Delegations Initiative

ICCA Delegations Program

The ICCA Delegations Program fosters international collaboration and cultural exchange by supporting participation in global events that align with ICCA’s values and vision. This program operates in two streams:

Purpose
The ICCA Delegation Program supports individual ICCA members to attend major exhibitions, festivals, and events that will strengthen their professional development, networks, and visibility in the arts.

Each delegation is carefully planned to ensure a meaningful and impactful exchange. Over time, this program will evolve into a platform for presenting at conferences, publishing reflections, and expanding global connections through Indigenous perspectives.

Key Changes for 2025

  • Individual Support Model
    Delegations are now for individual members rather than staff-led group travel.

  • Focus on Independent Curators
    Priority is given to curators who are not affiliated with large galleries or institutions.

  • Deliverables Required
    Delegates are expected to complete:

    • A 1,000–2,000-word reflective essay or report.

    • A presentation at the next ICCA Gathering or a webinar.

    • Sharing resources, contacts, and opportunities with ICCA members.

  • Staff Capacity & Budget Sustainability
    Changes reduce the need for staff to work significant overtime during and after delegations, with budgets developed in advance to ensure sustainability.

  • Review Process
    All delegation requests are submitted to the ICCA Board of Directors Program Committee for timely review.
    Applications are assessed based on:

    • Alignment with ICCA’s mission.

    • Potential professional impact.

    • Applicant’s independence from large institutions.

How to Apply to the ICCA Delegation Program

Why Become an ICCA Delegate?

“I’m grateful for the chance to attend the Venice Biennale and Bard symposium as part of the October 2024 ICCA delegation. Walking away from the experience, I can see its impact on my growth as a writer, curator, and art historian.

Each day of the visit was filled with brilliant Indigenous art, performance, and discussion. It was fascinating to see how connections between the Biennale and the symposium conversations played out in my exhibition experiences — both within Jeffrey Gibson’s historic pavilion and beyond. I continue to reflect on the varied and moving approaches to Indigenous art/curation I saw during the trip.

I also enjoyed connecting with the cohort members and ICCA staff members. Over long walks, exhibition visits, and shared meals, we discussed our practices, reflections on the Biennale, and our hopes for future projects. I look forward to staying in touch with everyone!

Miigwech to the ICCA, the Canada Council for the Arts, and my fellow cohort members for an unforgettable and enriching experience.”

– Lois Taylor Biggs