneau/)
- [Gloria Bell](https://icca.art/category/gloria-bell/)
- [Amber-Dawn Bear Robe](https://icca.art/category/amber-dawn-bear-robe/)
- [Bonnie Devine](https://icca.art/category/bonnie-devine/)
- [Heather Igloliorte](https://icca.art/category/heather-igloliorte/)
- [William Kingfisher](https://icca.art/category/william-kingfisher/)
- [Barry Ace](https://icca.art/category/barry-ace/)
- [Janine Windolph](https://icca.art/category/janine-windolph/)
- [Robert Houle](https://icca.art/category/robert-houle/)
- [IC/CA](https://icca.art/category/ic-ca/)
- [Claire Johnston](https://icca.art/category/claire-johnston/)
- [Teyohá:te Brant](https://icca.art/category/teyohate-brant/)
- [Opportunities](https://icca.art/category/opportunities/)
- [News](https://icca.art/category/news/)
- [News](https://icca.art/category/news-fr/)
- [Justine “Tini” Stilborn](https://icca.art/category/justine-tini-stilborn/)
- [KC Adams](https://icca.art/category/kc-adams/)
- [Cesar Alejandro Romero](https://icca.art/category/cesar-alejandro-romero/)
- [Cathy Busby](https://icca.art/category/cathy-busby/)
- [Creative Conciliations](https://icca.art/category/creative-conciliations/)
- [Toby Lawrence](https://icca.art/category/toby-lawrence/)
- [Jesse King](https://icca.art/category/jesse-king/)
- [Melissa Johns](https://icca.art/category/melissa-johns/)
- [Val Vint](https://icca.art/category/val-vint/)
- [Indigenous Curatorial Collective](https://icca.art/category/indigenous-curatorial-collective/)
- [Adina Farinango](https://icca.art/category/adina-farinango/)
- [Knowledge Within Us](https://icca.art/category/knowledge-within-us/)
- [Atif Khan](https://icca.art/category/atif-khan/)
- [Brendan Henderson](https://icca.art/category/brendan-henderson/)
- [AUGUST](https://icca.art/category/august/)
- [Bettina Escauriza](https://icca.art/category/bettina-escauriza/)
- [Gillian Joseph](https://icca.art/category/gillian-joseph/)
- [Hana Pera Aoake](https://icca.art/category/hana-pera-aoake/)
- [Jean Baptiste](https://icca.art/category/jean-baptiste/)
- [Tweet](https://icca.art/category/tweet/)
- [Sera Phim](https://icca.art/category/sera-phim/)
- [Shalaka Jadhav](https://icca.art/category/shalaka-jadhav/)
- [Tom Mcleod](https://icca.art/category/tom-mcleod/)
- [Evelyn Pakinewatik](https://icca.art/category/evelyn-pakinewatik/)
- [Rungh](https://icca.art/category/rungh/)
- [Bruce McIvor](https://icca.art/category/bruce-mcivor/)
- [Manuel Carrión Lira](https://icca.art/category/manuel-carrion-lira/)
- [Celebration of Self](https://icca.art/category/celebration-of-self/)
- [Michael Peterson](https://icca.art/category/michael-peterson/)
- [Alberta Rose W.](https://icca.art/category/alberta-rose-w/)
- [Christyn Koostachin](https://icca.art/category/christyn-koostachin/)
- [Jesslynn Friday](https://icca.art/category/jesslynn-friday/)
- [Daanis Pelletier](https://icca.art/category/daanis-pelletier/)
- [Tiffany Shaw](https://icca.art/category/tiffany-shaw/)
- [Toronto Outdoor Art Fair (TOAF)](https://icca.art/category/toronto-outdoor-art-fair-toaf/)
- [Eva Grant](https://icca.art/category/eva-grant/)
- [Nandini Gokhale](https://icca.art/category/nandini-gokhale/)
- [Jennifer Robinson](https://icca.art/category/jennifer-robinson/)
- [Tarah Hogue](https://icca.art/category/tarah-hogue/)
- [Jonathan Dewar](https://icca.art/category/jonathan-dewar/)
- [Julie Rae Tucker](https://icca.art/category/julie-rae-tucker/)
- [Muriel N. Kahwagi](https://icca.art/category/muriel-n-kahwagi/)
- [Echo Lines](https://icca.art/category/echo-lines/)
- [Joi T. Arcand](https://icca.art/category/joi-t-arcand/)
- [Danielle Printup](https://icca.art/category/danielle-printup/)
- [Malaya Kisa-Knickelbein](https://icca.art/category/malaya-kisa-knickelbein/)
- [Melanie Monique Rose](https://icca.art/category/melanie-monique-rose/)
- [Theo Pelmus](https://icca.art/category/theo-pelmus/)
- [Kristin Snowbird](https://icca.art/category/kristin-snowbird/)
- [Brett Graham](https://icca.art/category/brett-graham/)
- [aabaakwad](https://icca.art/category/aabaakwad/)
- [Ociciwan Contemporary Art Centre](https://icca.art/category/ociciwan-contemporary-art-centre/)
- [Tracey George Heese](https://icca.art/category/tracey-george-heese/)
- [RCMP Heritage Center: the Place of Reflection](https://icca.art/category/rcmp-heritage-center-the-place-of-reflection/)
- [Jennifer Claire Robinson](https://icca.art/category/jennifer-claire-robinson/)
- [Andrea Naomi Walsh](https://icca.art/category/andrea-naomi-walsh/)
- [Lorilee Wastasecoot](https://icca.art/category/lorilee-wastasecoot/)
- [Kii-kita-kashuaa Mark Atleo](https://icca.art/category/kii-kita-kashuaa-mark-atleo/)
- [Keavy Martin](https://icca.art/category/keavy-martin/)
- [Toby Katrine Lawrence](https://icca.art/category/toby-katrine-lawrence/)
- [CARFAC SK](https://icca.art/category/carfac-sk/)
- [Critical Art Writing Mentorship Program](https://icca.art/category/critical-art-writing-mentorship-program/)
- [Hooria Rajabzadeh](https://icca.art/category/hooria-rajabzadeh/)
- [Harmony Johnson-Harder](https://icca.art/category/harmony-johnson-harder/)
- [Doris Lanigan](https://icca.art/category/doris-lanigan/)
- [Cheryl L’Hirondelle](https://icca.art/category/cheryl-lhirondelle/)
- [Leah Decter](https://icca.art/category/leah-decter/)
- [Charlotte Townsend-Gault](https://icca.art/category/charlotte-townsend-gault/)
- [Lois Taylor Biggs](https://icca.art/category/lois-taylor-biggs/)
- [Svetlana Romanova](https://icca.art/category/svetlana-romanova/)
- [C Magazine](https://icca.art/category/c-magazine/)
- [Indigenous Art Writing Award (IAWA)](https://icca.art/category/indigenous-art-writing-award-iawa/)
- [Magally Zelaya](https://icca.art/category/magally-zelaya/)
- [Dan Cardinal McCartney](https://icca.art/category/dan-cardinal-mccartney/)
- [Bee Bird](https://icca.art/category/bee-bird/)
- [Dana Prieto](https://icca.art/category/dana-prieto/)
- [Dana Claxton](https://icca.art/category/dana-claxton/)
- [Newsletter](https://icca.art/category/newsletter/)
- [Stefan St-Laurent](https://icca.art/category/stefan-st-laurent/)

## Tags

- [ic ca](https://icca.art/tag/ic-ca/)
- [Val Vint](https://icca.art/tag/val-vint/)
- [KC Adams](https://icca.art/tag/kc-adams/)
- [Education is the New Bison](https://icca.art/tag/education-is-the-new-bison/)
- [rungh](https://icca.art/tag/rungh/)

## Listing Directory

- [General](https://icca.art/atbdp_listing_types/general/)

## Portfolio Categories

- [Book Inventory](https://icca.art/portfolio_category/book-inventory/)

## Portfolio Tags

- [Carmelo Arden Quin](https://icca.art/portfolio_tags/carmelo-arden-quin/)
- [Fernando Arias](https://icca.art/portfolio_tags/fernando-arias/)
- [Waltercio Caldas](https://icca.art/portfolio_tags/waltercio-caldas/)
- [Luis Camnitzer](https://icca.art/portfolio_tags/luis-camnitzer/)
- [Iván Jesús Capote Puentes](https://icca.art/portfolio_tags/ivan-jesus-capote-puentes/)
- [Lygia Clark](https://icca.art/portfolio_tags/lygia-clark/)
- [Carlos Cruz–Diez](https://icca.art/portfolio_tags/carlos-cruz-diez/)
- [Antonio Dias](https://icca.art/portfolio_tags/antonio-dias/)
- [Juan Manuel Echavarria](https://icca.art/portfolio_tags/juan-manuel-echavarria/)
- [León Ferrari](https://icca.art/portfolio_tags/leon-ferrari/)
- [Jorge Macchi](https://icca.art/portfolio_tags/jorge-macchi/)
- [Teresa Margolles](https://icca.art/portfolio_tags/teresa-margolles/)
- [Ana Mendieta](https://icca.art/portfolio_tags/ana-mendieta/)
- [Vik Muniz](https://icca.art/portfolio_tags/vik-muniz/)
- [Oscar Muñoz](https://icca.art/portfolio_tags/oscar-munoz/)
- [Hélio Oiticica](https://icca.art/portfolio_tags/helio-oiticica/)
- [Manuel Piña](https://icca.art/portfolio_tags/manuel-pina/)
- [Nelson Ramos](https://icca.art/portfolio_tags/nelson-ramos/)
- [Lázaro Saavedra](https://icca.art/portfolio_tags/lazaro-saavedra/)
- [Santiago Sierra and Melanie Smith](https://icca.art/portfolio_tags/santiago-sierra-and-melanie-smith/)
- [Ai Weiwei](https://icca.art/portfolio_tags/ai-weiwei/)
- [Cang Xin](https://icca.art/portfolio_tags/cang-xin/)
- [Dai Guangyu](https://icca.art/portfolio_tags/dai-guangyu/)
- [the Gao Brothers (Gao Zheng and Gao Qiang)](https://icca.art/portfolio_tags/the-gao-brothers-gao-zheng-and-gao-qiang/)
- [Han Bing](https://icca.art/portfolio_tags/han-bing/)
- [He Yunchang](https://icca.art/portfolio_tags/he-yunchang/)
- [He Chengyao](https://icca.art/portfolio_tags/he-chengyao/)
- [Hong Hao](https://icca.art/portfolio_tags/hong-hao/)
- [Li Wei](https://icca.art/portfolio_tags/li-wei/)
- [Ma Liuming](https://icca.art/portfolio_tags/ma-liuming/)
- [RongRong](https://icca.art/portfolio_tags/rongrong/)
- [Wang Qingsong](https://icca.art/portfolio_tags/wang-qingsong/)
- [Xing Danwen](https://icca.art/portfolio_tags/xing-danwen/)
- [Zhang Huan](https://icca.art/portfolio_tags/zhang-huan/)
- [and Zhu Ming](https://icca.art/portfolio_tags/and-zhu-ming/)
- [Brook Garru Andrew](https://icca.art/portfolio_tags/brook-garru-andrew/)
- [Léuli Eshrãghi](https://icca.art/portfolio_tags/leuli-eshraghi/)
- [Liisa-Rávná Finbog](https://icca.art/portfolio_tags/liisa-ravna-finbog/)
- [Lisa Hilli](https://icca.art/portfolio_tags/lisa-hilli/)
- [Biung Ismahasan](https://icca.art/portfolio_tags/biung-ismahasan/)
- [Gail Mabo](https://icca.art/portfolio_tags/gail-mabo/)
- [Mayunkiki](https://icca.art/portfolio_tags/mayunkiki/)
- [Kent Monkman](https://icca.art/portfolio_tags/kent-monkman/)
- [Barbara Fischer](https://icca.art/portfolio_tags/barbara-fischer/)
- [Lucy Lippard](https://icca.art/portfolio_tags/lucy-lippard/)
- [Lorna Brown](https://icca.art/portfolio_tags/lorna-brown/)
- [Siku Allooloo](https://icca.art/portfolio_tags/siku-allooloo/)
- [Eleanor Antin](https://icca.art/portfolio_tags/eleanor-antin/)
- [Scott Benesiinaabandan](https://icca.art/portfolio_tags/scott-benesiinaabandan/)
- [Alexandra Bischoff](https://icca.art/portfolio_tags/alexandra-bischoff/)
- [Anthea Black and Shamina Chherawala](https://icca.art/portfolio_tags/anthea-black-and-shamina-chherawala/)
- [Dana Claxton](https://icca.art/portfolio_tags/dana-claxton/)
- [Allyson Clay](https://icca.art/portfolio_tags/allyson-clay/)
- [Jo Cook and the Vancouver Women’s Bookstore](https://icca.art/portfolio_tags/jo-cook-and-the-vancouver-womens-bookstore/)
- [Judith Copithorne](https://icca.art/portfolio_tags/judith-copithorne/)
- [Kate Craig](https://icca.art/portfolio_tags/kate-craig/)
- [Darryll Dawson Jr.](https://icca.art/portfolio_tags/darryll-dawson-jr/)
- [Michael de Courcy](https://icca.art/portfolio_tags/michael-de-courcy/)
- [Christine D’Onofrio](https://icca.art/portfolio_tags/christine-donofrio/)
- [Gathie Falk](https://icca.art/portfolio_tags/gathie-falk/)
- [Martha Fleming and Lyne Lapointe](https://icca.art/portfolio_tags/martha-fleming-and-lyne-lapointe/)
- [Jeneen Frei Njootli](https://icca.art/portfolio_tags/jeneen-frei-njootli/)
- [Helen Goodwin](https://icca.art/portfolio_tags/helen-goodwin/)
- [Jamelie Hassan](https://icca.art/portfolio_tags/jamelie-hassan/)
- [Colleen Heslin](https://icca.art/portfolio_tags/colleen-heslin/)
- [Carole Itter](https://icca.art/portfolio_tags/carole-itter/)
- [Corita Kent](https://icca.art/portfolio_tags/corita-kent/)
- [Alison Knowles](https://icca.art/portfolio_tags/alison-knowles/)
- [Germaine Koh](https://icca.art/portfolio_tags/germaine-koh/)
- [Ladies’ Invitational Deadbeat Society (LIDS) with Anthea Black](https://icca.art/portfolio_tags/ladies-invitational-deadbeat-society-lids-with-anthea-black/)
- [Nicole Burisch and Wednesday Lupypciw](https://icca.art/portfolio_tags/nicole-burisch-and-wednesday-lupypciw/)
- [Laiwan](https://icca.art/portfolio_tags/laiwan/)
- [Jaymyn La Vallee](https://icca.art/portfolio_tags/jaymyn-la-vallee/)
- [Sara Leydon](https://icca.art/portfolio_tags/sara-leydon/)
- [Adeline Lorenzetto](https://icca.art/portfolio_tags/adeline-lorenzetto/)
- [Walter Marchetti](https://icca.art/portfolio_tags/walter-marchetti/)
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- [Cliff Cardinal](https://icca.art/portfolio_tags/cliff-cardinal/)
- [Cheryl L'Hirondelle](https://icca.art/portfolio_tags/cheryl-lhirondelle/)
- [Judy McNaughton](https://icca.art/portfolio_tags/judy-mcnaughton/)
- [Dr Duke Redbird](https://icca.art/portfolio_tags/dr-duke-redbird/)
- [Lee-Ann Martin](https://icca.art/portfolio_tags/lee-ann-martin/)
- [Darrell Dennis](https://icca.art/portfolio_tags/darrell-dennis/)
- [Lee Maracle](https://icca.art/portfolio_tags/lee-maracle/)
- [John Garfield Barlow](https://icca.art/portfolio_tags/john-garfield-barlow/)
- [Keith Barker](https://icca.art/portfolio_tags/keith-barker/)
- [Waawaate Fobister](https://icca.art/portfolio_tags/waawaate-fobister/)
- [Jean O'Hara](https://icca.art/portfolio_tags/jean-ohara/)
- [Catherine Blackburn (Dene)](https://icca.art/portfolio_tags/catherine-blackburn-dene/)
- [Jana Schmieding (Cheyenne River Lakota Sioux)](https://icca.art/portfolio_tags/jana-schmieding-cheyenne-river-lakota-sioux/)
- [Kelly (Tongva)](https://icca.art/portfolio_tags/kelly-tongva/)
- [Raven Freebird (White Earth)](https://icca.art/portfolio_tags/raven-freebird-white-earth/)
- [Chenoa Williams (Pyramid Lake Pauite)](https://icca.art/portfolio_tags/chenoa-williams-pyramid-lake-pauite/)
- [Pauline Alvarez (Akimel O'otham/Tohono O'odham)](https://icca.art/portfolio_tags/pauline-alvarez-akimel-ootham-tohono-oodham/)
- [Shawna Davis (Gitksan & Nisga'a)](https://icca.art/portfolio_tags/shawna-davis-gitksan-nisgaa/)
- [Kat Yanex (Tongva/Gabrieleno)](https://icca.art/portfolio_tags/kat-yanex-tongva-gabrieleno/)
- [Tia Bennett (Dine)](https://icca.art/portfolio_tags/tia-bennett-dine/)
- [Jordann Wilson (Gitxsan)](https://icca.art/portfolio_tags/jordann-wilson-gitxsan/)
- [Blu Hummingbird/Brit Ellis (Onondaga)](https://icca.art/portfolio_tags/blu-hummingbird-brit-ellis-onondaga/)
- [Katrina Brown Akootchook (Oneida Nation of the Thames)](https://icca.art/portfolio_tags/katrina-brown-akootchook-oneida-nation-of-the-thames/)
- [Farrah Ramos (Mvskoke)](https://icca.art/portfolio_tags/farrah-ramos-mvskoke/)
- [Molina Two Bulls Parker (Oglala Lakota](https://icca.art/portfolio_tags/molina-two-bulls-parker-oglala-lakota/)
- [Northern Cheyenne)](https://icca.art/portfolio_tags/northern-cheyenne/)
- [Rebecca Doxtator (Oneida)](https://icca.art/portfolio_tags/rebecca-doxtator-oneida/)
- [Adeline (Kumeyaay & Mescalero Apache)](https://icca.art/portfolio_tags/adeline-kumeyaay-mescalero-apache/)
- [Waunshila Jealous of Him (Oglala Lakota)](https://icca.art/portfolio_tags/waunshila-jealous-of-him-oglala-lakota/)
- [Lynette La Fontaine (Nehiyow/Michif)](https://icca.art/portfolio_tags/lynette-la-fontaine-nehiyow-michif/)
- [Kinsita Joseph (Hupa](https://icca.art/portfolio_tags/kinsita-joseph-hupa/)
- [Karuk](https://icca.art/portfolio_tags/karuk/)
- [Pauite](https://icca.art/portfolio_tags/pauite/)
- [Shoshone)](https://icca.art/portfolio_tags/shoshone/)
- [Kristina Fiore (Hupa](https://icca.art/portfolio_tags/kristina-fiore-hupa/)
- [Yurok)](https://icca.art/portfolio_tags/yurok/)
- [Damien Montano (Yoeme/Purepecha)](https://icca.art/portfolio_tags/damien-montano-yoeme-purepecha/)
- [Tiffany A Vanderhoop (Haida and Aquinnah Wampanoag)](https://icca.art/portfolio_tags/tiffany-a-vanderhoop-haida-and-aquinnah-wampanoag/)
- [Monique Aura Bedard (Oneida Nation of the Thames)](https://icca.art/portfolio_tags/monique-aura-bedard-oneida-nation-of-the-thames/)
- [Robertson](https://icca.art/portfolio_tags/robertson/)
- [Kimberly (Mvskoke)](https://icca.art/portfolio_tags/kimberly-mvskoke/)
- [Jenell Navarro (Cherokee)](https://icca.art/portfolio_tags/jenell-navarro-cherokee/)

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