Bibliography

The following bibliography was carefully compiled between 2005 and 2007 by the founding Board members of the ICCA. It is presented below, in its original form with the original introduction, as a tool for those interested in researching about Indigenous art history.

In 2011, Sherry Farrell Racette received a Social Sciences and Humanities Research Council (SSHRC/CRSH) grant to research an extensive contemporary Indigenous art history project in partership with ICCA. Since that time, ICCA has partnered with the Indigenous Art History Archive Project (Sherry Farrell Racette, University of Manitoba) and Concordia University (Heather Igloliorte) to create a categorized, searchable online bibliographic database focused on the contributions of Indigenous scholars. Upon completion, the expanded (although not exhaustive) bibliography will be available through the ICCA website. In creating the expanded list of bibliographic references on First Nations, Métis and Inuit art, the ICCA aims to offer a wide range of resources for those researching contemporary Indigenous visual art. The new bibliography will include references to mainstream publications, master’s theses, doctoral dissertations, brochures, catalogues, and other relevant sources of information concerning Indigenous Art History, highlighting the works of Indigenous curators and writers who contribute their distinct voices to the discourse of contemporary art.


If you have conducted research in the Indigenous arts and have bibliographic material to share, or if you are an Indigenous artist, curator, or scholar and would like your publications included in this list, please send your complete references to j.stilborn@icca.art. Additionally, if you have a digital copy of one of the following publications, you are encouraged to contribute. Consistent formatting and suggestions for keywords are NOT required (but welcome).


ACC/CCA Bibliographic References (2007 list)

In collecting an extensive (but not exhaustive) list of bibliographic references on First Nations, Métis and Inuit art, the Indigenous Curatorial Collective aims to offer a wide range of resources for those researching contemporary Indigenous visual art. The bibliography includes mainstream publications as well as master’s theses, doctoral dissertations, brochures, and catalogues. The ACC’s bibliographic reference acknowledges and highlights the works of Indigenous curators and writers who contribute their distinct voice to the discourse of contemporary art.

The list was developed to be used as a resource tool, as well as the first step towards initiating an archive that will lead to the ACC becoming a repository for such works. There are a number of bibliographic lists compiled and published that include Lawrence Abbott’s Contemporary Native Art I and II: A Bibliography in American Indian Quarterly Vol. 29 # 3 and 4, and Janet Berlo and Ruth Phillips include one in their publication Native North American Art (Oxford History of Art) 1999. Inuit Art has several extensive bibliographies published by Indian and Northern Affairs Canada (1992) and the most recent Richard and Susan Crandall’s An Annotated Bibliography of Inuit Art (2001). For this specific reason, the list referencing Inuit Art will begin in 2002 on.

The intent of the ICCA is not to duplicate or replace other services, but to give support to students, curators, artists, researchers, art historians and the general public in the course of researching and accessing information. Many libraries, museums, galleries, cultural centres as well as bookstores have on-line databases to check the availability of the publication. Some significant places to access these publications as well as “artist files” include university libraries, Artexte, Indian and Inuit Art Centres (Indian and Northern Affairs Canada), the Canadian Museum of Civilization, Atlatl, the National Gallery Of Canada, and the Heard Museum among others.

ICCA would like to thank all those who contributed their personal bibliographies, and we would like to encourage all those in the field to submit their recent work to the list so that the ICCA bibliography on Indigenous art will grow and continue to remain relevant.


Ace, Barry, Ravens Wait (Michael Belmore). Hull, Quebec: Indian Art Centre, April 1999.

Ace Barry, “Rosalie Favell: I searched many worlds.” In Collecting Many Worlds. Winnipeg, Manitoba: Winnipeg Art Gallery. pp. 21-28. 2003.

Ace, Barry, Who Stole the Teepee? ed. Rick Hill and Truman Lowe, Phoenix, AZ, Atlatl Inc. 2002.

Ace, Barry, “Longing and Not Belonging: Rosalie Favell.” In CV Photo. Montreal, Quebec: Productions Ciel Variable 2000, . No.53. pp. 23 – 30. Winter 2000.

Ace, Barry. From Stereotype to Archetype (Maria Hupfield and Danny Cutfeet). Hull, Quebec: Indian Art Centre (DIAND), August 2000.

Ace, Barry. Shamanic Images (Rick Rivet), Hull, Quebec: Indian Art Centre (DIAND), January 2000.

Ace, Barry. pelage (Mary Anne Barkhouse). Hull, Quebec: Indian Art Centre (DIAND), November 1999.

Ace, Barry, Fix The Gaze…The Reparative Act 1999 (Linda Young). Hull, Quebec: Indian Art Centre (DIAND), June,1999.

Ace, Barry, I, (Audrey Greyeyes). Hull, Quebec: Indian Art Centre (DIAND), November, 1998.

Ace, Barry, For Fearless and Other Indians (Shelley Niro). Hull, Quebec: Indian Art Centre (DIAND. October 1998.

Ace, Barry, inter/SECTION. (Jeffrey Thomas). Hull, Quebec: Indian Art Centre (DIAND) January 1998.

Ace, Barry, “Kokiibinaagan: Symbols of Cultural Continuity,” In Celebration of Indigenous Thought and Expression, Sault Ste. Marie, Michigan: Lake Superior State University Press 1995.

Ace, Barry and Gerald McMaster, Osopikahikiwak (Rick Rivet and Jane Ash-Poitras). Canadian Cultural Centre, Paris, France. June – October, 1999.

Ace, Barry and Ryan Rice, Longing and Not Belonging (Rosalie Favell) Hull, Quebec: Indian Art Centre (DIAND). February 1999.

Ace, Barry and July Papatsie, Transitions: Contemporary Canadian Indian and Inuit Art. Hull, Quebec: Indian Art Centre (DIAND) 1997.

Acland, Joan, First Nations Artists In Canada: A Biographical – Bibliographical Guide, 1960-1999. Montreal, QC: Gail and Stephen Jurislowsky Institute for Studies in Canadian Art / Concordia University, 2001.

Agard, Nadema, “Art as a Medium For Countering Race Stereotypes” In Council on Interracial Books for Children Bulletin Volume 11, Number 8, 1980.

Agard, Nadema, “Southeastern Native Arts Directory,” Indian Studies Department, Bemidji State University, 1993.

Agard, Nadema, “Art as a Vehicle for Empowerment” in VOICES OF COLOR: ART AND SOCIETY IN THE AMERICAS edited by Phoebe Farris Dufrene. Atlantic Highlands (NJ): Humanities Press International, Inc.. 1997.

Agard, Nadema, “Art and Society in the Americas,” Humanities Press International, Inc., Atlantic Highlands, New Jersey, 1997.

Agard, Nadema, “Selu and Kanati: Cherokee Corn Mother and Lucky Hunter.” Mondo Publishing, New York, 1997

Agard, Nadema, “Chicano Art Collector: Cheech Marin.” CIBU Magazine, October 2004.

Agard, Nadema, “Brooklyn Museum to Have a New Entrance Pavilion and Public Plaza,” CIBU Magazine October 2004.

Alfred, Taiaiake, Peace Power Righteousness. Canada: Oxford University Press, 1999.

Alibhai, Amir Ali, George Littlechild: Past & Recent Work, Surrey, BC: Surrey Art Gallery 1996

Alibhai, Amir Ali and Doreen Mellor, Four Circles / Soaring Visions, Richmond, BC: Tandanya National Aboriginal Cultural Institute and Richmond Art Gallery 1998-2000.

Alison, Jane, Ed. Native Nations: Journeys in American Photography. London: Barbican Art Gallery, 1998.

Anderson, Duane, Legacy: Southwest Indian Art at the School of American Research. School of American Research, 1998.

Angeconeb, Ahmoo, Cedar And Sweetgrass: Works From The Permanent Collection, Thunder Bay, ON: Thunder Bay Art Gallery 1991

Archuleta, Margaret, 3rd Biennial Native American Fine Arts Invitational, Phoenix, AZ: Heard Museum 1987

Archuleta, Margaret and Rennard Strickland ed. Shared Visions: Native American Painters and Sculptors in the Twentieth Century. Phoenix, Arizona: Heard Museum, 1991.

Arnold, Grant, Monika Kin Gagnon, and Doreen Jensen,Topographies: Aspects Of Recent BC Art, Vancouver, Twentieth Century. Phoenix, Arizona: Heard Museum, 1991. Ash-Milby, Kathleen, “Contemporary Native American Art in the Twenty-First Century: Overcoming the Legacy.” European Review of Native America 2005.

Ash-Milby, Kathleen, Contemporary Native American Art: Reflections after Lewis and Clark. Missoula: The University of Montana Press, Montana Museum of Art & Culture, 2005.

Ash-Milby, Kathleen, “Finding Our Way: Negotiating Community in Contemporary Native Art.” In Making a Noise: Aboriginal Perspectives on Art, Art History, Critical Writing and Community. Banff, Alberta: Banff International Curatorial Institute, Walter Phillips Gallery, 2005.

Ash-Milby, Kathleen, “Still in the Shadows: Native American Art in the 21st Century.” In Transcultural New Jersey: Diverse Artists Shaping Culture and Communities. New Brunswick: Rutgers, The State University of New Jersey, 2004.

Ash-Milby, Kathleen, “The Indian as ‘Artist’: Native American Art at the Rockwell Museum of Western Art.” In People, Places and Ideas: The Rockwell Museum of Western Art. Corning, NY: Rockwell Museum of Western Art, 2001.

Ash-Milby, Kathleen, “Bonita Wa Wa Calachaw Nu’ez: an Indian Princess Painter.” In Painters, Patrons and Identity: Essays in Honor of J. J. Brody and the University of New Mexico, Ed. Joyce M. Szabo, Albuquerque: University of New Mexico Press, 2001.

Ash-Milby, Kathleen, Book Review: Reservation X: The Power of Place in Aboriginal Contemporary Art. Edited by Gerald McMaster. Seattle: University of Washington Press and Canadian Museum of Civilization, 1998.” In Great Plains Quarterly, 20:3, 2000.

Ash-Milby, Kathleen, “Lorenzo Clayton.” Native Artists Magazine (Winter 2000).

Ash-Milby, Kathleen, “Lorenzo Clayton.” In Contemporary Masters, The Eiteljorg Fellowship for Native American Fine Art, Vol. I, Indianapolis: Eiteljorg Museum of American Indians and Western Art, 1999.

Ash-Milby, Kathleen, “Who Was Wa-Wa Chaw?” In Talking Stick: Arts Newsletter (2:3): 1999.

Ash-Milby, Kathleen and Susan Heald, “Woven by the Grandmothers: Twenty-four Blankets Travel to the Navajo Nation.” In Journal of the American Institute for Conservation 38:3, 1998.

Ash-Milby, Kathleen,” Textiles at the National Museum of the American Indian.” In Textile Society of America Newsletter (9:1): 1997.

Ash-Milby, Kathleen, Exhibition Review: Living in Balance: The Universe of the Hopi, Zuni, Navajo and Apache. University of Pennsylvania Museum of Archaeology and Anthropology.” In Museum Anthropology (20:1), 1996.

Ash-Milby, Kathleen, Eulalie H. Bonar and D.Y. Begay. “Woven by the Grandmothers: Nineteenth-Century Navajo Textiles from the National Museum of the American Indian: Three Perspectives on a Museum Project.” In Native Peoples Magazine (9:4): 36-42, 1996.

Ash-Milby, Kathleen, “Emblems of Continuity and Change: A Comparison and Analysis of Pre-Reservation and Reservation Period Eagle-Feather Headdresses.” Masters Thesis. University of New Mexico, 1994.

Babinska, Roxane, Shaman Never Die: Jane Ash Poitras And David Ruben Piqtonkun, Ottawa, ON: Galerie d’art Vincent 1998.

Baert, Renea. “Frank Shebageget.” In 3. Ottawa, Ontario: Ottawa Art Gallery, June 2003.

Bailey, Jann LM, Jen Budney, Trish Keegan and Morgan Wood. Daphne Odjig: Four Decades Of Prints, Kamloops, British Columbia: Kamloops Art Gallery, 2005.

Barkhouse, Mary Anne, Raven Heart Collective and Joice Toutsaint, Gatineau, QC: Indian Art Centre (INAC) 2002.

Bauche, D.G., Naheyow: A Portrait Of Allen Sapp And His People, SK: Allen Sapp Gallery 1989

Bear, Edward Ned A., Braided Spirit, NE: UNE Art Centre 1993.

Bear, Shirley, Kospenay, Connexion Gallery 1991.

Bear, Shirley, Changers: A Spiritual Renaissance, National Indian Arts and Crafts, Wellington Corporation 1990.

Belanger, Lance, Decelebration, Ottawa, ON: Saw Gallery and Omniiak 1989.

Berlo, Janet Catherine, editor. Plains Indian Drawings, 1865-1935: Pages from a Visual History. New York: Harry N.Abrams in association with the American Federation of Arts and the Drawing
Center, 1996.

Bernstein, Bruce, Modern By Tradition: American Indian Painting in the Studio Style, Santa Fe, NM: Museum of NM Press, 1999.

Bhabha, Homi K., The Location of Culture. New York: Routledge 1994

Bigfeather, Joanna and Richard William Hill, Rayna Green, Dr. Gregory A. Cajete, Lucy R. Lippard, Native Views: Influences of Modern Culture, A Contemporary Native American Art Exhibition. Ann Arbor, Michigan: Artrain USA, 2004.

Blodgett, Jean. The Cowboy/Indian Show: Recent Work By Gerald McMaster. McMichael Canadian Art Gallery, 1991.

Boyer, Bob, and Carol Podedworny. Odjig: The Art Of Daphne Odjig 1960-2000. Toronto, ON: Key Porter Books Limited, 2001.

Brach, Paul et al. Our Land / Ourselves: American Indian Contemporary Artists. Albany, NY: State University of New York, 1990.

Brasser, Ted J. “Bo’jou Neejee!” Profiles of Canadian Indian Art. National Museum of Man, 1976.

Brody, J.J. Pueblo Indian Painting: Tradition and Modernism in New Mexico, 1900-30. School of American Research, 1997.

Brody, J.J. Indian Painters and White Patrons. Univ. of New Mexico Press, 1971.

Buck, Sadie. Keepers Of Our Culture: A Celebration Of Native Women In The Living Arts. Brantford, ON: Woodland Indian Cultural Educational, 1985.

Buck, Sadie. Indian Art ’87. Brantford, ON: Woodland Cultural Centre, 1987.

Buck, Sadie. Indian Art ’85. Brantford, ON: Woodland Cultural Centre, 1985.

Buckingham, Jim. Through An Eagle’s Eye: Four Contemporary Native Artists. Gallery Lambton, 1991.

Burt, Eugene C. Native American Art: 5 Year Cumulative Bibliography, Mid 1983 through 1988. Seattle, WA: Data Arts, 1988.

Butler Palmer, Carolyn. Living Legends: The Artistic Process (David Neel). Gatineau, QC: Indian Art Centre (INAC), 2003.

Cahan, Susan and Zoya Kocur, eds. Contemporary Art and Multicultural Education. New York: The New Museum of Contemporary Art, 1996.

Cardinal-Schubert, Joan. Mark Makers First Nations Graphics +. Regina, SK: Mackenzie Art Gallery, 1997-1999.

Chaussonnet, Valerie, ed. Crossroads Alaska: Native Cultures of Alaska and Siberia. Arctic Studies Center, National Museum of Natural History, Smithsonian Institution, 1994.

Cinader, Bernhard. Manitoulin Island – The Third Layer. Thunder Bay, ON: Thunder Bay Art Gallery, 1989.

Clark, Janet. Benjamin Chee Chee: The Black Geese Portfolio And Other Works. Thunder Bay, ON: Thunder Bay Art Gallery, 1991.

Clark, Janet. Who Discovered The Americas: Recent Work By Jane Ash Poitras. Thunder Bay, ON: Thunder Bay Art Gallery, 1992.

Clark, Janet. Littlechild, George. George Littlechild : Red Horse/Red Indian. Thunder Bay, ON: Thunder Bay Art Gallery, 1990.

Clark, Janet. Fringe Momentum: The Photocollages Of Patricia Deadman. Thunder Bay, ON: Thunder Bay Art Gallery, 1990.

Clark, Janet. Epogan: Recent Work By Peter J. Clair. Thunder Bay, ON: Thunder Bay Art Gallery, 1997.

Clark, Janet. Band Stands: Recent Work By Teresa Marshall. Thunder Bay, ON: Thunder Bay Art Gallery, 1997.

Clark, Janet. The Helen E. Band Collection of First Nations Art. Thunder Bay, ON: Thunder Bay Art Gallery, 1999.

Clark, Janet. Directions – Recent Work By Rick Rivet. Thunder Bay, ON: Thunder Bay Art Gallery, 1991-92.

Clark, Janet and Andrew Oko. Spiritual Landscapes: Bob Boyer. Thunder Bay, ON: Thunder Bay Art Gallery, 1999.

Clark, Janet and Roy Kakegamic. Mizinatik: The Painting Stick. Thunder Bay, ON: Thunder Bay Art Gallery, 1991.
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Cooke, Lynne, and Karen Kelley, eds. Tracey Moffatt: Free-Falling. New York: DIA Center For The Arts, 1998.

Cosgrove-Smith, Patricia et al. Innovations For a Changing Time: Willie Seaweed: A Master Kwakiutl Artist. Vancouver, BC: Pacific Science Center, 1983 – 1984.

Coulombe, Marie-Christine and Valerie Grassi. Transmission / Presences 2000. Val d’Or, QC: Centre d’exposition de Val-d’Or, 2003.

Crain, Glenn A. Indian Art 1979. Brantford, ON: Woodland Indian Cultural Educational Centre, 1979.

Crain, Glenn A. Indian Art ’78. Brantford, ON: Woodland Indian Cultural Educational Centre, 1978.

Crain, Glenn A. Indian Art ’77. Brantford, ON: Woodland Indian Cultural-Educational Centre, 1977.

Crain, Glenn A. Indian Art ’76. Brantford, ON: Woodland Indian Cultural Educational Centre, 1976.

Croft, Brenda L. Indigenous Art. Australia: Art Gallery of Western Australia, 2001.

Crosby, Marcia. “Return to sender: letters from Emily to Chiefs of the Gitanyow.” Vancouver Art Gallery and the National Gallery of Canada. Fall 2005.

Crosby, Marcia. “Heroes, Haidas and Other Myths,” in The Legacy of Bill Reid: A Critical Enquiry. Vancouver: Douglas & McIntyre. 2004.

Crosby, Marcia. “Temlaxham: an ada’ox” in The Group of Seven in Western Canada. Toronto: Key Porter. 2002.

Crosby, Marcia. “Les Nations dans les paysages urbains: l’identite sans terre,” in Ou Va L’Histoire de L’art Contemporain? L’image: Ecole nationale superieure des Beaux-Arts. 1997.

Crosby, Marcia. “Lines, Lineage and Lies or Borders, Boundaries and Bullshit,” and “Nations in Urban Landscapes,” In Nations in Urban Landscapes. Vancouver, EC: Contemporary Art Gallery, 1995.

Crosby, Marcia. “About Being Indian,” in Emily Carr. J. Mastai ED., Vancouver: Vancouver Art Gallery.

Crosby, Marcia. “Speak Sm’algyax Grandma, Speak Haida Grandpa,” in Sharing Our Experience. An anthology of letters from indigenous women and women of color. Arun Mukherjee, Ed. Ottawa: Women’s Advisory for the Status of Women. 1992.

Crosby, Marcia. Gatherings: The En’owkin Journal of First North American Peoples. Beth Cuthand & William George, Eds .. Vol. 5. Reprint. Fall. 1992.

Crosby, Marcia. “The Construction of an Imaginary Indian.” in Vancouver Anthology: The Institutional Polities of Art. Ed. Stan Douglas, Vancouver: Talon Books. 1991.

Crosby, Marcia. in Feminist Cultural Politics: by for and about. Ed. Wendy Waring, Toronto: Women’s Press. 1993.

Crosby, Marcia. in De-scribing Canada: Critical Perspectives on English Canadian Literature and Culture, a Reader. Polish Press Wydawnictwo Slask 2002 in Academic Reading. 2nd Edition. 2002.

Danford, Joanne P. From Periphery To Centre: The Art Of Susan And Krista Point. Thunder Bay, ON: Thunder Bay Art Gallery, 1989.

Deadman, Patricia. Between You and Me. London, ON: Museum London, 2002.

Deadman, Patricia, Paul Seesequasis and Lynn Hill. Staking Land Claims. Banff, AB: Walter Phillips Gallery and The Banff Centre.

DeMott, Barbara and Maureen Milburn. Beyond The Revival: Contemporary North West Native Art. Vancouver, BC: Charles H. Scott Gallery and Emily Carr College, 1989.

Dickason, Olive Patricia. Indian Arts in Canada. Ottawa, ON: Information Canada (DIAND), 1972.

Dickens, Roy S., ed. Of Sky and Earth: Art of the Early Southeastern Indians. Georgia Department of Archives and History, 1982.

Diamond, Reid and Marnie Fleming. Beaver Tales. Oakville, ON: Oakville Galleries, 2000.

Dinniwell, Norma and Tom Hill. From Masks To Maquettes. Ottawa, ON: INAC; Woodland Indian Cultural Centre; McIntosh Gallery, 1985-1986.

Dion, Francois, Jen Budney and Micheline Dandurand. Bearings: Four Photographic Essays. Ottawa,

Dobkins, Rebecca J., Carey T. Caldwell, and Frank LaPena. Memory And Imagination: The Legacy Of Maidu Indian Artist Frank Day. Oakland, CA: Oakland Museum of California, 1997.

Dockstader, Frederick J. Indian Art in America. New York Graphic Society, 1975.

Douglas, Frederic Huntington. Indian Art of the United States. New York, NY: Museum of Modern Art, 1941.

Doxtator, Dr. Deborah and Lynn Hill. Godi’Nigoha’: The Women’s Mind. Brantford, ON: Woodland Cultural Centre, 1997.

Doxtator, Deborah. Fluffs And Feathers: An Exhibit On The Symbols Of Indianness. Brantford, ON: Woodland Cultural Centre.

Doxtator, Deborah, ed. Revisions. Banff, Alberta: Walter Phillips Gallery, 1992.

Doxtator, Deborah. “Basket, Bead and Quill, and the Making of “Traditional” Art.” In Basket, Bead and Quill. Thunder Bay, Ontario: Thunder Bay Art Gallery, 1996.

Duffek, Karen. Northwest Coast Art: At a Crossroads. Galleries West, Vol. 4, No. 2, Summer.

Duffek, Karen. Robert Davidson: The Abstract Edge. UBC Museum of Anthropology, Museum Note No. 38, 2004.

Duffek, Karen. Bill Reid and Beyond: Expanding on Modern Native Art. Co-edited with Charlotte Townsend-Gault. Douglas & McIntyre, 2004 / 2005.

Duffek, Karen. The Transforming Image: Painted Arts of Northwest Coast First Nations. UBC Press and the University of Washington Press, 2000.

Duffek, Karen. Nuu-chah-nulth Voices, Histories, Objects and Stories (ed. Alan L. Hoover). Royal British Columbia Museum, 2000.

Duffek, Karen. “Joe David” In Encyclopedia of British Columbia (ed. Daniel Francis). Harbour Publishing, 2000.

Duffek, Karen. “Dancing Cookie, or Encounters in the Museum’s Sacred Space” In Review of Objects and Expressions. Books in Canada, Vol. 28, No. 7, October 1999.

Duffek, Karen. “Book Review: Bella Bella, A Season of Heiltsuk Art by Martha Elack.” The American Indian Quarterly, Vol. 23, No. 3/4, 1999.

Duffek, Karen. “Northwest Coast Indian Art from 1950 to the Present” In the Shadow of the Sun: Perspectives on Contemporary Native Art. The Canadian Museum of Civilization, 1993.

Duffek, Karen. Curatorial Perspective. First Nations Art ’91. Woodland Cultural Centre, 1991.

Duffek, Karen. The End of Indian Art. The Vancouver Step Magazine, January 1991.

Duffek, Karen. “Book Review: Captured Heritage, The Scramble for Northwest Coast Artifacts by Douglas Cole.” Anthropologica, Vol. 32, No. 3, 1990.

Duffek, Karen. Exhibitions of Contemporary Native Art. MUSE, Fall 1989.

Duffek, Karen. Beyond History. Co-authored with Tom Hill. Vancouver Art Gallery, 1989.

Duffek, Karen. Lyle Wilson: When Worlds Collide. UBC Museum of Anthropology, Museum Note 28, 1989.

Duffek, Karen. Bob Boyer: A Blanket Statement. UBC Museum of Anthropology, Museum Note 23, 1988.

Duffek, Karen. “Book Review: Bill Reid by Doris Shadbolt.” BC Studies, No. 76, Winter 1987.

Duffek, Karen. “It’s Native: Where Do You Put It? A Northwest Coast Perspective.” In Native Studies Review, Vol. 3, No. 2, 1987.

Duffek, Karen. Totem and Potlatch. Craft International, July to September 1987.

Duffek, Karen. Bill Reid: Beyond the Essential Form. University of British Columbia Press and UBC Museum of Anthropology, Museum Note 19, 1986.

Duffek, Karen. New Visions: Serigraphs by Susan A. Point, Coast Salish Artist. UBC Museum of Anthropology, Museum Note 15, 1986.

Duffek, Karen. Museum Review: Horses Fly Too, Bob Boyer/Edward Poitras. Culture, Vol. V, No. 1, 1985.

Duffek, Karen. A Guide to Buying Contemporary Northwest Coast Indian Arts. UBC Museum of Anthropology, Museum Note 10, 1983.

Duffek, Karen. The Revival of Northwest Coast Indian Art. Vancouver: Art and Artists 1931-1983. Vancouver Art Gallery, 1983.

Duffek, Karen. Authenticity and the Contemporary Northwest Coast Indian Art Market. EC Studies, No. 57, Spring 1983.

Duffek, Karen. The Northwest Coast Indian Art Market (unpublished Master of Arts thesis, University of British Columbia, Dept. of Anthropology and Sociology), 1983.

Duffek, Karen. “Helen Hardin.” In St. James Guide to Native North American Artists. Detroit, MI: St. James Press, 1998.

Duffek, Karen. “Emmi Whitehorse.” In St. James Guide to Native North American Artists. Detroit, MI: St. James Press, 1998.

Duffek, Karen. “Art, visual (to 1960).” In Encyclopedia of North American Indians. Boston, Mass .: Houghton Mifflin Company.

Duffek, Karen. “Reaching in and taking out: Native American Women Artists in a New Feminism.” In Women Art Educators III. C. Congdon and E. Zimmerman (Eds.), Reston, Virginia: National Art Education Association Press, 1993.

Dunn, Dorothy. American Indian Painting of the Southwest and Plains Areas. Albuquerque: University of New Mexico, 1968.

Dyck, Sandra. Body Language. Ottawa, ON: Carleton University.

Evans, Jerry and Myrtle Blandford. First: Aboriginal Artists Of Newfoundland And Labrador. St.John’s, LE: St. John’s Native Friendship Centre, 1996.

Fabo, Andy and Shauna Beharry. The Glade: A Performance/Installation By Zachery Longboy – 1. Saskatoon, SK: AKA Artist-Run Centre, 1996.

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Farris, Phoebe, Ed., Voices of Color: Art and Society in the Americas. Atlantic Highlands, New Jersey: Humanities Press, 1997.

Farris, Phoebe, “The Syncretism of Native, African, and Latin American Women’s art: Visual Expressions of Feminism, The environment, spirituality, and Identity.” In (Un)making Race: Re-Making Soul: Transformative Aesthetics and the Practice of Freedom. A. Coton, Ed. Stony Brook, NY: State University of New York Press, 2004.

Fawcett, David M. and Lee A. Callander. Native American Painting: Selections from the Museum of the American Indian. Heye Foundation, 1982.

Feder, Norman. American Indian Art. Harry N. Abrams, 1995, 1971.

Feder, Norman. 200 Years of North American Indian Art. Praeger Publishers, 1972.

Feest, Christian F. Native Arts of North America. (World of Art Ser.) Thames & Hudson, 1992. Oxford Univ. Press, 1980.

Ferguson, Russel, ed. Out There: Marginalization and Contemporary Cultures. MIT Press, 1990.

Fernadez, Melanie. The Deportment Of Indian Affairs (Theresa Marshall). Peterborongh, ON: A Space, 1995.

Fisher, Jean, ed. Global Visions: Towards A New Internationalism in the Visual Arts. London: Institute of International Visual Arts, Kala Press, 1994.

Fisher, Jean. “The Syncretic Turn: Cross-Cultural Practices In The Age Of Multiculturalism.” In New Histories, edited by Lisa Gangitan and Steven Nelson, 32-38. Boston: Institute of Contemporary Art, 1996.

Fortin, Claudette, Lance Belanger. Santo Domingo, Dominican Republic: Paiewonsky Gallery, 1988.

Furst, Peter. North American Indian Art. New York, NY: Rizzoli, 1982.

Fragnito, Skawennati Tricia. “This Is Your Browser. This is your Browser on ):mppn<” Blackflash Magazine, Vol.21.2, Nov. 2003.

Fragnito, Skawennati Tricia. “Ohymygod! The Bad Guy is Native ??” Fuse Magazine, Volume 25 Number 4 PP 37-38, 11.2002.

Fragnito, Skawennati Tricia. “Up Close and Personal: Adventures in Intimate Technologies.” Horizon Zero, Issue 4, www.horizonzero.ca, 11.2002.

Fragnito, Skawennati Tricia. “Five Suggestions for Better Living.” In On Aboriginal Representation in the Gallery, edited by Lynda Jessup with Shannon Bagg. Canadian Museum of Civilization, pp 229-237, 2002.

Fragnito, Skawennati Tricia. “Sex, God and the Urban Aboriginal.” Catalogue essay for Kent Monkman. Hull, Quebec: Indian Art Centre, August 2001.

Fragnito, Skawennati Tricia. “A Chatroom Is Worth a Thousand Words.” Curatorial essay. www.cyberpowwow.net/STFwork.html, 03.2001.

Fragnito, Skawennati Tricia. “Blanket Statements.” Exhibition Catalogue. Banff, Alberta: Walter Phillips Gallery, 1999.

Fry, George. “The Earth is Dying, Our Mother is Sick” In Kikawi Matow: Our Mother Cries: Edward Ned A. Bear, NE: New Brunswick Museum, Rotunda Gallery, 1994.

Fry, Jacqueline. Treaty Numbers 23, 287, 1171: Three Indian Painters Of The Prairies. Winnipeg, MB: Winnipeg Art Gallery, 1972.

Garner, Richard F. Bella Coola – Kwakiutl – Nootka – Salish: A Photographic History. New York, NY: National Museum of Man, 1972.

Garneau, David. Frank Shebageget: Quantification. Saskatoon, Saskatchewan: Tribe Inc, February 2003.

Gautsche, Nancy and Kiri Hardy. Kanata: Robert Houle’s Histories. Ottawa, ON: Carleton University Art Gallery, 1993.

Golden, Thelma. “Place, Considered.” In ART 21: Art in the Twenty First Century, edited by Robert Storr. New York: Abrams Books, 2001.

Gray, Viviane. Know Me, Know You: Jerry Evans. Hull, QC: Indian Art Centre (DIAND), 1999.

Gray, Viviane and Dianne O’Neill. Pe’l A’Tukwey: Let Me… Tell a Story Recent Work by Mi’kmaq and Maliseet Artists. Halifax, NS: Art Gallery of Nova Scotia, 1993.

Green, Rayna. “The Texture of Memory: Historical Process and Contemporary Art in Multicultural Education.” In Questions of Cultural Identity, edited by Susan Cahan and Zoya Kocur, 39-44. New York: The New Museum of Contemporary Art, 1996.

Gonyea, Ray and Rick Hill. Art Of The Seventh Generation: Iroquois Symbols On Canvas And Paper. NY: Roberson Center for the Arts and Sciences, 1986.

Grimes, John, Karen Kramer and Rick Hill. Gifts Of The Spirit: Works By Nineteenth – Century & Contemporary Native American Artists. Salem, MS: Peabody Essex Museum, 1996.

Hail, Barbara. Out of the North: the Subarctic Collection of the Haffeneffer Museum of Anthropology Brown University. By Barbara A. Hail and Kate C. Duncan. Brown University, RI, 1989.

Hall, Judy, Leslie Tepper and Judy Thompson. Threads Of The Land: Clothing Traditions From Three Indigenous Cultures. Gatineau, QC: Canadian Museum of Civilization, 1994.

Hall, Stuart and Paul du Gay, eds. Questions of Cultural Identity. London: Sage Publications, 1996.

Hassett, Dawn. Arts Of The Salmon People. BC: Museum of Northern British Columbia, 1981.

Harding, Anne Dinsdale. Bibliography of Articles and Papers on North American Indian Artists. New York, NY: (reprint).

Hawthorn, Audrey. Kwakiutl Art. Seattle: University of Washington Press, 1979.

Hayden, Kim. The Other Side Of Time – L’autre Cote Du Temps: Frederick McDonald. Gatineau, QC: Indian Art Centre (INAC), 2004.

Hayden, Kim. Ethnographic Industry: Kevin McKenzie. Gatineau, QC: Indian Art Centre (INAC), 2003.

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McMaster, Gerald. “A Wearable Art Form: 19th Century Robe Paintings.” In Canadian Home Economics Journal. Edmonton, Summer issue, 1983.

Meier, Rhonda et al. Nadia Myre Cont[r[act. Montreal, QC: Oboro Gallery, 2003.

Mera, H. P. Pueblo Designs: 176 Illustrations of the “Rain Bird.” New York: Dover Publications, 1970, C1938.

Milrod, Linda. Wana-Na-Wang-Ong (Belmore, Rebecca). Vancouver, BC: Contemporary Art Gallery, 1994.

Mitten, Brenda and Yvonne Maracle. Visions: From Contemporary Native Photographers. Hamilton, ON: Native Indian/Inuit Photographers Association, 1985.

Monthan, Guy. Art and Indian Individualists: The Art of Seventeen Contemporary Southwestern Artists and Craftsmen. Flagstaff, AZ: Northland Press, 1975.

Morgan, Judith P. Git Skee’een Niidiit People Of The Skeena River: Gitksan History in Art. BC, 2004.

Morgan, Judith P. Celebration: Paintings And History By Judith P. Morgan. British Columbia, 1999.

Morrow, Mable. Indian Rawhide: An American Folk Art. Norman: University of Oklahoma Press, 1975.

Nasby, Judith. Asingit – The Others. Guelph, ON: Macdonald Stewart Art Centre, University of Guelph, 2002.

National Museum of the American Indian. Native American Expressive Culture. Akwe:kon Press, Akwekon Journal vol. xi, nos.3 and 4, Cornell University Fall / Winter 1994.

Neel, David and Andrew Hunter. Living Traditions: David Neel. Kamloops, BC: Kamloops Art Gallery, 1998.

Nemiroff, Diana, Robert Houle and Charlotte Townsend-Gault. Land Spirit Power. Ottawa, ON: National Gallery of Canada, 1992.

Nicolson, Marianne. A Return To The House In Winter: Marianne Nicolson. Gatineau, QC: Indian Art Centre (INAC), 2001.

Nisga’a Tribal Council. Bringing Our Ancestors Home – The Repatriation Of Nisga’a Artifacts. Nisga’a, BC, 1999.

North American Indian Traveling College. Traditional Teachings. Cornwall, Ontario: North American Indian Traveling College, 1984.

Norton, Derek. Fusion: Tradition And Discovery. Vancouver, BC: Spirit Wrestler Gallery, 1999.

O’Neill, Mora Dianne. Family Quest Strength: Alan Syliboy. Dartmouth, NS: Red Crane Enterprises Dartmouth, Heritage Museum, 1992.

Pakasaar, Helga et al. Revisions. Banff, AB: Walter Phillips Gallery, 1992.

Patten, James. “Shelley Niro: Sense of Self.” London, Ontario: London Regional Art and Historical Museums, 1994.

Pare, Sylvie. The Covenant Chain / La Chaine D’alliance: Sylvie Pare. Gatineau, QC: Indian Art Centre (INAC), 2000.

Phillips, Carol A. New Work By A New Generation. Regina, SK: Norman Mackenzie Art Gallery, 1982.

Pinder, Kymberly N. ed. Race-ing Art History. New York: Routledge, 2002.

Podedworny, Carol. Landmark: The Paintings Of Robert Houle And John Abrams. Waterloo, ON: University of Waterloo Art Gallery and Tom Thomson Memorial Art Gallery, 2001.

Podedworny, Carol. First Nations Art ’92. Brantford, ON: Woodland Cultural Centre, 1992.

Podedworny, Carol. The New Traditionalists. Thunder Bay, ON: Thunder Bay Art Gallery, 1988.

Podedworny, Carol. Eight From The Prairies – Part One. Thunder Bay, ON: Thunder Bay Art Gallery, 1987.

Podedworny, Carol. Eight From The Prairies – Part Two. Thunder Bay, ON: Thunder Bay Art Gallery, 1987.

Podedworny, Carol. To Catch A Vision. Thunder Bay, ON: Thunder Bay Art Gallery, 1987.

Podedworny, Carol. Ahneesheenahpay Still Live. Thunder Bay, ON: Thunder Bay Art Centre, 1987.

Podedworny, Carol. Stay Here With Us: An Installation By Rebecca Baird. Thunder Bay, ON: Thunder Bay Art Gallery, 1986.

Podedworny, Carol. Portraits: Paintings And Photographs By Rick Hill. Thunder Bay, ON: Thunder Bay Art Gallery, 1986.

Podedworny, Carol. The Permanent Collection of The Thunder Bay Art Gallery. Thunder Bay, ON: Thunder Bay Art Gallery, 1986.

Podedworny, Carol. The Painter And His Model: Markle Since ’85. Thunder Bay, ON: Thunder Bay Art Gallery, 1985.

Podedworny, Carol. Debosegai: Blake Debassige. Thunder Bay, ON: Thunder Bay Art Gallery, 1985.

Podedworny, Carol. Joane Cardinal-Schubert: This Is My History. Thunder Bay, ON: Thunder Bay Art Gallery, 1985.

Podedworny, Carol. Riel Remembered: An Exhibition Of Drawings On Paper By Gerald R. McMaster. Thunder Bay, ON: Thunder Bay Art Gallery, 1985.

Podedworny, Carol. Michael Robinson: The Spirit And The Smoke. Thunder Bay, ON: Thunder Bay Art Gallery, 1985.

Podedworny, Carol. Arthur Shilling. Thunder Bay, ON: Thunder Bay Art Gallery, 1986.

Podedworny, Carol and Jack Pollock, Rya Levitt. New Growth From Ancestral Roots. Toronto, ON: Koffler Gallery, 1983.

Pottle, Barry and Ryan Rice. Transitions 2: Contemporary Indian and Inuit Art of Canada. Hull, Quebec: Indian Art Centre, Indian and Northern Affairs Canada.

Renwick, Arthur. Into The Garden Of Angels: Faye Heavyshield. Toronto, ON: The Power Plant – Contemporary Art Gallery, 1994.

Rice, Ryan. Roads to Homage (Dolan Badger and John Powell). Gatineau, QC: Indian Art Centre (INAC), 2001.

Rice, Ryan. Home Made. Ottawa, Ontario: Gallery 101, 2002.

Rice, Ryan. “Look Both Ways” In For The Arts Newsletter, ed. Canada Council for the Arts, Ottawa, Ontario, 2002.

Rice, Ryan. “Heart of Matters: New Works By Shelley Niro,” UCLA Davis, California: Gorman Gallery, 2005.

Rice, Ryan. “Shelley Niro: Matriarch Matters” In Continuum 12 Artist Series, New York, NY: Smithsonian National Museum of American Indian, 2004.

Rice, Ryan. FLOCK. M.A. Thesis, Center for Curatorial Studies, Bard College, NY, 2004.

Rice, Ryan. “The Road Well Traveled” In Lifeworlds – Artscapes – Contemporary Iroquois Art, Frankfurt, Germany: Museum der Weltkulturen, 2003.

Rice, Ryan. “Presence and Absence: Indian Art in the 1990’s.” In Definition of Visual Culture V: Globalization and Postcolonialism, Montreal, Quebec: Musee d’art contemporain de Montréal, 2002.

Rice, Ryan. Home Project, Ed. Patti Young Kim, 106 press Halifax, Nova Scotia, 2002.

Rice, Ryan. “Swift Currents”, The Hub: New Work By Eric Robertson, Indian Art Centre, Indian and Northern Affairs Canada, 2001.

Rice, Ryan. “Collecting Ourselves,” In Perpetual Bundle: Selected Works from the Indian Art Collection of Indian and Northern Affairs Canada, INAC, 2000 (unpublished).

Rice, Ryan. “Somewhere,” Urban Migration: Works by Jason Baerg, Indian Art Centre, Indian and Northern Affairs Canada, 2000.

Rice, Ryan. “Maintaining a Balance: Works By Tracey Anthony,” Anatomy of a Searching Soul, Indian Art Centre, Indian and Northern Affairs Canada.

Rice, Ryan. “Girl Power,” Longing and Not Belonging: Rosalie Favell, Indian Art Centre, Indian and Northern Affairs Canada, 1999.

Rice, Ryan. “Becoming Identified,” De-colonizing the Archival Photograph: George Littlechild, Indian Art Centre, Indian and Northern Affairs Canada, 1999.

Rice, Ryan. “David General: At A Glance … ,” Rear View Mirror: David General, Indian Art Centre, Indian and Northern Affairs Canada, 1998.

Rice, Ryan and Barry Ace. “Longing and not Belonging: Rosalie Favell.” CV Photo. Winter 2000. No.53. Productions Ciel Variable, Montreal.

Richmond, Cindy. Ruth Cuthand: Artists With Their Work. Regina, SK: Mackenzie Art Gallery, 1990.

Rickard, Jolene. “Sovereignty: A Line in the Sand” In Strong Hearts: Native American Visions and Voices, 51-54 Aperature Foundation, 1995.

Ringlero, Aleta M. Only Skin Deep: Changing Visions of the American Self. Abrams, 2003.

Robertson, Carmen. Other Space: 6 Degrees of Exploration. Regina, SK: Rosemont Art Gallery, 2003.

Robinson, Donald C. Norval Morrisseau: Honouring First Nations. Toronto, ON: Kinsman Robinson Gallery, 1994.

Robinson, Paul C.H. Norval Morrisseau: The Spirit Within. Toronto, ON: Kinsman Robinson Gallery, 1992.

Roberge, Gaston. Rita Letendre: Woman of Light. Laval, QC: Belle Publisher, 1997.

Roosevelt, Anna Curtenius and James GE Sivith. The Ancestors: Native Artisans of The Americas. New York, NY: Museum of the American Indian, 1979.

Roessel, Robert A. Navajo Arts and Crafts. Rough Rock, Navajo Nation, AZ: Navajo Curriculum Center, Rough Rock Demonstration School, 1983.

Rushing, W. Jackson. Native American Art and the New York Avant-garde: A History of Cultural Primitivism. Austin, TX: University at Texas Press, 1995.

Rushing, W. Jackson, ed. Native American Art in the Twentieth Century. New York: Rutledge, 1999.

Ryan, Allan J. “I Enjoy Being A Mohawk Girl: The Cool and Comic Character of Shelley Niro’s Photography” In American Indian Art No. 1 Vol. 20 (Winter 1994), pp. 44.

Ryan, Allan J. The Classical Aboriginal Series: Jim Logan. Whitehorse, YK: Yukon Arts Centre, 1994.

Ryan, Allan J. The Trickster Shift – Humour And Irony In Contemporary Native Art. Washington University and University of British Columbia Press, 1999.

Sacred Circle Gallery. “An Indian Vantage on Cities and Technology.” Studio Space Vol. II Issue I (Winter 2002): 1-3.

Salomon, Julian Harris. The Book of Indian Crafts & Indian Lore. New York, London: Harper & Brothers, 1928.

Schaafsma, Polly. Indian Rock Art of the Southwest. Santa Fe, NM: School of American Research, 1980.

Seton, Julia M. American Indian Arts, a Way of Life. New York: Ronald Press Co., 1962.

Shebageget, Frank. “Friend of Beavers, Foe of Evil, Mary Anne Barkhouse.” Ottawa, Ontario: Gallery 101, 2004.

Shebageget, Frank. “Thought Patterns: Hannah Claus.” Ottawa, Ontario: Gallery 101, 2002.

Shebageget, Frank. “Riding Lines: Nadia Myre.” Hull, Quebec: Indian Art Center (DIAND), January 2001.

Simpson, Audra. Renewal: Greg Staats. Gatineau, QC: Indian Art Centre (INAC), 2000.

Simpson, Audra. “The Empire Laughs Back: Tradition, Power, and Play in the Works of Shelley Niro and Ryan Rice.” In Iroquois Art: Visual Expressions of Contemporary Native American Artists, ed. Sylvia Kasprycki and Doris Strambau, Frankfurt, Germany: European Review of Native American Studies, University of Washington Press, 1998.

Six Nations Indian Museum. Thanksgiving Address: Greetings to the Natural World. The Tracking Project, 1993.

Stambrau, Doris and Sylvia Kasprycki. Iroquois – Irokesen Art: Visual Expressions Of Contemporary Native American Artists. Frankfurt, Germany: University of Washington Press, 1998.

Steward, Hilary. Indian Artifacts of the Northwest Coast. Seattle: University of Washington Press, 1975.

Stewart, Hilary. Cedar: Tree of Life to the Northwest Coast Indians. Seattle: University of Washington Press, 1984.

Swiss Institute. Red River Crossings. New York: Swiss Institute, 1996.

Sweet, Jill D. with Ian Berry. Staging The Indian: the Politics of Representation. Syracuse, New York: The Tang Teaching Museum and Art Gallery, Skidmore College, 2002.

Tamplin, Illi-Maria. A Selection Of Work: Contemporary Indian Art – The Trail From The Past To The Future. Regina, SK: MacKenzie Art Gallery, Trent University, 1977.

Tan, Bridget Tracy. Inspirit Crossing: The Making of First Nations and Inuit Art. Singapore, Japan: Singapore Art Museum, 2000.

Tanner, Clara Lee. Southwest Indian Craft Arts. Tucson: University of Arizona Press, 1968.

Tétreault, Pierre-Léon and Dana Alan Williams. New Territories 350/500 Years After/Nouveau Territoires – 350/500 Ans Apres. Montreal, QC: Ateliers Vision Planetaire Tétreault, 1992.

Tétreault, Pierre-Leon. Rencontre Du Nouveau-Monde – Volet Art Amérindien Contemporain. Montreal, QC: Ville de Montréal, 1992.

Thom, Ian and Nancy Kirkpatrick. Beyond History. Vancouver, BC: Vancouver Art Gallery, 1989.

Thomas, Catherine. The Edge of Everything: Reflections on Curatorial Practice. Banff, Alberta: Banff Center Press, 2003.

Thomas, Jeff. Out of Cold Storage. In Progress (2005-).

Thomas, Jeff. “Scouting for Indians.” Public Number 29 Localities, 2004.

Thomas, Jeff. “Jeff Thomas: A Study of Indian-ness.” Toronto, Ontario: Gallery 44, 2004.

Thomas, Jeff. Where Are The Children: Healing The Legacy of Residential Schools. Ottawa, Ontario: Aboriginal Healing Foundation, 2003.

Thomas, Jeff. “Articulating the Vanishing Indian.” FUSE Magazine 25, no. 4, 2002.

Thomas, Jeff. “Making the Invisible Visible.” MIX 28, no. 1, Summer 2002.

Thomas, Jeff. “Luminance – Aboriginal Photographic Portraits.” Archivist, no. 112, 1996.

Thomas, Jeff. Pride and Dignity Returning the Gaze Edward Curtis. Ottawa, ON: INAC and National Archives of Canada, 2000.

Thomas, Rodney. Cross Fire: New Works by David Hannan. Gatineau, QC: Indian Art Centre (INAC), 2000.

Tiger, Peggy and Molly Babcock. The Life and Art of Jerome Tiger: War to Peace, Death to Life. Norman, OK: University of Oklahoma Press, 1980.

Touchette, Charlene. NDN Art: Contemporary Native American Art. Santa Fe, NM: Clear Light Books, 2004.

Trevelyan, Amelia and Henry, Victoria. Why Do You Call Us Indians?. Gettysburg College and Guilford Native American Art Gallery, 1990.

Tucker, Marcia. “Who’s On First?” in Different Voices, 9-16. New York: Association of Art Museum Directors, 1992.

Valskakis, Gail Guthrie. Indian Country: Essays on Contemporary Native Culture. ON: Wilfred Laurier Press, 2005.

Valskakis, Gail Guthrie. “Blood Borders: Being Indian and Belonging.” In Without Guarantees: In Honour of Stuart Hall, ed. Stuart Hall, Paul Gilroy, Lawrence Grossberg and Angela McRobbie. New York: Verso, 2000.

Vickers, Roy Henry and Dave Bouchard. The Elders Are Watching. Eagle Dancer Enterprises Ltd, 1990.

Vogel, M.L. Vanessa. Spirits Speaking Through: Native American Art And Artists. NY: Emerson Gallery, Hamilton College, 1994.

Wade, Edwin L., editor. The Arts of the North American Indian: Native Tradition in Evolution. New York: Hudson Hills Press, 1986.

Walker Art Center. American Indian Art: Form and Tradition. New York: Dutton, 1972.

Wallis, Brian, ed. Art Matters: How the Culture Wars Changed America. New York: NYU Press, 1998.

Walsh, Andrea. Lichen. Toronto, Ontario: Toronto Sculpture Garden, October 1998.

Wardwell, Allen. Objects of Bright Pride: Northwest Coast Indian Art from the American Museum of Natural History. New York: American Federation of Arts; [Seattle?]: University of Washington Press, 1988.

Washburn, Dorothy K., Robert Sayers, eds. The Elkus Collection: Southwestern Indian Art. San Francisco: California Academy of Sciences; Seattle: Distributed by the University of Washington Press, 1984.

West, Cornel. “The New Cultural Politics of Difference,” in The Cultural Studies Reader, ed. Simon During, 203-217. New York: Routledge, 1993.

Wight, Darlene Coward, Robert Enright, Jean Blodgett, Patricia E. Bovey. The Faye And Bert Settler Collection. Winnipeg, Manitoba: Winnipeg Art Gallery, 2004.

Williams, Dana. Canada’s First People: A Celebration Of Contemporary Native Visual Arts. Alberta: Syncrude Canada Ltd, 1992.

Winch, Terenance. All Roads Are Good: Native Voices On Life And Culture. Washington, DC: Smithsonian Institute and National West Museum of American Indian, 1994.

Wiginton, Colin. Dancing Through Time – Zhiibaayaa-Niimidwin. Barrie, ON: MacLaren Art Centre, 2005.

Wyatt, Gary. Hands Of Creation: An Exhibition Of Northwest Coast Native Art. Vancouver, BC: Inuit gallery of Vancouver, 1987.

Wyatt, Gary. Spirit Faces – An Exhibition Of Contemporary Masks Of The Northwest Coast. Inuit Gallery of Vancouver, BC: Douglas & McIntyre, 1994.

Young, Shelagh Tamplin. Carl Beam: The Columbus Project Phase 1. Artspace and Art Gallery of Peterborough, 1989.

Young Man, Alfred and Bob Boyer. Kiskayetum: Allen Sapp A Retrospective Une Retrospective. Regina, SK: MacKenzie Art Gallery, 1994.

Young Man, Alfred. North American Indian Art: It’s A Question Of Integrity. BC, 1998.

Zepp, Norman et al. Horses Fly Too: Bob Boyer / Edward Poitras. Regina, SK: Mackenzie Art Gallery Phillips, 1984.

MISCELLANEOUS

American Indian Art: Form and Tradition. Walker Art Center, 1972.

Art of the First Americans. Cincinnati Art Museum, 1976.

Celebrating Life: The Art Of Allen Sapp. Toronto, ON: Hollander York Gallery, 2000.

Cycle of Life – Jane Ash Poitras. Ottawa, ON: Galerie d’Art Vincent, 2002.

George Littlechild. Galerie van de Loo, 1991.

Indian Art ’75. Brantford, ON: Woodland Indian Cultural Educational Centre, 1975.

Indian Inuit Pottery ’73. Ottawa, ON: INAC, 1973.

“Rita Letendre: The Montreal Years, 1953-1963.” Montreal, QC: Concordia University Art Gallery, 1989.

Santa Fe, NM: School of American Research, 1931.

Skijin Ao Waja: Indian Time: Contemporary Indian Art. Kunsthallen Brandts, 1994.

The Submoluc Show / Columbus wohs: A Visual Commentary on Columbus Quincentenial From The Perspective of America’s First People. Phoenix, AZ: Atlatl, 1992.

Tailfeathers/Sapp/Janvier: Selections From The Art Collection Of The Glenbow Museum. Thunder Bay, ON: Thunder Bay Art Gallery, 1982.

Unique Among Nations. Minister of Supply and Services Canada, Ottawa, 1993.

INUIT ART

Lalonde, Christine; Ribkoff, Natalie. Itukiagatta – Inuit Sculpture From The Collection Of The TD Bank Financial Group. National Gallery of Canada; TB Bank Financial Group, 2005.

Canada, Inuit Art Bibliography. Ottawa, ON: Indian and Northern Affairs, 1992.

Crandall, Richard C. and Susan. An Annotated Bibliography of Inuit Art. Jefferson, North Carolina, 2001.

Bradley, Ian and Patricia. A Bibliography of Canadian Native Arts: Indian and Eskimo Arts, Crafts, Dance and Music. Victoria, BC: GLC Publishers, 1977.

Hessel, Ingo. Inuit Art: An Introduction. Harry N. Abrams, 1998.

Ray, Dorothy Jean. Aleut and Eskimo Art: Tradition and Innovation in South Alaska. Seattle: University of Washington Press, 1981.

Ray, Dorothy Jean. Aleut and Eskimo Art: Tradition and Innovation in North Alaska. Seattle: Published for the Henry Art Gallery by the University of Washington Press, 1977.

Ritchie, Carson I. A. Art of the Eskimo. South Brunswick, NJ: Barnes, 1979.

PERIODICALS

American Indian Art. (Magazine) American Indian Art, Inc., 1968

 

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