Celebration of Self
What is Celebration of Self?
Celebration of Self features artwork created by Indigenous Youth involved with the Indigenous Youth Residency Program based in Thunder Bay, Ontario. The Indigenous Youth Residency Program is an artist residency for native youth ages 12-24. In this program, youth explored Anishinaabe art practices while learning about colonialism, culture and Indigenous resistance, while building a connection network together.
Curatorial Statement
Celebration of Self is a collection of artwork made by Indigenous youth of the Indigenous Youth Residency, each artist portraying how they celebrate themselves and practice self-care despite living in a colonial world. We believe it’s important to embrace identity and to humanize and validate our existence as Indigenous people of Turtle Island. With the current pandemic causing our lives to change drastically, the purpose of this exhibition is to highlight each artist’s self-expression and strength during a period of self-isolation, navigating new avenues to stay connected, and finding new ways to practice self-care. By transitioning from an in-person residency, to utilizing the accessibility of video conference calls, we’ve been able to continue the Indigenous Youth Residency Program digitally and safely.
This online Indigenous-led exhibition is an opportunity for us to address the ongoing effects that colonialism, physical displacement, and erasure has on Indigenous Youth in Northwestern Ontario, particularly in Thunder Bay. Amongst the systemic racism, veiled racism and microaggressions in Thunder Bay, Indigenous Youth are left to navigate colonial institutions such as child welfare systems, a faulty justice system, and an education system that disregards and silences them. Some work to heal themselves and take the time to connect with their roots in their family, culture, and language in order to thrive. Each journey is different and worthy of celebrating. The exhibition is intended to provide an accessible safe space to discuss settler colonialism in an Indigenous context and uplift Indigenous voices, as we are often subjected to predominantly white-led initiatives and panels.
As we began the program we all met at the Thunder Bay Art Gallery twice a week, but as news of COVID-19 and the closure of non-essential programs and businesses, we were in a limbo… where do we go from here? When creating this exhibition, post-lockdown, we asked ourselves, how can we stay connected? How can we integrate our teachings in a modern, digital context in a meaningful way? How do we care for and learn from each other?
Celebration of Self is a culmination of the answers we needed.
Loving oneself is a process, one of healing and transition, which is why we chose to integrate the teachings we have about the Medicine Wheel. As Ojibwe, Cree, and Oji-Cree Indigenous creators, the Medicine Wheel holds many teachings and knowledge we commonly share as a group. As we know, yellow is the colour of the Eastern section of the Medicine Wheel. The teachings of the East of the Medicine Wheel are symbolic of childhood, spring, renewal & spirit. Surely, childhood was not easy, it is where some of us birthed our first memories of pain, loss, and confusion. Despite the hardships we continue to share with our grandmothers and grandfathers, our spirits have remained resilient enough to carry us here today. We utilize this space to honour and celebrate our young indigenous brilliance through artistic expression.
Yellow, also represents the sunrise in the East; a new day ahead of us that brings new beginnings. Celebration through caring and loving oneself is a radical act, caring for one’s body, spirit, and connections to others is an act of healing and resilience.
We think it’s incredibly important to be able to embrace what makes Indigenous Youth in Thunder Bay who they are. With the constant reminders of how white settlers in Thunder Bay see us in the media, in the comment sections, polls, (and even entire Facebook pages!) it is almost entirely impossible to escape the constant scrutiny and racism we face, even in our own homes.
With Celebration of self, we make room for ourselves, our art, and community by creating new connections with each other, and the irreplaceable knowledge each and every one of us, Indigenous peoples have are held sacred and should be celebrated.
Meet our curators!

Boozhoo! Aniin!
We’ve been working as a team, curating, and seeing our artists grow these past few weeks and our team is excited to share with you the Celebration of Self online exhibition! Meet us in our bios and see what the curators have to say!
Pictured are curators Beth, and Rina
Rina McKay
Rina is an Annishinabe artist from Thunder Bay, Ontario, Canada, while her family comes from Keewaywin First Nation and Longlac #58. They are currently the co-curator of the Celebration of Self online exhibition! After graduating college Rina has been focusing on art and curatorial projects. Her works primarily focus on the art of storytelling through animation, motion graphics, comics, and art.


Beth Koostachin
Beth is an artist from Fort Severn, First Nation, based out of Thunder Bay. They work with teams on various projects around the city involving Indigenous activism, health and safety, and other various initiatives. Beth’s pieces are colourful and balanced, varying from pencil crayon, acrylic, and photos. They are currently the co-curator of the Celebration of Self online exhibition!
Meet our contributors!
Kay Fiddler
Kay Fiddler is a two-spirited individual from Sandy Lake First Nation. They are a self-taught artist who fell in love with acrylics at the age of 17. For the past few weeks, Kayla has been an art resident for the Indigenous Youth Residency Program. Kayla hopes to connect their pieces with people who are on the journey of healing and self-discovery.
Daanis Pelletier
Daanis Pelletier is an Anishinaabe youth from Fort William First Nation that expresses her self care, love, values and relationships through her art of beading. Daanis is inspired by the environment, her mom, and her mentors. Her goal is to connect with Indigenous youth that struggle with identity through her art.
Jesslynn Friday
Jesslynn Friday is an artist from Seine River First Nation and is based in Thunder Bay Ontario. Jesslynn primarily works with acrylics, watercolour, and drawings with coloured pencils and markers. She takes inspiration from nature itself, which can be seen through her organic linework and care for detail. Her pieces consist of her reflections and outlook on her surroundings, they are depicted in such a way that allows viewers to feel at peace from finding meaning in her artwork.
Christyn Koostachin
